- António Chagas Rosa
António Chagas Rosa (1960- ) is a Portuguese
composer of contemporary classicalmusic , considered one of the leading figures of contemporary musical writing of his generation.His output includes chamber
operas , song-cycles and numerous works for chamber andsymphony orchestras . His work has been played all over Europe as well as in Asia and America.Biography
Born in
Lisbon , he studied Piano at the Conservatório Nacional and History at theNew University of Lisbon . From 1984 to 1987, with a scholarship from theCalouste Gulbenkian Foundation of Lisbon, Chagas Rosa studied Contemporary Piano and Chamber Music withAlexander Hrisanide at theSweelinck Conservatory in Amsterdam. Between 1987 and 1992, with a scholarship granted by the Portuguese government, he studied composition at the Rotterdams Conservatory under Klaas de Vries andPeter Jan Wagemans .In The Netherlands, António Chagas Rosa worked as a repetiteur and assistant at the Dutch opera house,
Het Muziektheater , and became a teacher of the opera class at theSweelinck Conservatorium . Among other productions, he worked with Robert Wilson during forDe Materie byLouis Andriessen , and with Oliver Knussen during the rehearsals of "Die Glückliche Hand ", by Arnold Schönberg. As apianist he took part in many of the concerts organized by theGaudeamus and "The Unanswered Question " foundations. In 1989, being invited by the dance groupDansproductie ofAmsterdam , he performed music byJohn Cage for prepared piano in many Dutch cities as well as inLondon ,Mulhouse andGhent .In 1994, the
ACARTE department of theCalouste Gulbenkian Foundation commissioned him with the composition of thechamber opera "Canticles for the remission of hunger", upon a libretto by the Portuguese writerPaulo Lages . Further commissions were provided by theInternational Music Festival of Macau , the Portuguese Radio (Antena 2), theTeatro Nacional de São Carlos in Lisbon, theCasa de Mateus Foundation , theNederlands Kamerkoor , and many others.His works have been performed in several modern music festivals in
Portugal , Spain, France, Holland, Austria, Germany, Sweden, Switzerland, Ukraine, the U.S.A., Macau and Hong-Kong, etc. In 1997 he represented Portugal in theTribune Intérnationale des Compositeurs (UNESCO) in Paris with his concerto for piano and orchestra. During the 1998 edition ofWien Modern , the Austrian ensembleKlangforum premiered Moh (commissioned by the Portuguese festival Music in November); this piece was also performed in Spain (Ensems, Valencia) and Portugal ( Serralves hall, in Porto) by theRemix Ensemble , withStefan Asbury as conductor.In 1999 and 2002 he was member of the juri of the
Premio Valentino Bucchi Competition for Composition in Rome. In 2000 his song cycle Non Altro for tenor, piano and electronics was premiered at theConcertgebouw of Amsterdam, by Marcel Beekman and Hans Adolfsen. Several of his works are published in Portugal and Holland (Fermata ,Musicoteca ,Donemus ), and there are recordings of his Piano Sonata, Altro for piccolo and piano (Numérica , Port.), and of 4 Cartoons for prepared marimba (Deux Elles, UK).António Chagas Rosa's latest opera - Melodias Estranhas - upon a libreto by the Dutch writer
Gerrit Komrij , was the result of a joint commission made by the cities of Oporto and Rotterdam,European Capital of Culture in 2001. It tells three episodes of the life of the 16th century humanist philosopherDamião de Góis , student and friend ofErasmus of Rotterdam. Also a composer, he was accused by the Inquisition of writing inappropriate (polyfonic) music, imprisoned and later killed.The premiere of this opera took place at the Schouwburg of Rotterdam, as a joint production ofCasa da Música (Oporto) and theOnafhankelijk Toneel of Rotterdam.His most recent works include composisitons for the
Nederlands Kamerkoor of Amsterdam, the Contemporary Music Group of Lisbon, the Portuguese percussion groupDrumming and the AustrianJeunesse Festival .Since 1996 António Chagas Rosa teaches Chamber Music at the
University of Aveiro (Portugal), at the Department of Communication and Arts.List of works
*"Piano Sonata" (1988) Premiered the same year at the concert hall "De Ijsbreker" of Amsterdam. Repeatedly performed in Portugal and Holland. Recorded by Nancy Harper for NUMÉRICA (Port.)
*"Tres Gacelas" for contralto and chamber orchestra (1988/89). A song cycle upon poems byLorca . Premiered at the concert hall "De Unie" in Rotterdam and performed the next year in Lisbon at theCalouste Gulbenkian Foundation bySharon Cooper andMichel Tabachnik .
*"Meghasandesham" for harpsichord and string quartet (1989/90). Premiered in Lisbon in 1990 and, after being revised, in Kiev in 1993 during the 2nd Forum of New Music.
*"Antinous" for string quartet and large orchestra (1990/92). Created at the Calouste Gulbenkian Foundation of Lisbon during the Modern Music Days of 1994 with theChilingirian String Quartet and theGulbenkian Orchestra conducted by Lucas Pfaff.
