P. Leela

P. Leela
Birth name	Porayathu Leela
Born	May 19, 1934, Chittur, Palakkad, British India
Died	October 31, 2005(Aged 71), Chennai, India
Genres	Indian classical music and playback singing
Occupations	Singer
Instruments	Vocalist
Years active	1949–2005

Porayathu Leela better known as P. Leela (1934–2005) was a popular Indian playback singer.^[1] She was awarded Padma Bhushan posthumously in 2006.

Early life

Porayathu Leela was born in 1934, in Chittur, Palakkad, Kerala to V.K. Kunjanmenon and Porayath Meenakshi Amma. She was the youngest of the three daughters- Sharadha, Bhanumathi and Leela. V K Kunjanmenon was working as a teacher in Ramavarma Higher Secondary School at Ernakulam. V.K.Menon was passionate about music “We were three girls in our family and I was the youngest. My father wanted us to learn Carnatic music and all three of us used to sing well, My father was solely responsible for making me a singer." said Leela.

Starting at the age of 13, she has sung about 5000 film songs in all the South Indian languages Tamil, Telugu, Malayalam and Kannada. She also sang in one Bengali film and in Sinhala movies. Her songs are known for their emotional touch and classical discipline. She made a name for herself by singing in her mellifluous voice both for the film industry and in carnatic music She considered it an honour to have sung in the same period as M S Subbulakshmi, M L Vasanthakumari and D K Pattammal - three giants of Carnatic music. She has worked under all great music directors and has sung with all the major singers of the South Indian film industry.

Career

Leela had a gifted voice. Thiribuvana Manibhagavadhar the uncle of musician T. V. Gopalakrishnan. was her first guru. Later she learnt from Paththamadai Krishna Ayyar and Maruthuvakudi Rajagopala Iyer She trained under Rama Bhagavathar. Leela was trained in Carnatic music by doyens such as Chembai Vaidyanatha Bhagavathar and Dakshinamoorthy Swami. Vadakkancheri Ramabhagavadhar was a very close friend of Menon. He settled down in Madras. Whenever he used to visit Ernakulam, he would invite Menon and Leela to come to Madras to learn music. The headmistress of the school in which Leela was studying advised her father to take Leela to Madras for further training in music.

Menon had an ambition of making his youngest daughter a singer.He made it his lifetime mission . Menon resigned his job in Ernakulam and took Leela to Madras in 1944. Both of them stayed with Vadakkancheri Ramabagavathar in Mylapore and the 10 year old Leela started learning in gurukula style. Her father was very particular that Leela should do sadhaka early in the morning. He saw to it that her sole interest was music.

In Madras, Leela had the opportunity of listening to the concerts of singers like Ariyakkudi Ramanujam, S Ramanathan, GNB, Chembai and others. Leela said this 'kelvi gnanam' helped her in a long way in finetuning her music.and moulding her as a singer. Leela sang at many music competitions in the city winning prizes In 1946, Durgabai Deshmukh gave her the first concert in Andra mahila sabha. Leela was giving concerts in various places. Entry into the Film industry

Columbia Recording Company was looking out for a female voice and the manager Ganabathirama Iyer, recommended Leela. She was appointed as their artiste. This paved the way for her entry into the films.

In Tamil, Nandakumar was the first movie to introduce playback singing. A.V. Meiyappa Chettiar came up with the innovative idea of replacing the soundtrack with another voice and the playback system was introduced in Tamil cinema in 1938. It was gradually accepted and many singers entered the movie world. “I was introduced at a time when the actresses were singing for themselves,” reminisces Leela.

When she landed in Madras she did not know Tamil or Telugu. She used to write the keerthanais in Malayalam and practice them to perfection. Once she started her career as playback singer she arranged for tutors and learnt other languages.

She was offered to sing for a Tamil movie in 1948. Her father was initially reluctant but later he was persuaded to accept. Leela made her debut as playback singer in the movie `Kanganam.' She sang her first song, ‘Sree Varalakshmi’, when she was just 13 years old. C.H. Padmanabhasastry was the music director of the film. She sang all the songs for the heroine in that film.

