A Streetcar Named Desire (film)

Infobox Film
name = A Streetcar Named Desire


image_size = 215px
caption = original movie poster
director = Elia Kazan
producer = Charles K. Feldman
writer = Tennessee Williams
starring = Vivien Leigh
Marlon Brando
Kim Hunter
Karl Malden
music = Alex North
cinematography = Harry Stradling Sr.
editing = David Weisbart
distributor = Warner Bros.
released = 18 September fy|1951 "(US)"
runtime = Theatrical release:
122 minutes
Director's cut:
125 minutes
country = FilmUS
language = English
budget =
gross =
imdb_id = 0044081

"A Streetcar Named Desire" is a fy|1951 film adaptation of the play of the same name by Tennessee Williams. It was directed by Elia Kazan, who had also directed the original stage production, and stars Marlon Brando, Vivien Leigh, Kim Hunter and Karl Malden; all but Leigh were chosen from the Broadway cast of the play, while Leigh had starred in the London West End production. It was produced by talent agent and lawyer Charles K. Feldman, and released by Warner Bros. Studios. The screenplay was written by Williams himself, but had many revisions to remove references to homosexuality among other things.

Plot

As in the play, the film presents Blanche DuBois, a fading but still-attractive Southern belle whose pretensions to virtue and culture only thinly mask delusions of grandeur and alcoholism. Her poise is an illusion she presents to shield others, but most of all herself, from her reality, and an attempt to make herself still attractive to new male suitors. Blanche arrives at the apartment of her sister Stella Kowalski in the Faubourg Marigny of New Orleans, on Elysian Fields Avenue; the local transportation she takes to arrive there includes a streetcar route named "Desire". The steamy, urban ambiance is a shock to Blanche's nerves. Explaining that her ancestral southern plantation, Belle Reve in Auriol, Mississippi (Laurel, Mississippi in the play), has been "lost" due to the "epic fornications" of her ancestors, Blanche is welcomed with some trepidation by Stella, who fears the reaction of her husband Stanley. Blanche explains to them how her supervisor told her she could take time off from her job as an English teacher because of her upset nerves, when in fact, she has been fired for having an affair with a 17-year-old student. This turns out not to be the only seduction she has engaged in—and, along with other problems, has left Auriol to escape. A brief marriage scarred by the suicide of her spouse, Allen Grey, has led Blanche to live in a world in which her fantasies and illusions are seamlessly mixed with her reality.

In contrast to both the self-effacing and deferent Stella and the pretentious refinement of Blanche, Stella's husband, Stanley Kowalski, is a force of nature: primal, rough-hewn, brutish and sensual. He dominates Stella in every way and is physically and emotionally abusive. Stella tolerates his primal behaviour as this is part of what attracted her in the first place; their love and relationship is heavily based on powerful even animalistic sexual chemistry, something that Blanche finds impossible to understand.

The arrival of Blanche upsets her sister and brother-in-law's system of mutual dependence. Stella's concern for her sister's well-being emboldens Blanche to hold court in the Kowalski apartment, infuriating Stanley and leading to conflict in his relationship with his wife. Stanley's friend and Blanche's would-be suitor Mitch is trampled along Blanche and Stanley's collision course. Stanley discovers Blanche's past through a co-worker who travels to Auriol frequently, and Stanley confronts Blanche with the things she has been trying to put behind her, partly out of concern that her character flaws may be damaging to the lives of those in her new home, just as they were in Auriol, and partly out of a distaste for pretence in general. However, his attempts to "unmask" her are predictably cruel and violent. Their final, inevitable confrontation—a rape—results in Blanche's nervous breakdown. Stanley has her committed to a mental institution, and in the closing moments, Blanche utters her signature line to the kindly doctor who leads her away: "I have always depended on the kindness of strangers", reminding us of one of the flaws that has led her to this point--relying too heavily on the attentions of men to fulfill and rescue her.

The reference to the streetcar called Desire—providing the aura of New Orleans geography—is symbolic. Blanche not only has to travel on a streetcar route named "Desire" to reach Stella's home on "Elysian Fields" but her desire acts as an irrepressible force throughout the play—she can only hang on as her desires lead her.

