- Flanders and Swann
The British duo "Flanders and Swann" were the actor and singer
Michael Flanders (1922–1975) and the composer, pianist and linguistDonald Swann (1923–1994) who collaborated in writing and performing comic songs.Between 1956 and 1967 they performed some of their songs in their long-running two-man
revue s "At the Drop of a Hat " and "At the Drop of Another Hat ". Both revues were recorded in concert along with several studio-based tracks.The musical partnership
Flanders and Swann both attended
Westminster School — where in July and August 1940 they staged a revue called "Go To It" [http://www.donaldswann.co.uk/hatshow.html] — andChrist Church, Oxford , two institutions which are linked by ancient tradition, but the pair went their separate ways duringWorld War II . However, a chance meeting in 1948 led to a musical partnership writing songs and light opera, Flanders providing the words and Swann composing the music. Their songs have been sung by performers such as Ian Wallace andJoyce Grenfell .In December 1956, Flanders and Swann hired the New Lindsey Theatre,
Notting Hill , to perform their own two-man revue "At the Drop of a Hat", which opened on New Year's Eve. Flanders sang a selection of the songs that they had written, interspersed with comic monologues, and accompanied by Swann on the piano. An unusual feature of their act was that, due to Flanders' having contractedpoliomyelitis in 1943, both men remained seated for their shows: Swann remained behind his piano, and Flanders used a wheelchair.The show was successful and transferred the next month to the Fortune Theatre, where it ran for over two years, before touring in the UK, the USA,
Canada andSwitzerland .In 1963 Flanders and Swann opened in a second revue, "At the Drop of Another Hat". Over the next four years they toured a combination of the two shows in the UK,
Australia ,New Zealand ,Hong Kong , the USA andCanada , before finishing up at the Booth Theatre on Broadway. OnApril 9 1967 they performed their last live show together. Ten days later, they moved into a studio and recorded the show for television.Over the course of 11 years, Flanders and Swann gave nearly 2,000 live performances. Although their performing partnership ended in 1967, they remained friends afterwards and collaborated on occasional projects.
Timeline
source: Sleeve notes to the CD box set "The Complete F & S"
The 21st Century
The style and presentation of Flanders and Swann have been
parodied by British comedians Alexander Armstrong andBen Miller in their sketch comedy television series "The Armstrong and Miller Show " (2007) although the lyrics of the latter-day songs are somewhat more ribald than those of original duo.Songs of Flanders and Swann
Flanders and Swann's songs are characterised by wit, gentle satire, complex rhyming schemes, and memorable choruses. They wrote over eighty comic songs together; the following selection gives an indication of their range:
* "All Gall" — a political satire based on the long career of
Charles de Gaulle . At the time of writing, de Gaulle had recently vetoed the UK's first application to join theEuropean Economic Community .
* "First and Second Law" — perhaps the only comic song ever written aboutthermodynamics .
* "Ill Wind" — Flanders' words sung to a slightly cut version, withcadenza , of the "rondo finale" of Mozart's Horn Concerto No. 4 in E flat major, K. 495.
* "A Song of Reproduction" —satire on the (then very topical) mania for do-it-yourself hi-fi. ("Raise the ceiling four feet, move the fireplace from that wall to that wall, you'll still only get the stereophonic effect if you sit in the bottom of that cupboard.")
* "Madeira M'Dear" — a song about seduction, full of complex word-play, including three oft-quoted examples of syllepsis.
* "Misalliance" — a political allegory concerning a love affair between ahoneysuckle and abindweed .
* "P** P* B**** B** D******" or "Pee Po Belly Bum Drawers" — a song comparing the use ofprofanity among the intelligentsia to playground swearing.
* "Slow Train " — a nostalgic song about the railway stations closed by Dr Beeching.
* "The Gasman Cometh" — relating the visits of a succession of tradesmen, each coming to repair the damage done by the previous tradesman.
* "The Hippopotamus" — one of Flanders and Swann's best known songs ("Mud, mud, glorious mud"), and one of a range of songs that they wrote about different beasts, including "The Gnu ", "The Warthog" and "The Armadillo".
* "The Reluctant Cannibal" — an argument between father and son, disputing the topic of cannibalism (Son: "Eating people is wrong", Father: "Must have been someone he ate" — "he used to be a regular anthropopha"guy").
* "A Transport of Delight" — with an increasing refrain about the "Big six-wheeler, scarlet-painted, London Transport, diesel-engined, ninety-seven–horse-power om-ni-bus".
* "20 Tons of TNT " — a song aboutthermonuclear weapon s.
* "The War of 14–18" — a translation of a French song byGeorges Brassens , this song 'celebrates'World War I .
* "The Wompom" — a tale about a fictitious creature/plant/raw material and the British Industry that stems from it.
* "In The Desert" ("Верблюды", "lit." = "camel s") — a "traditional Russian" song, performed by Donald Swann, with an English-language translation after every line.
* "To Kokoraki" (Το Κοκοράκι, The Cockerel) — A modern-Greek children's song, equivalent to "Old MacDonald's Farm" adding a new animal noise for each verse. Flanders, feigning impatience with it, says sarcastically "We must have it in full some night. Alternated withThe Ring Cycle ".
