Donald Harris (composer)

For other people named Donald Harris, see Donald Harris (disambiguation).

Donald Harris (born April 7, 1931 in St. Paul, Minnesota) is an American composer who taught music at The Ohio State University for 22 years. He was Dean of the College of the Arts from 1988 to 1997.^[1]

Harris earned a bachelor's degree and a master's degree in Music from the University of Michigan. He completed further studies at the Tanglewood Music Center and the Centre Français d'Humanisme Musical in Aix-en-Provence. He studied with Ross Lee Finney, Max Deutsch, Nadia Boulanger, Boris Blacher, Lukas Foss, and Andre Jolivet. He founded the Contemporary Music Festival at Ohio State in 2000.^[2] Prior to joining the faculty at Ohio State, he served on the faculties and as an administrator of the New England Conservatory of Music ^[3] and the Hartt School of Music.^[4] From 1954 to 1968, Harris lived in Paris, where he served as music consultant to the United States Information Agency and produced the city's first postwar Festival of Contemporary American Music.^[5] A documentary about Harris entitled Sonata 1957 was produced by Daniel Beliavsky through opus1films in 2011.^[6] It explores Harris’ development in mid 20th-century Paris, when pre-war musical thought bridged with post-war experimentation.

Works

Compositions

• Piano Sonata (1957) ^[7]
• Fantasy For Violin & Piano (1957) ^[8]
• Symphony In Two Movements (1958–1961) ^[9]
• String Quartet (1965) ^[10]
• Ludus (1966) for ten instruments ^[11]
• Ludus II (1973) for five instruments ^[12]
• On Variations (1976) for chamber orchestra ^[13]
• Charmes (1971–1980; unfinished) for soprano and orchestra; after the poems of Paul Valéry
• For The Night To Wear (1978) for mezzo-soprano and chamber ensemble; after the Hortense Flexner poem ^[14]
• Balladen (1979) for solo piano ^[15]
• Of Hartford In A Purple Light (1979) for soprano with piano accompaniment; after the Wallace Stevens poem ^[16]
• Prelude To A Concert In Connecticut (1981) for orchestra
• Les Mains (1983) for mezzo-soprano with piano accompaniment; after the Marguerite Yourcenar poem ^[17]
• Meditations (1984) for solo organ ^[18]
• Three Fanfares For Four Horns (1984) ^[19]
• Canzona & Carol (1986) for double brass quintet and timpani ^[20]
• Pierrot Lieder (1988) for soprano and chamber ensemble; after the Albert Giraud poem^[21]
• Mermaid Variations (1992) for chamber orchestra ^[22]
• String Quartet #2 (2002)
• A Lyric Fanfare (2003) for orchestra
• Five Tempi (Ludus III) (2004)
• Kaleidoscope (2007) for orchestra
• A Letter From Home (2011) for two sopranos, flute, viola, and harp; after the Mary Oliver poem

Stage Works

• The Legend Of John Henry (1954) ballet for orchestra
• The Golden Deer (1955) ballet for orchestra
• Intervals (1959) dance work for chamber ensemble

Awards and Honors

Harris was awarded a Fulbright Award in 1956, the Prince Rainier III of Monaco Composition Award in 1962 (deuxieme mention), a Guggenheim Fellowship in 1966, a National Endowment for the Arts Fellowship Grant in Composition in 1974, the A.C. Fuller Award of the Julius Hartt Musical Foundation in 1988, and the ASCAP/Deems Taylor Award in 1989 (for co-editing The Berg Schoenberg Correspondence ^[23]). He received commissions with the Serge Koussevitzky Music Foundation (Library of Congress), Elizabeth Sprague Coolidge Foundation (Library of Congress), St. Paul Chamber Orchestra, Radio France, Cleveland Orchestra, Goethe Institute (Boston), Boston Musica Viva, Connecticut Public Radio, Cleveland Chamber Symphony, Arnold Schoenberg Institute, and Festival of Contemporary American Music at Tanglewood.^[24] In 1991, he received an award in composition from the American Academy of Arts and Letters, which led to a retrospective recording of his work on the CRI label in 1994.^[25] In 2011, he was the featured composer of the Contemporary Music Festival at The Ohio State University, a festival which he founded.

