Frederick Hollyer

Infobox Artist
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name = Frederick Hollyer

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imagesize = 200px
caption = Frederick Hollyer, platinotype self-portrait, c. 1890
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birthdate = 17 June 1838
location = Pentonville, England
deathdate = 21 November 1933
deathplace = Blewbury, England
nationality = British
field = Photography
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Frederick Hollyer (Pentonville, 17 June 1838–Blewbury, 21 November 1933) was an English photographer and engraver known for his photographic reproductions of paintings and drawings, particularly those of the Pre-Raphaelite Brotherhood, and for portraits of literary and artistic figures of late Victorian and Edwardian London."Concise Grove Dictionary of Art", "Frederick Hollyer"] Obituaries of Fredrick Hollyer, at Luminous-Lint] Wildman, "Edward Burne-Jones", p. 197-198]

Family

Hollyer was the youngest son of Samuel Hollyer (1797-1883), a line engraver, fine art publisher, collector of watercolours, and Deputy Sealer at the Court of Chancery until 1853, when the post was abolished.Biography of Frederick Hollyer at Luminous-Lint] His brothers Christopher Charles Hollyer (1836-1874), and Samuel Hollyer Jr. (1826-1919) also worked as engravers.Notes on engraving of the Hollyer Brothers, National Portrait Gallery] Frederick Hollyer's first published works were mezzotint engravings of two paintings by Edwin Landseer published by J. McQueen in 1869.

Photographic career

Hollyer became interested in photography about 1860. He made albumen and carbon prints, but his preferred medium was the "platinotype" or platinum print process, [Roberts, "Art History Through the Camera's Lens", p. 324.] admired for its permanence and great tonal range. Under the patronage of Frederic Leighton, Hollyer began to photograph paintings and drawings in the 1870s. Artists whose work he published include Edward Burne-Jones, George Frederic Watts, Simeon Solomon, and Dante Gabriel Rossetti. Of his work with the Pre-Raphaelites, "The Times" noted that

Hollyer's photographs of drawings were particularly successful; printed on high-quality paper, they were often mistaken for originals. One of the most popular was a study of three heads by Burne-Jones for "The Masque of Cupid".

Hollyer also took studio portraits and specialized in interior and exterior photos of houses.Parry, "William Morris", p. 30] For 30 years, he reserved Mondays for portrait photography in his Pembroke Square studio. His sitters included the artists Walter Crane, William Morris, G. F. Watts, and Burne-Jones; the writers John Ruskin, H. G. Wells, and George Bernard Shaw; and the actresses Mrs Patrick Campbell and Ellen Terry. Hollyer eschewed the formal poses of most studio portraiture of his day; in an 1899 interview in "The Photogram" he said

Hollyer did much to establish photography as a fine art. His work was widely acclaimed in his own day; in 1897, a critic in "The Studio" lamented:

Hollyer joined the Royal Photographic Society 1865 and became a Fellow in 1895, but was also involved in The Linked Ring, a society formed in to support pictorialism in opposition to the Photographic Society."Concise Grove Dictionary of Art", "Frederick Hollyer"] Notes on Frederick Hollyer, National Portrait Gallery] He was a member of the Solar Club and became one of the Founder Members of the Professional Photographers' Association in 1901. [Harker, "The Linked Ring", p. 153-54]

Later life

Frederick Hollyer married Mary Anne Armstrong (1838-1913). Their eldest son Frederick Thomas Hollyer (1870–1952) worked with his father and took over the studio when the elder Hollyer retired in 1913. Frederick Hollyer died 21 November 1933 at his eldest son's home in Blewbury (then part of Berkshire), aged 95.

Today, Hollyer is remembered chiefly for his photographs of Burne-Jones, William Morris, and their circle. Under British copyright law, Hollyer's photographs are now public domain as he died more than 70 years ago.

Gallery

Notes

References

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* Harker, Margaret: "The Linked Ring, The Secession Movement in Photography in Britain, 1892-1910", London, Heinmann, 1979
* Lochnan, Katharine A., Douglas E. Schoenherr, and Carole Silver, editors, "The Earthly Paradise: Arts and Crafts by Wiliam Morris and his Circle in Canadian Collections", Key Porter Books, 1993, ISBN 1-55013-450-7
* Parry, Linda, ed., "William Morris", Abrams, 1996, ISBN 0-8109-4282-8
* Roberts, Helene E.: "Art History Through the Camera's Lens", Routledge, 1995, ISBN 2881246435 (excerpt at cite web|url=http://books.google.com/books?id=Xf55xeBRmD4C|title=Google Books|accessdate=2008-09-07)
* Wildman, Stephen: "Edward Burne-Jones: Victorian Artist-Dreamer", Metropolitan Museum of Art, 1998, ISBN 0870998595

External links

* [http://www.vam.ac.uk/collections/photography/features/photo_focus/hollyer/highlights/index.html Frederick Hollyer Collection at the Victoria & Albert Museum]
* [http://www.npg.org.uk/live/search/person.asp?search=sa&sText=Frederick+Hollyer&LinkID=mp07119&role=art&page=1 Pictures by Frederick Hollyer at the National Portrait Gallery]
* [http://www.hollyer.info/spgm/index.php?spgmGal=Frederick_Hollyer&spgmFilters= Pictures by Frederick Hollyer at the Hollyer Family site]