- Bob Johnston
Donald William 'Bob' Johnston (born
14 May 1932 ,Hillsboro, Texas ) is a noted Americanrecord producer , best known for his work withBob Dylan ,Johnny Cash ,Leonard Cohen ,Willie Nelson and many Nashville recording artists, as well asSimon and Garfunkel .Early days
Johnston was born into a professional musical family. His grandmother Mamie Jo Adams was a songwriter, as was his mother Diane Johnston. Diane had written songs for
Gene Autry in the '50s and scored a hit in 1976 whenAsleep at the Wheel covered her 1950 demo "Miles and Miles of Texas". After a stint in the Navy, Bob returned toFort Worth , then he and Diane Johnston collaborated on songwriting forrockabilly artistMac Curtis , and others. From 1956 to 1961 Bob recorded a few of his own rockabilly singles under the name Don Johnston. By 1964 he had moved into production work atKapp Records inNew York , freelance arranging forDot Records and signed as asongwriter to music publisherHill and Range . He also married songwriter Joy Byers with whom he began to collaborate.Elvis and Joy Byers
In recent years Bob Johnston has claimed that songs still credited to his wife Joy Byers were actually co-written, or solely written by himself. He has cited old "contractual reasons" for this situation. The songs in question include
Timi Yuro 's 1962 hit "What's A Matter Baby", plus at least 16 songs forElvis Presley 's films between 1964 and 1968, including "It Hurts Me", "Let Yourself Go" and "Stop, Look and Listen". Two songs credited to Byers, the aforementioned "Stop, Look and Listen" and "Yeah, She's Evil!" were recorded byBill Haley & His Comets before being used by Elvis (the latter song was retitled "The Meanest Girl in Town" when Presley recorded it).Columbia, Dylan, Cash, Cohen
Johnston worked briefly as a staff producer for Kapp Records, then for
Columbia Records inNew York , where he began producing a string of notable and highly influential albums (see list below). He was already producingPatti Page when in 1965 he was successful in gaining the assignment to produceBob Dylan , followed bySimon and Garfunkel ,Johnny Cash and thenLeonard Cohen . His style of production varied from a 'documentary' approach capturing a fleeting moment (exemplified by Dylan's albums & Cash's live albums) to providing subtle arrangements with strings, background vocals and seasoned session musicians (exemplified by Cohen's studio albums). After a couple of years in New York, Johnston became head of Columbia inNashville, Tennessee , where he had known many of thesession musician s, such asCharlie Daniels , for years. He produced three of Cohen's albums and also composed music to the Cohen lyric "Come Spend the Morning", recorded by bothLee Hazlewood and Engelbert Humperdinck.Independent producer
Dissatisfied with his
salary earnings as a Columbia staff producer, particularly after several hit albums which earned him noroyalties , Johnston became an independent producer, most successfully with Lindisfarne on "Fog on the Tyne", which topped the British album chart in 1972.During a period of financial difficulty, when he was under scrutiny from the
IRS , Johnston moved toAustin, Texas and did no record production for some time. He eventually returned with work onWillie Nelson 's 1992 album "" (Nelson had his own financial difficulties at the time).Miscellaneous
At the beginning of "To Be Alone With You" on "
Nashville Skyline " Bob Dylan famously asks "Is it rolling, Bob?", talking to the producer Bob Johnston.elective discography as producer
*Patti Page: "Hush, Hush Sweet Charlotte" US #8 (1965)
*Bob Dylan: "Highway 61 Revisited " (1965), "Blonde on Blonde " (1966), "John Wesley Harding" (1967), "Nashville Skyline " (1969), "Self Portrait" (1970), "New Morning " (1970)
*Simon and Garfunkel: "Sounds of Silence " (1966), "Parsley, Sage, Rosemary and Thyme " (1966), "Bookends " (1968)
*Johnny Cash: "At Folsom Prison " (1968); "The Holy Land" (1969); "At San Quentin " (1969); "Hello, I'm Johnny Cash " (1970); "The Johnny Cash Show" (1970); "I Walk the Line" (1970); "Little Fauss and Big Halsy" (1971)
*Burl Ives : "The Times They Are A-Changin'" (1968)
*Leonard Cohen: "Songs from a Room " (1969), "Songs of Love and Hate " (1971), "Live Songs " (1973)
*Lindisfarne: "Fog on the Tyne " (1972), "Dingly Dell " (1972)
*Michael Murphey : "Geronimo's Cadillac " (1973), "Cosmic Cowboy Souvenir " (1973), "Michael Murphey" (1973), "Blue Sky - Night Thunder " (1975), "Swans Against the Sun " (1976
*Loudon Wainwright III : "Attempted Mustache " (1973)
*Willie Nelson: "" (1992)
*Carl Perkins : "Go Cat Go" (1996)External links
* [http://mixonline.com/recording/interviews/audio_bob_johnston/index.html Mix Online 2003 interview with Bob Johnston]
* [http://www.b-dylan.com/pages/samples/bobjohnston.html On The Tracks interview with Bob Johnston]
* [http://www.rockabilly.nl/references/messages/bob_johnston.htm Johnston's early rockabilly]
* [http://rcs.law.emory.edu/rcs/artists/j/john8600.htm Page with samples on Don Johnston's rockabilly singles]
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