Further reading

• Organization of American States, Composers of the Americas, Vol. 18, 1972
• Contemporary American Composers Based or Affiliated with Colleges and Universities, 1975
• Contemporary American Composers: A Biographical Dictionary, 1976
• Baker's Biographical Dictionary of Musicians, New York, 1978
• Introduction to Contemporary Music (Joseph Machlis), second edition, W. W. Norton, 1979
• ASCAP Biographical Dictionary, Fourth Edition, 1980
• American Music Recordings, A Dictionary of 20th Century U.S. Composers, 1982
• American Composers, A Biographical Dictionary, by David Ewen, 1982
• Harvard Biographical Dictionary of Music, Harvard University Press, 1996

References

1. ^ http://music.osu.edu/faculty/donald-harris
2. ^ http://cmf.osu.edu/index.php?p=home
3. ^ http://necmusic.edu/archives/donald-harris
4. ^ http://www.sai-national.org/home/ComposersBureau/HarrisDonald/tabid/326/Default.aspx
5. ^ The Ohio State University Archives, Donald Harris Collection (RG: 40/292)
6. ^ http://www.imdb.com/title/tt2059285
7. ^ publication: Société des Editions Jobert, Paris, 1965; recordings: Geneviève Joy, piano, Recording for the French Radio, 1961; Veronica Jochum von Moltke, piano, New England Conservatory Recording Series, Vol. 7: Schumann, Harris, and Porter Golden Crest NEC-107, 1971; Daniel Beliavsky, piano, recorded at the City College of New York, 2010
8. ^ publication: Jobert, Paris, 1965; recordings: Paul Zukovsky, violinist, Gilbert Kalish, pianist, CRI¬ S-307, 1973; reissued as CRI CD-666, 1994; Hasse Borup, violinist, Mary Kathleen Ernst, pianist, Centaur 2918, 2008
9. ^ publication: Jobert, Paris, 1965
10. ^ publication: Jobert, Paris, 1965; recording: Composers String Quartet, CRI-274, 1972; reissued as CRI CD-666, 1994
11. ^ publication: Jobert, Paris, 1968; recording: Saint Paul Chamber Orchestra, Sydney Hodkinson, cond., CRI S-274, 1972; reissued as CRI-CD 666, 1994
12. ^ publication: Jobert, Paris, 1974; recording: Boston Musica Viva, Richard Pittman, conductor, DELOS 25406, 1975; reissued as CD 1011, 1987
13. ^ publication: Jobert, Paris, 1979
14. ^ publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1983; recording: Janice Meyerson, Boston Musica Viva, Richard, Pittman, cond., CRI CD-666, 1994
15. ^ publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1983; recording: Veronica Jochum, CRI CD-666, 1994
16. ^ publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1979; recording: Susan Davenny Wyner, soprano, Yehudi Wyner, piano, CRI CD-666, 1994
17. ^ publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1986; recording: Janice Meyerson, mezzo-soprano, Hugh Hinton, piano, CRI CD-666, 1994
18. ^ publication: Gunmar Music Inc, 1990
19. ^ publication: Gunmar Music Inc.1990
20. ^ publication: Gunmar Music, Inc.1990
21. ^ publication: Gunmar Music Inc. 1990; recording: Lucy Shelton, OSU Faculty Ensemble, Craig Kirchhoff, cond., CRI CD-666, 1994
22. ^ publication: Theodore Presser, Bryn Mawr, Pennsylvania, 1996; recording: Cleveland Chamber Symphony, Edwin London, cond., CRI CD-666, 1994
23. ^ In collaboration with Christopher Hailey and Juliane Brand, W. W. Norton & Co., New York, 1987
24. ^ The Ohio State University Archives, Donald Harris Collection (RG: 40/292)
25. ^ The Ohio State University Archives, Donald Harris Collection (RG: 40/292)

External links

• [1]
• [2]
• [3]