Cast

*Vivien Leigh - Blanche DuBois
*Marlon Brando - Stanley Kowalski
*Kim Hunter - Stella Kowalski
*Karl Malden - Harold 'Mitch' Mitchell
*Rudy Bond - Steve Hubbel
*Nick Dennis - Pablo Gonzales
*Peg Hillias - Eunice Hubbel
*Wright King - A Collector
*Richard Garrick - A Doctor

Adaptation, censorship and re-release

The play's themes were controversial and the screenplay for the film was watered down to accord with the Hollywood Production Code. In the film, Stella renounces Stanley's rape of Blanche, perhaps to the point of leaving the household; in the original play, the ending is more ambiguous, with Stella, distraught at having sent off her sister Blanche, mutely allowing herself to be consoled by Stanley.In the original play, Blanche's deceased husband, Allen Grey, had committed suicide after having a homosexual affair. This material was removed for the film; Blanche says only that she showed scorn towards Allen, driving him to suicide.

Some of these changes were in the screenplay; others were present but cut after filming was complete in order to avoid condemnation by the National Legion of Decency. According to the audio commentary track for the DVD version, these cuts were made without the knowledge of the director.

In 1993, the film was re-released with the cut scenes restored, and this is the version available on VHS and DVD. The restored scenes include the following:
*Stella says "Stanley's always smashed things. Why, on our wedding night, as soon as we came in here, he snatched off one of my slippers and rushed about the place smashing the light bulbs with it...I was sort of thrilled by it."
*The dialogue makes it clearer that Blanche's husband was a homosexual and that she made him commit suicide with her insults.
*Blanche's line explaining that she wants to kiss the paperboy "softly, sweetly" now has the words "...on the mouth" at the end.
*When Stella takes refuge upstairs after Stanley punches her, her emotions are made clear as she is shown in close up, her face blank with desire.
*Stanley's line "Maybe you wouldn't be so bad to interfere with." and the ensuing rape scene.

Production

Casting

Jessica Tandy, who had played Blanche DuBois on Broadway, was bypassed in favor of Vivien Leigh, star of the London production, at the insistence of the producers. This was because her fame from films such as "Gone with the Wind" provided the star power which they felt the film needed; Brando had not yet achieved the fame necessary to draw audiences [Manvell, Roger. "Theatre and Film: A Comparative Study of the Two Forms of Dramatic Art, and of the Problems of Adaptation of Stage Plays into Films". Cranbury, New Jersey: Associated University Presses Inc, 1979. 133]

Locations and design

Most of the filming was on sets in California, but a few exteriors were filmed in New Orleans, most notably the opening scenes of Blanche's arrival. The streetcar visible in the film is Perley Thomas #922, still in service in New Orleans.Fact|date=March 2008

During studio shooting, Elia Kazan made the set walls movable so that, with each passing scene, the walls could close in on Blanche Dubois (thus mirroring her insanity).Fact|date=March 2008

Brando's iconic tight T-shirt had to be made specially, as one could not buy fitted T-shirts at the time; a regular T-shirt was bought, it was washed several times and its back was sewn in order to tighten it for Brando.Fact|date=September 2007

oundtrack

The music score, by Alex North, was a radical departure from the major trend in Hollywood at that time, which was action-based and overly manipulative. Instead of composing in the traditional leitmotifstyle, North wrote short sets of music that reflected the psychological dynamics of the characters. For his work on the film, North was nominated for an Academy Award for Best Music Score, one of two nominations in that category that year. He also was nominated for his music score for the film version of another play, "Death of a Salesman", which also was composed with his unique technique. However, he lost to Franz Waxman's score for "A Place in the Sun".

Awards and recognition

The movie won Academy Awards for Best Actor in a Supporting Role (Karl Malden), Best Actress in a Leading Role (Vivien Leigh), Best Actress in a Supporting Role (Kim Hunter), and Best Art Direction -- Set Decoration, Black-and-White. It was also nominated for Best Actor in a Leading Role (Marlon Brando), Best Director (Elia Kazan), Best Cinematography, Black-and-White, Best Costume Design, Black-and-White, Best Music, Scoring of a Dramatic or Comedy Picture, Best Picture, Best Sound, Recording and Best Writing, Screenplay.

In fy|1999, "A Streetcar Named Desire" was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

American Film Institute recognition

*1998 AFI's 100 Years... 100 Movies #45
*2002 AFI's 100 Years... 100 Passions #67
*2005 AFI's 100 Years... 100 Movie Quotes:
** "Stella! Hey, Stella!" #45
** "I've always depended on the kindness of strangers," #75
*2005 AFI's 100 Years of Film Scores #19
*2007 AFI's 100 Years... 100 Movies (10th Anniversary Edition) #47

Notes

External links

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###@@@KEY@@@###succession box
title=Special Jury Prize, Venice
years=1951
before=n/a
after="The Lovers"
tied with "La sfida"