Animated documentary

The animated documentary is a relatively rare genre of film which combines the genres of animation and documentary.

History

The first recognized example of this genre is Windsor McKay's 1918 12-minute-long film "The Sinking of the Lusitania", which uses animation to portray the 1915 sinking of RMS Lusitania after it was struck by two torpedoes fired from a German U-boat; an event of which no recorded film footage is known to exist.DelGaudio, Sybil. "If Truth Be Told, Can Toons Tell It? Documentary and Animation". Film History 9:2 (1997) p. 189-199] Since the 1920s, animation has been used in educational and social guidance films, and has often been used to illustrate abstract concepts in mainly live-action examples of these genres. Early examples of fully-animated educational films are "The Einstein Theory of Relativity" (1923) and "Evolution" (1925) by Max and Dave Fleischer. Walt Disney used it in films such as "Victory Through Air Power" (1943), "How to Catch a Cold" (1951) and "Our Friend the Atom" (1957). "Of Stars and Men", a 1964 animated feature by John Hubley which tells of humankind's quest to find its place in the universe, won an award in the documentary category at the San Francisco Film Festival.

The 2007 International Documentary Film Festival Amsterdam featured a programme based around "documentaries that partly or completely consist of animation" [ [http://www.idfa.nl/industry/programme/festival-sections/non-competitive-programmes/idfa-animation-programme.aspx IDFA Animation Programme] , 2007.] . In the article written to accompany the event, Kees Driessen talked about the "least controversial" form of the genre; the "illustrated radio documentary", citing Aardman Animation's 1987 film "" (directed by Peter Lord) as an example.Driessen, Kees. [http://www.idfa.nl/repository/documents/More%20than%20just%20talking%20mice%20(Paul%20Fierlinger).pdf More than just talking mice] . "IDFA Magazine". 2007.] One of the most consistent creators of this form of animated documentary today is Paul Fierlinger.Robinson, Chris. [http://animationpimp.animationblogspot.com/2007/11/18/waking-life-the-truth-is-in-the-animation-montage-magazine-2004/ Waking Life: The Truth is in the Animation] . "Montage Magazine". 2004.] His films from the late 1980s-onward typically feature recordings of people talking about certain topics in their lives (such as alcohol abuse or loneliness), accompanied by Fierlinger's animation which mainly illustrates the stories in a realistic way. This is a contrast from films and series such as Aardman's "Creature Comforts", which recontextualise such audio recordings by combining them with more fanciful, non-realistic animated interpretations.Fierlinger's 1995 animated feature-length autobiography "Drawn from Memory", in which he is the main subject as well as the director, voice actor and only animator, was also called a documentary by Driessen. This technique of animating interviews has also been used by other filmmakers, such as Chris Landreth in his Oscar-winning 2004 short film "Ryan" (mainly based on an interview done with animator Ryan Larkin) and Jonas Odell in the 2006 Swedish film "Aldrig som första gången!" ("Never Like the First Time!", consisting of animated segments based around people's descriptions of their first time engaging in sex). The film "Chicago 10", about the Chicago Seven incident, received some acclaim for recreating courtroom scenes using animation.

The 2008 film "Waltz with Bashir" was advertised as being the first feature-length animated documentary. [Ide, Wendy. [http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/cannes/article3939739.ece Waltz With Bashir] . "Times Online". May 15, 2008.]

References

External links

* [http://fpsmagazine.com/mag/200503.php Articles about the animated documentary] in the March 2005 issue of fps magazine