- Sōgo Ishii
nihongo|Sōgo Ishii|石井聰互|Ishii Sōgo (born 1957) is a
film director fromJapan known for his striking visuals and sometimes outlandish subject matter.Early life
Ishii was born in
Fukuoka Prefecture and attended theNihon University College of Art. There, with the aid of friends, he directed an 8 mm short named "Panic High School" (nihongo2|高校大パニック) (also known as "The Solitude Of One Man Divided By 88,000" and "Charge! Hooligans of Hakata"). The film, about astudent rebellion when a school's administration refuses to acknowledge complicity for a student's suicide, garnered him attention outside of school and was released theatrically.Punk films
For his graduation project, he filmed "
Crazy Thunder Road " (nihongo2|狂い咲きサンダーロード) (1980), again directed with friends of his who were in biker gangs. This film was a based on the "Bōsōzoku " aesthetic, and enthralled film studioToho such that they struck 35 mm prints of the16 mm film and released it theatrically. It was widely considered controversial, and the Japanese film boardEirin condemned it for presenting violence sympathetically.In 1982, he directed "
Burst City " (nihongo2|爆裂都市), a stylishaction film about a wild gang of quasi-mutant bikers who ride into a town staging protests against the construction of a nearbynuclear reactor plant. The film starred members of Japanese punk bandsThe Roosters , The Rockers,The Stalin and Inu, among others. He became a favorite among rebel and punk cineastes in Japan, who previously had no cinematic visionaries of their own.In 1984, Ishii directed his most widely-acclaimed movie to that point, "
The Crazy Family " (nihongo2|逆噴射家族), the title of which literally translates to "The Back-Firing Family" (or more crudely, "the fucked-up family"). A savagesatire of Japanese family life, it depicted an average household (mother, father, son, daughter, and later grandfather) moving into a newTokyo home, only to have their perfect life collapse due to pressures from within and without. The daughter obsesses over her singing career; the nominally-demure wife does table-dances for the guests; the son stabs himself to stay awake during his exam-cram sessions; the father digs a giant hole in the living room floor, finds termites, buys ant poison and tries to kill everyone "en masse." The film garnered the Grand Prix at theSaruso Film Festival .Second period
For the next ten years Ishii made few films, other than various shorts and the
Einstuerzende Neubauten concert film "Halber Mensch". In 1994 he returned with his first feature-length film in ten years, "Angel Dust " (nihongo2|エンジェルダスト), about a femalepsychological profiler trying to find aserial killer who murders a young woman every Monday at six P.M. on the Yamanote commuter line.In 1995 Ishii made "
August in the Water " (nihongo2|水の中の八月), which dealt with a teenage girl gainingsupernatural powers after a mishap and using same to better understand her purpose in life. In a similarlymystical vein was 1997's "Labyrinth of Dreams " (nihongo2|夢の銀河), wherein a bus conductor discovers that her driver may in fact be a serial murderer.Recent films
In 2000 Ishii made "" (nihongo2|五条霊戦記), a
samurai epic that combined both his original hyperkinetic filmmaking approach (violence, wild editing and camera movements) with his newer, more stately concerns (man's place in the universe). A spectularly-photographed, revisionist retelling of the legends ofSaito Musashibo Benkei andYoshitsune , it recast the two as mortal enemies destined to clash on the bridge named "Gojoe". The swordplay, choreographed by a member of the Chinese opera, brought to mind ballet fused with conventionalchanbara fighting styles. Opinions over the film were divided in Japan: some lambasted it for being a trashing of conventional myth, while others praised it for being an imaginative re-envisioning and retelling of a well-worn story.Ishii also directed "
Electric Dragon 80.000 V " in the same year. This was definitely a throwback to his more original filmmaking style -- a low-budget, black-and-white 50 minute short about twosuperhero es, "Dragon Eye Morrison" and "Electric Buddha", who clash in nighttime Tokyo. Interestingly, the film starred two actors that also appeared in "Gojoe",Tadanobu Asano andMasatoshi Nagase .In 2003 Ishii released "
Dead End Run ", a collection of three short films each revolving around the concept of reaching a "dead end." Asano Tadanobu and Nagase Masatoshi again starred.Filmography
Director
:1978 "
Totsugeki! Hakata Gurentai " aka "Charge! Hooligans of Hakata":1978 "Hachijyu-Hachi-Man Bun no Ichi no Kodoku " aka "Solitude of One Divided by 880,000" :1978 "Koko dai panikku " aka "Panic in High School" :1980 "Kuruizaki sanda rodo " aka "Crazy Thunder Road":1981 "Shuffle":1982 "Bakuretsu toshi " aka "Burst City" :1983 "Ajia no gyakushu " aka "Asia Strikes Back":1984 "Gyakufunsha kazoku " aka "The Crazy Family" :1986 "1/2 Mensch" aka "1/2 Man":1989 "Shiatsu Oja " aka "The Master of Shiatsu" :1989 "Private 8mm Film Live Diary 81-86 ":1994 "Angel Dust":1995 "Mizu no naka no hachigatsu " aka "August in the Water":1997 "Yume no ginga " aka "Labyrinth of Dreams":2000 "":2001 "Electric Dragon 80.000 V ":2003 "Dead End Run ":2004 "Digital Short Films by Three Filmmakers 2004 "External links
*en icon imdb name|id=0411025|name=Sogo Ishii
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