Jon Hassell

Infobox Musical artist
Name = Jon Hassell


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Background = non_vocal_instrumentalist
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Born = birth date and age|1937|3|22
Memphis, Tennessee, U.S.
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Origin =
Instrument = Trumpet
Genre = World music
Years_active =
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URL = [http://www.jonhassell.com/ www.jonhassell.com]

Jon Hassell (born March 22, 1937) is an American trumpet player and composer. He is known for his influence in the world music scene and his unusual electronic manipulation of the trumpet sound.

Life and career

Born in Memphis, Tennessee, Hassell received his Master's degree from the Eastman School of Music in Rochester, New York. During this time he became involved in European serial music, especially the work of Karlheinz Stockhausen, and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music for two years (founded and directed by Stockhausen). Hassell returned to the U.S. in 1967, where he met Terry Riley in Buffalo, New York and performed on the first recording of Riley's seminal work "In C" in 1968. He pursued his PhD in musicology in Buffalo and performed in La Monte Young's "Dream House" (aka Theatre of Eternal Music) in New York City.

On his return to Buffalo in the early 1970s, Hassell was introduced to the music of Indian Pandit Pran Nath, a specialist in the Kiranic style of singing. Hassell, Young, Marian Zazeela (Young's wife) and Riley went together to India to study with Nath. His work with Nath awoke his appetite for world music, and on the album "Vernal Equinox", he used his trumpet to imitate the vocal techniques of Nath (treated with various electronic effects) where he stated:

:"From 1973 up until then I was totally immersed in playing raga on the trumpet. I wanted the physical dexterity to be able to come into a room and be able to do something that nobody else in the world could do. My aim was to make a music that was vertically integrated in such a way that at any cross-sectional moment you were not able to pick a single element out as being from a particular country or genre of music."Fact|date=September 2008

In 1980, he collaborated with Brian Eno on the album '. Hassell's 1981 release, "Dream Theory in Malaya", led to a performance at the first World of Music, Arts and Dance (WOMAD) Festival, organized by Peter Gabriel. In the late 1980s, Hassell contributed to Gabriel's ', the soundtrack album for Martin Scorsese's film, "The Last Temptation of Christ". Hassell and Pete Scaturro composed the electronic theme music for the television show "The Practice".

tyle

Hassell coined the term "Fourth World" to describe his musical style, as expressed both in his trumpet playing and in his approach to composition. This musical conception combines the philosophy and techniques of minimalism with Asian and African styles, and relies heavily on the use of electronic instruments. Critics of Hassell's style have noted its incorporation of New Age and world music styles, but have also detected the influence of Miles Davis, particularly Davis' use of electronics, modal harmony and understated lyricism. [Mark Gilbert: 'John Hassell,' "Grove Music Online" ed. L. Macy (Accessed [November 7 2007] ),] Both on record and during live performances, Hassell makes use of traditional western instruments--keyboards, bass, electric guitar, and percussion--to create modal, hypnotic grooves, over which he plays microtonally-inflected trumpet phrases in the style of Nath's Kiranic vocals. [Jon Pareles, "Jon Hassell with Trumpet and Electronics," "New York Times" September 21 1989: p. C15, "ProQuest Platinum", Online (November 6, 2007).]

Discography

* 1977 "Vernal Equinox"
* 1978 "Earthquake Island"
* 1981 "Fourth World, Vol. 2: Dream Theory in Malaya"
* 1983 "Aka/Darbari/Java: Magic Realism"
* 1986 "Power Spot" (produced by Brian Eno / Daniel Lanois)
* 1987 "The Surgeon of the Nightsky Restores Dead Things by the Power of Sound"
* 1988 "Flash of the Spirit"
* 1990 "City: Works of Fiction" (All Saints Records)
* 1994 "Dressing for Pleasure"
* 1995 "Sulla Strada" (release of soundtrack from 1982)
* 1998 "The Vertical Collection"
* 1999 "Fascinoma"
* 2005 "Magic Realism, Vol. 2: Maarifa Street"

Collaborations

* 1980 "" with Brian Eno
* 2000 "Hollow Bamboo" with Ry Cooder and Ronu Majumdar (bansuri)

See also

* Michael Brook
* David Sylvian
* Talking Heads

References

*Mark Prendergast, "The Ambient Century". New York and London:Bloomsbury Publishing, 2000.
*Jon Hassell, program notes from "Vernal Equinox". Lovely Music, LML 1021, 1977.

External links

* [http://www.jonhassell.com Official Jon Hassell site]
* [http://www.maarifastreet.com "Magic Realism, Vol. 2: Maarifa Street" album site]