- John Tavener
:"Not to be confused with
John Taverner " Sir John Tavener (born28 January 1944 ) is a Britishcomposer ,
knighted in 2000 for his services to music.Biography
Tavener was born on
28 January 1944 inWembley ,London ,England , and is a direct descendant of the sixteenth century composerJohn Taverner . He attendedHighgate School (where a fellow pupil wasJohn Rutter ) and later studied at theRoyal Academy of Music , where his tutors included SirLennox Berkeley . He first came to prominence in 1968 with his dramatic cantata "The Whale", based on the Old Testament story of Jonah. It was premièred at theLondon Sinfonietta 's début concert and later recorded byApple Records . The following year he began teaching atTrinity College of Music , London. Other works released by Apple included his "Celtic Requiem ". In 1977, he joined theRussian Orthodox Church . Orthodox theology and Orthodox liturgical traditions became a major influence on his work. He was particularly drawn to itsmysticism , studying and setting to music the writings ofChurch Fathers such asSt John Chrysostom .One of Tavener's most popular and frequently performed works is his short unaccompanied four-part choral setting of
William Blake 's "The Lamb ", written for his nephew, Simon, on his third birthday one afternoon in 1982. This simple,homophonic piece is usually performed as aChristmas carol . More important, however, were his explorations of Russian and Greek culture, as shown in "Akhmatova Requiem " and "Sixteen Haiku of Seferis ". Later prominent works include "The Akathist of Thanksgiving " (1987, written in celebration of the millennium of the Russian Orthodox Church); "The Protecting Veil " (first performed bycellist Steven Isserlis and theLondon Symphony Orchestra at the 1989 Proms); and "Song for Athene " (1993, memorably performed at the funeral ofDiana, Princess of Wales in 1997). Following Diana's death he also composed and dedicated to her memory the piece "Eternity's Sunrise", based on poetry byWilliam Blake .It has been reported, particularly in the British press, that Tavener left Orthodox Christianity [See p. 30 of cite news|last=Morrison|first=Richard|title=99 Names for God : John Tavener Turns his Back on Orthodoxy|publisher=BBC Music|date=November 2004 Tavener is quoted as saying, "It strikes me now that all religions are as senile as one another." See also cite web|last=McCleery|first=David|title=The Beautiful Names : John Tavener|url=http://www.bbc.co.uk/orchestras/symphonyorchestra/performances/Tavener_biog.shtml|publisher=
bbc.co.uk |accessdate=2007-06-22] to explore a number of other different religious traditions, includingHinduism andIslam , and became a follower of the mystic philosopherFrithjof Schuon . While he has in recent years incorporated elements of non-Western music into his compositions, Tavener remains an Orthodox Christian though his brother, Roger, tended towards Sufi. [cite news|last=White|first=Michael|title=Christian Composer, Inspired by Allah's 99 Names|url=http://www.nytimes.com/2007/06/17/arts/music/17whit.html?ex=1339646400&en=f75f55d704550bbd&ei=5124&partner=permalink&exprod=permalink|publisher=The New York Times |date=2007-06-17 ] In 2003 he composed the exceptionally large work "The Veil of the Temple ", based on texts from a number of religions. It is set for four choirs, several orchestras and soloists and lasts at least seven hours. The 2004 premier of his piece 'Prayer of the Heart' written for and performed byBjörk , was featured on CD and incorporated as the soundtrack to Jake Lever's powerful installation 'Centre + Circumference' (2008, Wallspace, All Hallows on the Wall, City of London [http://www.wallspace.org.uk/exhibitions/current/index.html] ).While Tavener's early music was influenced by
Igor Stravinsky , often invoking the sound world of the "Requiem Canticles" and "A Sermon, a Narrative and a Prayer", his recent music is more sparse, uses wide registral space and is usuallydiatonic ally tonal. Some commentators see a similarity with the works ofArvo Pärt , from their common religious tradition to the technical details of phrase lengths, diatonicism and colouristicpercussion effects, though the similarities between their outputs are quite superficial.Olivier Messiaen has also been suggested as a strong influence on his earlier work.Temenos 08 A Celebration of the Music of Sir John TavenerA three-day celebration of the music of John Tavener will be staged in Ireland this autumn 2008.
