- Malchiostro Annunciation
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Malchiostro Annunciation Artist Titian Year c. 1520 Type Oil on panel Dimensions 210 cm × 176 cm (83 in × 69 in) Location Duomo, Treviso Malchiostro Annunciation is a painting by the Italian Renaissance artist Titian, executed around 1520, and housed in the Cathedral of Treviso, northern Italy.
The Malchiostro Chapel, located to the left of the high altar of the Cathedral of Treviso, near the sacristy, was commissioned by Broccardo Malchiostro, secretary of the bishop and humanist Bernardo de' Rossi. Designed by Tullio of Antonio Lombardo, it was completed in 1519 and frescoed by Il Pordenone until 1520. The decoration was completed in around 1523, and this Annunciation was executed by Titian around that period, perhaps with the help of Paris Bordone.
The face of the donor was possibly repainted after 1526. Lorenzo Lotto was inspired by this work for his Recanati Annunciation.
The painting depicts the Annunciation in a church with a chessboard pavement. Titian, instead of painting the angel on the left and Mary on the right as usual, moved the Madonna into the foreground with the angel behind, pushed towards Mary by the divine light behind him. At the center, kneeling, is the donor, put in a rather far position from the viewer.
Sources
- Gentili, A. (1990) (in Italian). Tiziano. Florence.
Titian (List of works) - Christ Carrying the Cross (1508–09 – also attributed to Giorgione)
- St. Mark Enthroned (c. 1510)
- Pastoral Concert (c. 1510 – also attributed to Giorgione)
- Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter (1506–11)
- A Man with a Quilted Sleeve (1510)
- Miracle of the Jealous Husband (1511)
- The Three Ages of Man (1512–13)
- Balbi Holy Conversation (c. 1512–1514)
- Woman at the Mirror (c. 1512–15)
- Sacred and Profane Love (1513–14)
- Tarquin and Lucretia (1515)
- Violante (c. 1515)
- Flora (c. 1515)
- Vanity (c. 1515)
- Salome (c. 1515)
- Young woman in a black dress (c. 1515)
- The Tribute Money (c. 1516)
- Assumption of the Virgin (1516–1518)
- The Worship of Venus (1518–20)
- Portrait of Vincenzo Mosti (c. 1520)
- Gozzi Altarpiece (1520)
- Venus Anadyomene (c. 1520)
- Malchiostro Annunciation (c. 1520)
- Bacchus and Ariadne (1520–23)
- Averoldi Polyptych (1520–22)
- Man with a Glove (c. 1520–23)
- The Bacchanal of the Andrians (1522–24)
- The Entombment (1525)
- Portrait of Federico II Gonzaga (c. 1529)
- The Madonna of the Rabbit (1530)
- Portrait of Charles V with a dog (1533)
- Penitent Magdalene (1533)
- Portrait of Giacomo Doria (1533–35)
- Portrait of Isabella d'Este (1534–36)
- Portrait of Ippolito de' Medici (1533)
- Venus of Urbino (1538)
- St. John the Baptist (1540)
- Portrait of Clarissa Strozzi (1542)
- The Crowning with Thorns (1542–43)
- Portrait of Pope Paul III (1543)
- Portrait of Pietro Aretino (1545)
- Portrait of Lavinia Vecellio (c. 1545)
- Self-Portrait (1546–47)
- Pope Paul III and his Grandsons (1545–46)
- The Tribute Money (1545–68)
- Equestrian Portrait of Charles V (1548)
- Portrait of Charles V (1548)
- Portrait of Isabella of Portugal (1548)
- The Martyrdom of Saint Lawrence (c. 1548–59)
- Philip II in Armour (1550)
- Venus and Adonis (c. 1553)
- Danaë (series) (1553–56)
- Mater Dolorosa (c. 1555)
- Diana and Actaeon (1556–59)
- Diana and Callisto (1556–59)
- Crucifixion (1558)
- The Entombment (1559)
- St Margaret and the Dragon (c. 1559)
- Annunciation (church of San Salvador) (1559–64)
- The Death of Actaeon (c. 1559–75)
- Madonna and Child with Saints Luke and Catherine of Alexandria (c. 1560)
- Self-Portrait (c. 1560)
- Venus and Adonis (c. 1560)
- Penitent Magdalene (1565)
- Venus Blindfolding Cupid (c. 1565)
- Allegory of Prudence (c. 1565–70)
- Tarquin and Lucretia (1569–71)
- Punishment of Marsyas (1570–1576)
- Saint Sebastian (c. 1575)
- Saint Jerome in Penitence (1575)
- Pietà (1576)
Categories:- Titian paintings
- 1520s paintings
- Annunciation in Christian art
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