Kanganam was produced by G.B. Narayanan company. It was released on 10-6-1948. Story was by A.T.Krishnasamy. Lyrics by Kambadasan. K.R. Ramasamy, M.R. Saminathan, Menaka and P.R. Mangalam acted in that movie.

In 1948 she sang 'paaduka poonkuyile' for the Malayalam movie Nirmala. Balan, made in 1938, was the first Malayalam "talkie" with a sound track. Mr.T.R Sundaram produced this film for Modern theatres, Salem, with S. Nottani as the director. The film starred Mr.K. K. Aroor, Mr. Alleppy Vincent, Smt. M. K. Kamalam. Mr. Muthukulam Raghavan Pillai wrote the screen play. The film ‘Balan’ produced by T. R.Sundaram was a melodrama with more Tamil influence than Malayalam.

In 1948, 'Nirmala was produced by P.J. Cherian and directed by P.V.Krishna Iyer. ‘Nirmala’ (1948) was the first film to explore the possibility of music and songs in Malayalam cinema. The lyrics penned by Malayalam poet G.. Shankara Kurup set to Music by P.S. Diwakar became popular. From then on, the songs became an essential ingredient of Malayalam cinema. Telugu Movies

In 1949 Leela made her debut in Telugu Cinema singing in 3 films Manadesam, Keelu Gurram and Gunasundarikatha.

Singer and music director Ghantasala (with whom Leela has sung the most number of songs) introduced Leela in Manadesam. Manadesam is remembered as Telugu megastar Nandamuri Taraka Rama Rao's debut as a police inspector.

Vauhini pictures Gunasundarikatha was produced by B.N.Reddy and directed by K.V.Reddy.The film was released on 29 Dec 1949. Leela sang the songs for the heroine Sriranjani.

Songs of the film include Kalakala Aa Lokilemo, Challani, Doravele, Chandamama, Sree tulasi Jaya tulasi, Ammaa mahalaxmi dayasEyavamma became hits .

The Fifties: Golden Age of Telugu Cinema

In the 1950s Leela was busy singing in all the South Indian languages. Her songs in films like Patala Bhairavi, Missamma, Pelli Chesi Choodu, Appu Chesi Pappu Koodu, Gundamma Katha are the greatest melodies and remembered even today after many decades.

Vijaya productions' first movie, Shaukaru, did not fare well at the box office. However, the film had great melodies by Ghantasala and Leela.

In the film Missamma ( made asMissiyamma in Tamil), the songs by S. Rajeswara rao combined with voices of A.M. Raja, P. Leela and P. Susheela have become immortal, casting a magical spell over the listeners.

Vijaya productions sixth film made in the 1957, Maya Bazaar (directed by K.V.Reddy) is a true classic. The song "kalyana samaiyal satham (vivaha bhojanammu)" in the film still stands the test of time..

In one of the interviews Leela recalled that while recording the songs of `Maya Bazar, the composer took 28 takes of a song and they used the fifth take.

She worked as a music director for a film called ‘Chinnari Pappulu’ (Telugu) in 1968. The film was produced exclusively by women.

The Sixties: Lavakusa

This list of Leela’s achievements as singer will not be complete without mentioning the film Lava Kusha (1963).

In 1963 Lalitha Sivajothi films (A. Sankarreddy) produced the film Lavakusa in Telugu.The movie created records by running for more than a year. Music was by K. V. Mahadevan and Ghantasala Venkateswara Rao. The film was directed by C. Pulliah and his son C. S. Rao. Pullaiah directed an earlier version of Lavakusa in 1938.

Lava and Kusa are born in the ashram of Valmik Maharishi and are brought up there. Valmiki Maharishi tells them the story of Srirama and Sitha. Lava and Kusa do not know about the true identity of their parents. In the ashram in front of Valmiki , Seetha and other rishis Lava and Kusa start singing the first part of the Raamakatha, "raamakathanu vinarayya"

Now to spread the message of Rama, Lava and Kusa get Sitha’s blessings and go to Ayodhya and sing the second part in the streets of Ayodhya in front of the people "vinudu vinudu raamaayana gaadha"

A maid who works in Kauslyamatha’s palace takes Lava and Kusa to the palace where they sing the final part of the raamakatha "Sreeraamuni charitamunu telipedammamma". Sri Ramachandramurthy is inside with the golden statue of Sitha (made for the Aswametha yagnjam). Hearing the song Rama comes to the hall . Lava and Kusa complete the song reciting the Sanskrit sloka.