* "A Song of Patriotic Prejudice" — (The English, the English, the English are best! I wouldn't give tuppence for all of the rest!)Songs on "
At the Drop of a Hat "Recorded in 1959 by engineer
George Martin
* "A Transport of Delight" 5:53
* "Song of Reproduction" 7:06
* "The Gnu Song" 3:26
* "Design for Living" 3:52
* "Je Suis Le Ténébreux" 2:27
* "Songs for Our Time" ("Philological Waltz" / "Satellite Moon" / "A Happy Song") 4:16
* "A Song for the Weather" 2:05
* "The Reluctant Cannibal" 3:55
* "Greensleeves" (monologue) 7:51
* "Misalliance" 3:55
* "To Kokoraki" 5:05
* "Madeira M'Dear" 3:52
* "Too Many Cookers" 3:12
* "Vanessa" 3:55
* "Tried by the Centre Court" (monologue) 3:45
* "The Youth of the Heart" 4:17
* "The Hippopotamus Song" 3:12Songs on "
At the Drop of Another Hat "Recorded during a performance at the Haymarket Theatre, London, in 1963.
* "The Gas Man Cometh" 6:44
* "Sounding Brass" 2:53
* "Los Olividados" (monologue) 6:38
* "In the Desert" 3:45
* "Ill Wind" 5:01
* "First and Second Law" 2:56
* "All Gall" 3:53
* "Horoscope" 1:10
* "Friendly Duet" 2:20
* "Bedstead Men" 3:16
* "By Air" (monologue) 6:17
* "Slow Train" 5:26
* "A Song of Patriotic Prejudice" 2:51
* "Built-Up Area" (monologue) 3:22
* "In the Bath" 2:34
* "Sea Fever" 3;55
* "Hippo Encore" 1:16ongs on "The Bestiary of Flanders & Swann"
This collection was recorded in studio, with no audience.
* "The Warthog" (The Hog Beneath the Skin) 4:14
* "The Sea Horse" 1:31
* "The Chameleon" 1:01
* "The Whale" (Mopy Dick) 3:29
* "The Sloth" 3:14
* "The Rhinoceros" 2:36
* "Twosome: Kang & Jag" (Kangaroo and Jaguar) 2:04
* "Dead Ducks" 0:41
* "The Elephant" 2:40
* "The Armadillo" 3:52
* "The Spider" 2:21
* "Threesome: Duck Billed Platypus/The Humming Bird/The Portuguese Man-O'-War" 1:05
* "The Wild Boar" 2:23
* "The Ostrich" 2:56
* "The Wompom" 5:52ongs on "Tried by the Centre Court"
Fifteen songs that were part of the stage show at one time or another, released 1977. Seven of them were included on the 'Bestiary' CD (as "The Extiary") to make up the running time.
* "Twice Shy" 4:12
* "Commonwealth Fair" 4:06
* "P** P* B**** B** D******" 6:20
* "Paris" 4:05
* "Eine Kleine Nachtmusik Cha-cha-cha" 0:31
* "The Hundred song" 1:09
* "Food for Thought" 3:55 [Written specially for the New York tour and recorded in New York]
* "Bed" 3:19ongs on "And Then We Wrote"
A BBC Radio production, 1974
* Introduction
* In The D'Oyly Cart
* Prehistoric Complaint
* The Album
* There's A Hole In My Budget
* Seven Ages Of Woman
* Fragments
* Pillar To Post
* Guide To Britten
* Excelsior
* Rain On The Plage
* Last Of The Line
* Rockall
* The Lord Chamberlain's Regulationsongs released as a single
These were the only two songs recorded with musical instruments other than the piano. They were also included in "The Extiary".
* Side A: "20 Tons of TNT" 2:30
* Side B: "The War of 14-18" 2:15 [Translation of a satirical song byGeorges Brassens ]Monologues
Flanders' comic monologues include:
* "By Air" — about the vogue for air travel. "I agree with the old lady who said, 'If God had meant us to fly, He would never have given us the railways.'"
* "Tried by the Centre Court" — a Wimbledon match between Miss L. Hammerfest and Miss J. Hunter-Dunn. "They are bashing a ball with the gut of a cat".
* "Greensleeves" — about the background to the composition of the famous English air. An annotated version, explaining all the jokes, is [http://www.beachmedia.com/gorbuduc.html here] .
* "Los Olividados" — describing a festival akin to bull-fighting, where the bull is replaced with an olive. The title is a reference toLos Olvidados , or "The Forgotten Ones", a 1950 movie by the directorLuis Bunuel .
* "Built-up Area" — a prehistoric inhabitant ofSalisbury Plain complains about a new development.Footnotes
External links
* [http://www.donaldswann.co.uk/index.html Donald Swann's website]
* [http://www.nyanko.pwp.blueyonder.co.uk/fas/ Flanders and Swann web site]
* [http://flandersandswann.info/ Flanders and Swann: At the Drop of a Hippopotamus] - A show which tours UK theatres with a production of Flanders and Swann songs.
* [http://www.flandersandswann.wetpaint.com A tribute ] to the songs and monologues of Flanders and Swann by actors Mark Marlowe and Jonathan Roberts
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