*"Songs of the Beginning" for high voice and piano (1992). Songs upon a poem of Lao-Tze, written for the Canadian soprano Janice Jackson and premiered in Amsterdam at the "De Ijsbreker" the same year; recorded by the Dutch radio KRO.
*"Canticles for the Remission of Hunger",a chamber opera in six scenes (1992/94). This opera was selected by the ACARTE Festival of Lisbon to stand together with Pina Bausch's Tanztheater of Wuppertal at the music theatre program of the year 1994.
*"Afonso Domingues, por exemplo" for tenor and piano (1994/97). A song cycle with poems by Paulo Lages; premiered at the Concertgebouw of Amsterdam, in Holland, during a jubileum of the Dutch foundation "Vrienden van het Lied".
*"Angkor" for viola and piano (1994/95). Premiered in Stockholm by members of the Swedish chamber orchestra "KammerensembleN" to whicht his work was dedicated. Played in Holland, Germany and Portugal.
*"Piano Concerto" (1994/95). Written for the Xth International Music Festival of Macau (1996); this work was performed by the American pianist Jay Gottlieb and by the Beijing Central Opera Symphony Orchestra conducted by Ronald Zollman. Recorded by the Portuguese radio and later broadcasted throughout Europe by means of the „Union de Radios Européene“.
*"O Céu sob as Entranhas", for baritone and piano trio (1996). A song cycle written upon poems by the Portuguese poet Luís Miguel Nava, as the result of a commission from the national radio RDP 2. Premiered at the Theatre of São Carlos, Lisbon's opera house.
*"Sept Épigrammes de Platon", for soprano and piano (1997). A song cycle written upon a set of poems by Plato. Commissioned by the ACARTE culture centre of Lisbon.
*"3 Consolations", for recorder and chamber orchestra (1997/98). A chamber concerto commissioned by the Calouste Gulbenkian Foundation of Lisbon, premiered during its modern music festival of 1999.
*"Moh", for chamber orchestra (1998). Dedicated to "Klangforum Wien" and premiered in Vienna during the 1998 edition of the Wien Modern Festival.
*"Four Cartoons", for solo prepared marimba (1999). Dedicated to the Portuguese marimba virtuoso Pedro Carneiro. Performed in several countries.
*"Non Altro", for tenor, piano and tape (1999). A song cycle commissioned by the Portuguese Fundação da Casa de Mateus, and dedicated to Marcel Beekman and Hans Adolfsen. Premiéred at the Concertgebouw of Amsterdam in February 2000. Other concerts followed in Holland and Portugal.
*"Altro" (2000), for piccolo and piano, premiered in Santa Maria da Feira, already recorded on CD.
*"What the afternoon and the mountain said", for piano (2000). Premiered by Marino Formenti at the Los Angeles County Museum in April 2000.
*"Melodias Estranhas" (2000/1), a chamber opera in 3 acts commissioned by the cities of Oporto and Rotterdam, Cultural Capitals of Europe in 2001, upon a libreto by the Dutch poet Gerrit Komrij. Premiered at the Stadsschouwburg of Rotterdam in December 2001.
*"Quatrains du Secret Estude" (2002), for chorus a capella, upon texts by Nostradamus, commissioned by the Nederlands Kamerkoor of Amsterdam.
*"…pour les temps glissants…" (2002), for bass clarinet and string trio, commissioned by the Grupo de Música Contemporânea de Lisboa.
*"Zwei Kleinbauernlieder" (2002), for tenor and piano, upon texts byRaphael Urweider , commissioned by the Iberia Festival 2002 (Musikhochschule Zürich/Winterthur); premiered in September 2002 by Marcel Beekman and Hans Adolfsen.
*"Deep Water Music" (2002), for 4 drum players, commissioned by the Portuguese percussion group ‘Drumming’.
*"Naishapur" (2003), for baritone, percussion and piano, a song cycle upon poems by Fernando Pessoa, commissioned by the Jeunesse Festival (Vienna 2003).Published works
*"Songs of the Beginning", DONEMUS, Amsterdam 1996.
*"Trois Consolations", FERMATA, Porto 1999.
*"Moh", FERMATA, Porto 1999.
*"Sept Épigrammes de Platon", MUSICOTECA, Lisboa 1999.
*"Melodias Estranhas", FERMATA, Porto 2001
*"Quatrains du secret estude", FERMATA, Porto, 2004.On CD:
*"Piano Sonata", by Nancy Lee Harper. NUMÉRICA Editora.
*"Altro", by Jorge Salgado and Helena Marinho, NUMÉRICA Editora.
*"4 Cartoons", by Pedro Carneiro, Deux-Elles, UK.External links
* [http://www.donemus.nl/ "Donemus", Amsterdam]
* [http://www.numerica-multimedia.pt "Numérica" Editora, Oporto]
* [http://www.fermata.pt "Fermata" Editora, Oporto]
* [http://www.saocarlos.pt/ "Teatro Nacional de São Carlos", Lisbon]
* [http://www.casadamusica.com "Casa da Musica", Oporto]
* [http://www.klangforum.at/ "Klangforum", Wien]
* [http://www.casademateus.com/home.htm "Fundação Casa de Mateus", Vila Real]
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