Antonio Hurtado de Mendoza

Antonio Hurtado de Mendoza (Castro Urdiales, Cantabria, 1586 – Zaragoza, 1644), Spanish dramatist, was born about the end of the 16th century in the province of Asturias, became page to the count de Saldana (son of the duke de Lerma), and was recognized as a rising poet by Cervantes in the "Viaje del Parnaso" (1614). He rose rapidly into favor under Philip IV, who appointed him private secretary, commissioned from him "comedias palaciegas" for the royal theatre at Aranjuez, and in 1623 conferred on him the orders of Santiago and Calatrava. Most of his contemporaries and rivals paid court to "el discreto de palacio", and Mendoza seems to have lived on the friendliest terms with all his brother dramatists except Ruiz de Alarcón. He is said to have been involved in the fall of Olivares, and died unexpectedly at Saragossa on 19 September 1644.

Married at 1631 with Clara María de Ocón Coalla, have two fils, Juan (is named caballero de Calatrava with fourt months, but died as children) and Francisca.

Poetry works are in Culteranism (is a disciple of Luis de Góngora). In Theatre make many entremés works.

Only one of his plays, "Querer por solo querer", was published with his consent; it is included in a volume (1623) containing his semi-official account of the performances at Aranjuez in 1622. The best edition of Mendoza's plays and verses bears the title of "Obras liricas y comicas, divinas y humanas" (1728). Much of his work does not rise above the level of graceful and accomplished verse; but that he had higher qualities is shown by "El Marido hace mujer", a brilliant comedy of manners, which forms the chief source of Molière's "École des maris".

The "Fiesta que se hizo en Aranjuez" and "Querer por solo querer" were translated into English by Sir Richard Fanshawe, afterwards ambassador at Madrid, in a posthumous volume published in 1671.

Works

Poetry

*Convocatoria de las cortes de Castilla
*Vida de Nuestra Señora
*La guerra

Theatre

*Amor con amor se paga
*El marido hace mujer y el trato muda costumbre (1631-32)
*Cada loco con su tema o el montañés indiano (1630)
*No hay amor donde no hay agravio
*Los empeños del mentir
*Más merece quien más ama (posterior a 1634)
*Querer por solo querer
*Ni callarlo ni decirlo
*Los empeños del mentir (write with Francisco de Quevedo)
*Quien más miente, más medra (write with Francisco de Quevedo at 1631)

Entremés

*Famoso Entremés Getafe
*El Ingenioso Entremés del Examinador Miser Palomo

External links

*Domínio Público author|id=1963|name=Antonio Hurtado de Mendoza

References

*1911