Devotional Songs

Srimad Narayaneeyam is an immortal sublime hymn on Lord Guruvayoorappan, composed by Melpathur Narayana Bhattatiri (1560-1666 A.D.) one of the celebrated Sanskrit poets in Kerala Even though the Narayaneeyam was completed as early as 1586 A.D., it appeared in print only after more than 250 years.

Narayaneeyam is the story of Lord Narayana. It is a work consisting of 1036 slokas or verses, divided into 100 dasakams or chapters, each dasakam consisting of approximately 10 slokas. , It is a condensed version of Bhagavata Purana, which consists of 18,000 slokas authored by Veda Vyasa. It is said that the work has the blessings of Lord Krishna or Guruvayoorappan, the presiding Deity of Guruvayoor.

Narayaneeyam narrates a series of episodes from the Bhagavata Purana, choosing the most pious of the lot. The incarnations of Vishnu are traced with piety, Bhattathiri transforms the episodes into solemn prayers, pouring out his soul in total supplication before the Lord. The final dasaka, Kesadipaada Varnanam, embodies top-to-toe picture of little Krishna in all grace and glory .

Both as a poem and as a devotional hymn, Narayaneeyam occupies a very high place in Sanskrit literature.

Narayaneeyam is the master piece of Melpathur and is the most widely read of all his works.The poet depicts the image of Lord Guruvayurappan, in exemplary terms - "Sammohanam Mohanal Kantham Kanthinidhanathopi, Madhuram Madhurya Dhuryadapi, Soundaryotharathopi Sundaratharam"

The ‘Parayana' of Narayaneeyam is believed to possess the wonderful power of healing afflictions, both mental and physical, of the devotees. The "Nithyaparayana” of Narayaneeyam will enable the devotees to attain " Ayurarogyasoukhyam”.

When Guruvayoor Dewaswom decided to bring out the album Narayaneeyam, names of several musicians like MS, MLV were considered and finally the Dewaswom approved Leela to sing Narayaneeyam. “I got the chance to sing Guruvayarappan Narayaneeyam which I consider as an honour...”said Leela.

Narayaneeya Sapthaham ( the recitation of Narayaneeyam and explaining the meaning to the public) is conducted in Guruvayur temple by Devaswom on the Narayaneeya Dinam and by others as offerings. It is done for seven consecutive days from early morning till 6.10 pm in the evening. Narayaneeya Sapthaham has started in Guruvayur in the early 50's. It takes about 5 hours to read the slokas and about 45 hours for explaining the slokas.

The day on which Narayaneeyam was completed, 28th Vrichikam, is celebrated by the Devaswom as Narayaneeyam day. Discourses and debates on Narayaneeyam written by Melpathur take place. Special functions are held at Melpathur Illapparambu also. Awards and recognition

Leela has been conferred many titles like, ‘Ganamani’, ‘Ganakokila’, ‘Kalarathnam’, ‘Ganavarshini’, etc. , She was conferred with the ‘Kalaimamani’ title in 1994 by Chief Minister J Jayalalithaa who in her speech said that though the award had come late, she was proud to be the one to bestow it on her. Leela received the first best playback singer award of the Kerala government in 1969.

In 2003, Leela was presented the Janmashtami Puraskaram instituted by Balasamskara Kendram for her efforts in spreading ‘Narayaneeyam’, ‘Jnanappana’ and ‘Harinamakeerthanam’ .

Leela got married to a lawyer; but the marriage was not successful.In her later years, Leela was busy rendering classical concerts and light music programs. Leela was staying with her sister’s children in Defence colony, Parangimalai. Her world consisted of her music, her pooja room and memories of her father. V.K.Menon was the man behind the singer Leela. In many of the interviews Leela emotionally recalled “If I am standing in front of you and talking, it is because of my father; he was everything to me. The fame, wealth was all given to me by him. Without him,I am not what I am.”

