¡Que viva la música!

¡Que viva la música!
Author(s)	Andrés Caicedo
Country	Colombia
Language	Spanish

"¡Que viva la música!" is a novel of the Colombian writer Andrés Caicedo, one of his most important works and considered by many observers as a masterpiece of the Colombian literature in modern times. He started to write it in his trip to Los Angeles trying to get in touch with Roger Corman in order to sell to the famous Hollywood director four of his play scripts, but he was not welcomed. Caicedo dedicated his time in USA to see movies, study blues and rock and write this novel.^[1] The publication of the book was finished in Cali on March 4, 1977. In that same afternoon, its author committed suicide.^[2]

He described the book as a result of an "ephemeral curiosity." but there is a small but dedicated core of readers who believe the book to be one of the greatest novels among Colombian literature of the second half of the 20th century. It is in this work where Caicedo said that to live more than 25 years old is madness.^[3]

Context

The novel has scenery like the city of Cali, known also as the "World Capital of Salsa".^[4] It is also the native city of Caicedo who reflect its barrios and streets of the city and its people of the 1970s.

Plot summary

The novel has been seen as an invitation to a party without end, where the main character comes to see the world as a bottomless pit of debauchery, which she relishes. There's a secret pact with death itself with the ever more frantic dance of María del Carmen Huerta, the blond protagonist of the book.

The novel also offers an affectionate view of the Colombian city of Cali as unique, magic, and different. Our introduction starts in the privileged North, with its Sixth Avenue ("la Sexta"), Parque Versalles, and its magical places, until you get to the ghetto in the South with its Caseta Panamericana (built especially for the 1971 Pan American Games), the Pance River, the neighborhoods beyond upper-class Miraflores, the winged Andes mountain range, and the hideouts of sex and salsa in the final stretches of 15th Street ("la Quince").

María del Carmen Huerta

She is a girl of good family, the daughter of a photographer of the Calean high society. But living in a high class comes to be for her boring and then she decided to explore the streets of the city. Through the eyes of Maria del Carmen, Caicedo shows the different social groups of the 1970s Cali, that reflects also the Colombian society and in a wider way Latin America. As a kind of Siddhartha of Hermann Hesse, Maria del Carmen goes from group to group looking for a sense for her life.

The first group she found is of Marxists who used to go by the streets of Cali or Bogotá with backpacks, untidy hair and Das Kapital to read anywhere to anyone who dare to listen to them as a kind of preachers. She got bored of this first team and abandoned them soon to look more pure emotions

She came to the rock world imported to the city by the children of daddies and mummies who were able to study in the USA and return to Cali wearing gang clothes. Maria del Carmen became a part of a gang to prove any kind of drugs while listening the Rolling Stones.

References

1. ^ Corporación Otraparte: "El Atravesado, de Andrés Caicedo", Teatro Frastricida, Envigado, June 8, 2007. Link retraived on June 14, 2008.
2. ^ CAREAGA, Roberto, Fuguet prepara antología de Andrés Caicedo, el primer enemigo de Macondo, La Tercera, Santiago de Chile, February 22, 2008. Link retrieved on June 14, 2008.
3. ^ ¡Qué viva la música!, sinópsis by es.shvoong.com. Link retrieved on June 14, 2008.
4. ^ Salsa.ch: Cali, Capital Mundial de la Salsa, link retrieved on June 14, 2008.

External links

• HERNÁNDEZ, Adriana, ¡Qué viva la música! La escritura desde abajo. Primeras Jornadas Virtuales de Esquizoanalisis - 2004.