Louth Contemporary Music Society’s Temenos Festival takes place from 24 to October 24 to 26 in venues around Louth. Festival highlights include the first Irish performance by Anonymous 4 with the Irish string quartet Rothko 4, the Ulster Orchestra conducted by Tõnu Kaljuste performing The Protecting Veil with Marta Sudraba and a world premiere of John Tavener’s O My People performed by Polyphony conducted by Stephen Layton, plus Patricia Rozario and the Oriel Trio in Tavener’s Yeats-influenced work To a Child Dancing in the Wind. [http://www.louthcms.org]
Career highlights
*1969 - "The Whale" premièred by the
London Sinfonietta and subsequently recorded onThe Beatles ' Apple label.
*1971 - "Celtic Requiem" recorded by Apple.
*1973 - "Thérèse", the story of Saint Thérèse of Lisieux, commissioned by theRoyal Opera, London .
*1989 - première of "The Protecting Veil"at the Proms in London.
*2000 - received a knighthood inMillennium Honours List .
*2003 - première of the all-night vigil "The Veil of the Temple" by theHolst Singers and the Choir of the Temple Church at theTemple Church , London.
*2005 - première of "Laila (Amu)", Tavener’s first dance collaboration, with Random Dance company andWayne McGregor 's choreography.
*2006 - contributed "Fragments of a Prayer" to theAlfonso Cuarón film "Children of Men ".
*2007 - première of "The Beautiful Names" by theBBC Symphony Chorus and Orchestra atWestminster Cathedral . The work, sung in Arabic, is a setting of the 99 names ofAllah found in theQur'an . Awarded honorary degree by theUniversity of Winchester .Key works
* "The Whale" (1966; soloists, speaker, SATB choir, children's choir, orchestra)
* "The Protecting Veil " (1988; cello, strings)
* "Ikon of the Nativity " (1991; SATB choir, a cappella)
* "Song for Athene " (1993; SATB choir)
* "The Veil of the Temple " (2002; soprano, SATB choir, boys' choir, ensemble)
* "Schuon Lieder " (2003; soprano, ensemble)
* "Laila (Amu) " (2004; soprano, tenor, orchestra)ound files
Selected recordings
* [http://www.chesternovello.com/Default.aspx?TabId=2441&State_2934=2&discId_2934=636 "The Protecting Veil"] - Virgin 561849-2
* [http://www.chesternovello.com/Default.aspx?TabId=2441&State_2934=2&discId_2934=2013 "Schuon Lieder"] - Black Box BBM1101
* [http://www.chesternovello.com/Default.aspx?TabId=2441&State_2934=2&discId_2934=976 "The Veil of the Temple"] - RCA 82876661542Notes
Further reading
*cite web|last=Stewart|first=Michael|title=John Tavener Talks to Michael Stewart about the Recent Festival "Ikons of Light"|url=http://www.imageandmusic.co.uk/news.htm|publisher=Image and Music|date=
2000 |accessdate=2007-05-23
*cite web|last=Sheahen|first=Laura|title=Sell Cleverness, Buy Wonder : The Music of Sir John Tavener : Composer Tavener, a Devout Orthodox Christian, Believes that Neither Music nor Religion can be Exclusive|url=http://www.beliefnet.com/story/98/story_9888_1.html|publisher=Beliefnet |accessdate=2007-06-22External links
* [http://www.chesternovello.com/Default.aspx?TabId=2431&State_2905=2&composerId_2905=1567 John Tavener at ChesterNovello]
* [http://www.classical.net/music/comp.lst/acc/tavener.html John Tavener at Classical Net]
* [http://easyweb.easynet.co.uk/~snc/tavener.htm John Tavener] – a fansite by Simon Crutchley
* [http://www.louthcms.org Louth Contemporary Music Society]Persondata
NAME = John Tavener
ALTERNATIVE NAMES =
SHORT DESCRIPTION = Britishcomposer
DATE OF BIRTH =28 January 1944
PLACE OF BIRTH =Wembley ,London ,England ,United Kingdom
DATE OF DEATH =
PLACE OF DEATH =
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