- Leonid Hrabovsky
Leonid Oleksandrovych Hrabovsky (Hrabovsky or Hrabovs'ky, Ukrainian: Леонід Грабовський) (Grabovsky in Russian) (born
28 January 1935 ) is the most famous and influential contemporary Soviet Ukrainiancomposer to emerge inKiev during the 1950s.Biography
Leonid studied economics at
Kyiv University (1951–1956), and from 1954 composition withBoris Lyatoshynsky andLev Revutsky atKyiv Conservatory which he graduated in 1959. His diploma work "Four Ukrainian Songs" for chorus and orchestra (1959) which won first prize in an all-union competition. Shostakovich wrote about this: ‘the Ukrainian Songs by Hrabovsky pleased me immensely - his arrangements attracted me by the freedom of treatment and good choral writing’.In the early 1960s Hrabovsky taught theory and composition at the Kiev Conservatory. He belonged to group of the so-called Kiev avant-garde (as well as Hodzyatsky, Huba, Silvestrov,
Yevhen Stankovych and Zahortsev). Leonid was active as a composer, editor, and translator. He was one of the first Soviet composers to adopt minimalism. His works include Dramatic, Orchestral, Chamber, Vocal Music and music for solo instruments. Hrabovsky’s works show Asian influences.In 1981 he moved to
Moscow . In 1987 he worked as an editor for "Sovetskaya muzïka" magazine. In 1990 he moved to the USA at the invitation of theUkrainian Music Society . He settled inBrooklyn . Since 1990 to 1994 he was composer-in-residence at theUkrainian Institute of America .Works
Operas:
*The Bear (chamber opera after Chekhov; piano score) 1963.
*The Marriage Proposal (chamber opera afterChekhov ; piano score) 1964.ymphonic/Orchestral:
*Symphonic Frescoes on a Theme of
Boris Prorokov Op. 10, 1961.
*Four Inventions (transcription of Op. 11a for chamber orchestra), 1965.
*Small Chamber Music No.1 (chamber strings, 15 players), 1966. Homoeomorphy IV, 1970
*Small Chamber Music No.2 (oboe, harp, 12 strings), 1971.
*Meditation and Pathetic Recitative (string orchestra), 1972.
*Five Character Pieces (transcription of Op. 11b for orchestra), 1975.
*On St. John's Eve (symphony legend after Gogol), 1976Chamber/Instrumental:
*Sonata Op.8 (unaccompanied violin), 1959.
*Four Two-Part Inventions Op.11a (piano), 1962.
*Five Character Pieces Op.11b (piano), 1962
*Trio (violin, double bass, piano), 1964.
*Microstructures (unaccompanied oboe), 1964.
*Constants (solo violin, 4 pianos, 6 percussion groups), 1964
*Homoeomorphies I-III (piano; III, 2 pianos), 1968-9.
*Ornaments (oboe, harp or guitar, viola; variable duration), 1969.
*Bucolic Strophes (organ), 1976.
*Concorsuono (unaccompanied French horn), 1977.
*Concerto misterioso (flute, clarinet, bassoon, antique cymbals, harpsichord, harp, violin, viola, cello), 1977.
*Fuer Elise (piano), 1988. Hlas I (unaccompanied cello), 1990.
*Hlas II (obituary forDmitri Shostakovich , unaccompanied bass-clarinet), 1994.Vocal/Choral:
*Four Ukrainian Songs Op.6 (mixed chorus, orchestra; folk texts) 1959.
*Five Poems byVladimir Mayakovsky Op/9 (baritone, piano) 1962
*Two A Cappela Choruses (Mayakovsky, Asseyev) 1964
*Pastels (female voice, violin, viola, cello, double bass; Tychyna) 1964, revised 1975.
*From JapaneseHaiku (tenor, piccolo, basson, xylophone) 1964, revised 1975.
*La Mer/The Sea (speaker, chorus, organ, orchestra; St John Perse) 1966-70.
*Marginalia on Heissenbuettel (speaker, 2 trumpets, trombone, percussion) 1967, revised 1975.
*Kogda (soprano, violin, clarinet, piano with additional percussion, strings ad lib.; Khlebnikov) 1987.
*Temnere mortem for 4-part mixed chamber chorus a cappella (Skovoroda), 1991
*I Bude Tak/And It Will Be (soprano, violin, clarinet, piano/CASIO-100 Tonebank synthesizer with additional percussion), 1993.Music for Guitar:
*The Night Blues
*Tango & Foxtrot
*Homages (7 Pieces)
*3 Pieces in an Old StyleBibliography
By Hrabovsky:
*"On My Teacher", memoir on Boris Liatoshinsky) in Sovetskaya Muzyka, 2, 1969;
*"Splendor And A Bit of Misery", in Sovietskaya Muzyka, 10, 1988;
*"Zauber der ukrainischen Musik", in Die Musik, 1, 1989.On Hrabovsky:
*Grigori Golovinski, "Bold and Original", in Sovietskaya Muzyka, 10, 1962;
*Yuli Malyshev, "Symphonic Frescoes by L.H." in "Ukrainian Musicology", Kiev, 1968;
*V. Baley: ‘Die Avantgarde von Kiew: ein Retrospektive auf halbem Weg’, Melos/NZM, ii (1976), 185–92
*Hannelore Gerlach, "Portrat -- L.H.", in MuG, 12, 1977.
*V. Tsenova and V. Barsky, ed.: Muzïka s bïvshego SSSR [Music from the former USSR] (Moscow, 1994)External links
* [http://www.artona.org/Hrabovsky2.html Bio and Compositions]
* [http://www.ukrainianmusicians.com/html/musicians-g.html Ukrainian Musicians Directory]
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