Miracle of the Jealous Husband

Miracle of the Jealous Husband
Miracle of the Jealous Husband
Artist Titian
Year 1511
Type Fresco
Dimensions 340 cm × 207 cm (130 in × 81 in)
Location Scuola del Santo, Padua

The Miracle of the Jealous Husband is a fresco by the Italian Renaissance master Titian, executed in 1511 as part of the decoration of the Scuola del Santo in Padua, northern Italy.

It portrays a man stabbing his wife after she has been unjustly accused of adultery. When the man discovers the truth, he begs for pardon to St. Anthony, who resuscitates the woman (this scene is portrayed in smaller size on the right). The idyllic background is inspired to Giorgione's paintings.

Sources

  • Gentili, Augusto (1990). Tiziano. Giunti Editore. p. 14. 

Bibliography

  • Sergio Rossetti Morosini, "Titian, The Miracle of the Jealous Husband, 1511", in New Findings in Titian's Fresco Technique at the Scuola del Santo in Padua, The Art Bulletin; March 1999, Volume LXXXI Number 1.


v · d · eTitian (List of works)
  • Christ Carrying the Cross (1508–09 – also attributed to Giorgione)
  • St. Mark Enthroned (c. 1510)
  • Pastoral Concert (c. 1510 – also attributed to Giorgione)
  • Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1506–11)
  • A Man with a Quilted Sleeve (1510)
  • Miracle of the Jealous Husband (1511)
  • The Three Ages of Man (1512–13)
  • Balbi Holy Conversation (c. 1512–1514)
  • Woman at the Mirror (c. 1512–15)
  • Sacred and Profane Love (1513–14)
  • Tarquin and Lucretia (1515)
  • Violante (c. 1515)
  • Flora (c. 1515)
  • Vanity (c. 1515)
  • Salome (c. 1515)
  • Young woman in a black dress (c. 1515)
  • The Tribute Money (c. 1516)
  • Assumption of the Virgin (1516–1518)
  • The Worship of Venus (1518–20)
  • Portrait of Vincenzo Mosti (c. 1520)
  • Gozzi Altarpiece (1520)
  • Venus Anadyomene (c. 1520)
  • Malchiostro Annunciation (c. 1520)
  • Bacchus and Ariadne (1520–23)
  • Averoldi Polyptych (1520–22)
  • Man with a Glove (c. 1520–23)
  • The Bacchanal of the Andrians (1522–24)
  • The Entombment (1525)
  • Portrait of Federico II Gonzaga (c. 1529)
  • The Madonna of the Rabbit (1530)
  • Portrait of Charles V with a dog (1533)
  • Penitent Magdalene (1533)
  • Portrait of Giacomo Doria (1533–35)
  • Portrait of Isabella d'Este (1534–36)
  • Portrait of Ippolito de' Medici (1533)
  • Venus of Urbino (1538)
  • St. John the Baptist (1540)
  • Portrait of Clarissa Strozzi (1542)
  • The Crowning with Thorns (1542–43)
  • Portrait of Pope Paul III (1543)
  • Portrait of Pietro Aretino (1545)
  • Portrait of Lavinia Vecellio (c. 1545)
  • Self-Portrait (1546–47)
  • Pope Paul III and his Grandsons (1545–46)
  • The Tribute Money (1545–68)
  • Equestrian Portrait of Charles V (1548)
  • Portrait of Charles V (1548)
  • Portrait of Isabella of Portugal (1548)
  • The Martyrdom of Saint Lawrence (c. 1548–59)
  • Philip II in Armour (1550)
  • Venus and Adonis (c. 1553)
  • Danaë (series) (1553–56)
  • Mater Dolorosa (c. 1555)
  • Diana and Actaeon (1556–59)
  • Diana and Callisto (1556–59)
  • Crucifixion (1558)
  • The Entombment (1559)
  • St Margaret and the Dragon (c. 1559)
  • Annunciation (church of San Salvador) (1559–64)
  • The Death of Actaeon (c. 1559–75)
  • Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
  • Self-Portrait (c. 1560)
  • Venus and Adonis (c. 1560)
  • Penitent Magdalene (1565)
  • Venus Blindfolding Cupid (c. 1565)
  • Allegory of Prudence (c. 1565–70)
  • Tarquin and Lucretia (1569–71)
  • Punishment of Marsyas (1570–1576)
  • Saint Sebastian (c. 1575)
  • Saint Jerome in Penitence (1575)
  • Pietà (1576)

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