- Joe Jones (Fluxus artist)
Joe Jones (1934 New York City - 1993 Wiesbaden) was an avant-garde musician associated with
Fluxus especially known for his creation of rhythmic music machines.Formation
Joe Jones grew up in
Greenpoint, Brooklyn and received aclassical music al education at Hartnett Music School inNew York City . In the late 1950’s he began a short career as ajazz drummer . In 1960 Jones began to studyavant-garde experimental composition first briefly withJohn Cage and thenEarle Brown . Through these associations he formed an artistic alliance withDick Higgins ,Alison Knowles andLaMonte Young .Fluxus
Jones first started experimenting with mechanical instruments in 1962, creating objects like musical boats, solar music umbrellas and a pedaled vehicle that pulled handmade instruments on wheels called "The Longest Pull Toy in the World". [Obituaries, New York Times, 2/18/1993 "Joe Jones, an Artist With a Musical Bent and an Inventor, 58" ] The following year his works were exhibited at the
Betty Parsons Gallery in New York City.Beginning in 1963 Jones participated in the
Fluxus art movement, taking part in a number of Fluxusperformance art activities with hisautomaton -like music machines - made from foundready-made instruments. [ [http://www.sukothai.com/X.SA.07/X7.Jones.f1.html] Interview with Joe Jones by Nakagawa Shin (1992) ] In 1963 he performed his machinicnoise music at the Yam festival [Owen Smith (1998) Fluxus: The History of an Attitude, San Diego State University Press, pp. 118] inNew Brunswick and a year later he performed again at the Avantgarde music festival inNew York City . He created manymachine drum exhibitions and art actions in New York City andNice, France during this period.In 1969 he opened his own "Music-Store" at 18 N. Moore Street in New York City. There he presented his
repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machinenoise music in the window. [Obituaries, New York Times, 2/18/1993 "Joe Jones, an Artist With a Musical Bent and an Inventor, 58" ] He also gave small musical installation performances by himself and the likes ofYoko Ono andJohn Lennon [Owen Smith (1998) Fluxus: The History of an Attitude, San Diego State University Press, pp. 206-209 ] , among others. After moving out of 18 N. Moore his store-loft space became the art studio ofFluxus archivist anddigital artist Joseph Nechvatal , then the onceTheatre of Eternal Music memberJon Hassell and finallyvideo artistBill Viola before being merged into Walkers Restaurant.In 1971 Jones produced the album Fly together with
John Lennon andYoko Ono and founded the 'Fluxus-Airline' withGeorge Maciunas . [Owen Smith (1998) Fluxus: The History of an Attitude, San Diego State University Press, pp. 117-119 ] Soon after he left New York for Europe; living inAmsterdam ,Asolo ,Berlin ,Düsseldorf and finallyWiesbaden and continued to exhibit worldwide in galleries and museums.Since the mid-eighties Jones produced short
digital art films on computer that he called "Fluxus-Home-Movies". He also devised largerorchestra -like installations with his music machines called "solar orchestras" [ [http://www.ubu.com/sound/jones.html] mp3s of music by Joe Jones atUbuWeb ] that would be performed from when the sun comes up to the sun goes down bysolar power .In 1988 his works could be seen at the
Museum Ludwig inCologne and in 1992-93 there was a big touring exhibition with stops inHelsinki ,Nuremberg ,Rotterdam andWuppertal . [ [http://www.sukothai.com/X.SA.07/X7.Jones.f1.html] Interview with Joe Jones by Nakagawa Shin (1992) ]References
Bibliography
* Owen Smith (1998)
Fluxus : The History of an Attitude,San Diego State University Press
* Block, René, ed. 1962 Wiesbaden Fluxus 1982. Wiesbaden (BRD): Harlekin Art; Wiesbaden: Museum Wiesbaden and Nassauischer Kunstverein; Kassel: Neue Galerie der Staatliche, 1982.
* Friedman, Ken, ed. The Fluxus Reader. Chicester, West Sussex and New York: Academy Editions, 1998.
* Gray, John. Action Art. A Bibliography of Artists’ Performance fromFuturism to Fluxus and Beyond. Westport, Connecticut: Greenwood Press, 1993.
* Hendricks, Geoffrey, ed. Critical Mass,Happenings , Fluxus, performance,intermedia andRutgers University 1958–1972. Mason Gross Art Galleries, Rutgers, and Mead Art Gallery, Amherst, 2003.
* Hendricks, Jon. Fluxus Codex. New York: Harry N. Abrams, Inc. 1989.
* Jon Hendricks, ed. Fluxus, etc.: The Gilbert and Lila Silverman Collection. Bloomfield Hills, Michigan: Cranbrook Museum of Art, 1982.
* Higgins, Hannah. Fluxus Experience. Berkeley: University of California Press, 2002.
* Kellein, Thomas. Fluxus. London and New York: Thames and Hudson, 1995.
* Milman, Estera, ed. Fluxus: A Conceptual Country, ["Visible Language ", vol. 26, nos. 1/2] Providence:Rhode Island School of Design , 1992.
* Moren, Lisa.Intermedia . Baltimore, Maryland: University of Maryland, Baltimore County, 2003.
* Paull, Silke and Hervé Würz, eds. "How we met or a microdemystification". Saarbrücken-Dudweiler (Germany) 1977, Engl.-German, AQ 16, Incl. a bibliography by Hanns Sohm.
* Phillpot, Clive, and Jon Hendricks, eds. Fluxus: Selections from the Gilbert and Lila Silverman Collection. New York:Museum of Modern Art , 1988.
* Schmidt-Burkhardt, Astrit. Maciunas’ Learning Machine fromArt History to a Chronology of Fluxus. Detroit, Michigan: Gilbert and Lila Silverman Fluxus Collection, 2005.Discography
*Joe Jones, "Back and Forth, Exhibition Sound, 31.8.1985", Hundertmark Editions, CD, 60 Minutes, Edition of 500
*Joe Jones, "XYLOPHONE", Hundertmark Editions CD, Edition of 500 Copies
*Joe Jones, "Solar music at Sierksdorf, Ostsee", Hundertmark Editions, CD, 60 Minutes, Edition of 500
*Joe Jones, "Solar music, April 20, 1983", Hundertmark Editions CD, 60 Minutes, Edition of 500 Copies
External links
* [http://www.artnotart.com/fluxus/jjones-fluxmusicbox.html] Joe Jones "Flux Music Box"
* [http://www.sukothai.com/X.SA.07/X7.Jones.f1.html] Interview with Joe Jones by Nakagawa Shin (1992)
* [http://www.ubu.com/sound/jones.html] mp3s of music by Joe Jones atUbuWeb
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