Leela fulfilled her father’s dreams, enthralling her fans with her mellifluous voice. Her melodies will be remembered and heard forever.

Leela sang at many music competitions in the city winning prizes and was noticed by film music composers such as Ghantasala Venkateswara Rao. P. Leela, since her debut in 1948 in the Tamil movie `Kanganam', for two decades and more she was the most sought after `playback singer' in South Indian Cinema.^[2]

Among several honours is the Kalaimamani award, conferred upon her by Tamil Nadu State Government in 1992.

Personal life

P. Leela died on 31 October 2005, Monday,at 3:40 AM at Sri Ramachandra Medical Centre in Chennai.

Filmography

This is partial list of her songs. Please help expanding it.

Year	Film	Songs
1949	Gunasundari Katha	Sri Tulasi Jaya Tulasi
1953	Bratuku Theruvu	Andame Anandam Anandame Jeevita Makarandam
1955	Jayasimha	Eenaati Eehaayi Kalakadoyi Nijamoyi
1955	Missamma	Karuninchu Mary Matha Telusukonave Chelli Yemito Ee Maaya Challani Raja
1956	Chiranjeevulu	Thellavaaraga Vachhe Theliyaka Naasaami Malliparundevu Lera
1956	Tenali Ramakrishna	Jagamula Dayanele Janani Sadashivuni Manoharini
1957	Maya Bazaar	Chinnari Sasirekha Vardhillavamma Vinnava Yashodamma
1957	Suvarna Sundari	Bangaaru Vannela Rangaaru Sanjala Rangeli Yetenchene
1958	Appu Chesi Pappu Koodu	Joharu Gaikonara Deva Rama Rama Saranam Bhadradri Rama Saranam
1958	Pelli Naati Pramanalu	Sreemanturalivai Cheluvondu Maata Mammu Deevimpuma Maa Andhramata
1960	Shanti Nivasam	Kalanaina Nee Valape Kalavaramandaina Nee Talape
1961	Jagadeka Veeruni Katha	Nanu Dayaganave Naa Moravinava
1963	Lava Kusha	Ramakathanu Vinarayyaa Ihapara Sukhamulanosage Voorake Kanneeru Nimpa Karanamemamma Vinudu Vinudu Ramayana Gaatha Vinudee Manasara Sriraamuni Charithamunu Telipedamamma
1965	Pandava Vanavasam	Devaa Deena Baandhavaa
1967	Rahasyam	Shrilalitha Shivajyothi Sarvakaamadaa

1. Sampoorna Ramayanam (1971)
2. Paramanandayya Shishyula Katha (1966)
3. Babruvahana (1964)
4. Tirupathamma Katha (1963)
5. Mahamantri Timmarasu (1962)
6. Gundamma Katha (1962)
7. Dakshayagnam (1962)
8. Sri Seetha Rama Kalyanam (1961)
9. Deepavali (1960)
10. Sahasra Siracheda Apoorva Chinthamani (1960)
11. Sri Venkateswara Mahatyam (1960)
12. Krishna Leelalu (1959)
13. Pelli Sandadi (1959)
14. Mangalya Balam (1958)
15. Dongallo Dora (1957)
16. Panduranga Mahatyam (1957)
17. Preme Daivam (1957)
18. Sarangadhara (1957)
19. Bhakta Markandeya (1956)
20. Bhale Ramudu (1956)
21. Jayam Manade (1956)
22. Anarkali (1955)
23. Vadina Gari Gajulu (1955)
24. Vaddante Dabbu (1954)
25. Oka Talli Pillalu (1953)
26. Palletooru (1952)
27. Pelli Chesi Choodu (1952)
28. Patala Bhairavi (1951)
29. Navvite Navaratnalu (1951)
30. Paramanandayya Shishyula Katha (1950)

References

1. ^ http://www.hindu.com/mp/2006/01/02/stories/2006010200900400.htm
2. ^ http://www.hindu.com/fr/2005/11/04/stories/2005110401660100.htm

http://www.tlca.com/adults/p_leela.html

External links

• P. Leela at IMDb.

Persondata
Name	Leela, P.
Alternative names
Short description
Date of birth	February 21, 1934
Place of birth
Date of death	October 31, 2005
Place of death