John Bale

:"For the American baseball player use John Bale (baseball)"

John Bale (21 November, 1495–November, 1563) was an English churchman, historian and controversialist, and Bishop of Ossory. He wrote the oldest known historical verse drama in English (on the subject of King John), and developed and published a very extensive list of the works of British authors down to his own time, just as the monastic libraries were being dispersed.

Outline of Life

He was born at Cove, near Dunwich in Suffolk. [The core of this article is taken from the "Encyclopedia Britannica" of 1911. A short biographical outline is in Alfred W. Pollard (Ed.), "English Miracle Plays, Moralities and Interludes" (Clarendon Press, Oxford 1914), 218-219. See also "O.D.N.B."] At the age of twelve he entered the Carmelite monastery at Norwich, removing later to the house of "Holme", (possibly the abbey of the Whitefriars at Hulne near Alnwick). Later he entered Jesus College, Cambridge, and took his degree of B.D. in 1529.

He became the last Prior of the Ipswich Carmelite house, elected in 1533. [B. Zimmerman, 1899, 'The White Friars at Ipswich,' "Proc. Suffolk Institute of Archaeology" 10 Part 2, 199.] He abandoned his monastic vocation, and got married, saying, "that I might never more serve so execrable a beast, I took to wife the faithful Dorothy." He obtained the living of Thorndon, Suffolk, but in 1534 was summoned before the Archbishop of York for a sermon against the invocation of saints preached at Doncaster, and afterwards before John Stokesley, Bishop of London, but he escaped through the powerful protection of Thomas Cromwell, whose notice he is said to have attracted by his miracle plays.

In these plays Bale denounced the monastic system and its supporters in unrestrained language and coarse imagery. The prayer of "Infidelitas" which opens the second act of his "Three Laws" is an example of his profane parody. These somewhat brutal productions were intended to impress popular feeling, and Cromwell found in him an invaluable instrument. When Cromwell fell from favour in 1540, Bale fled with his wife and children to Flanders. He returned on the accession of King Edward VI, and received the living of Bishopstoke, Hampshire, being promoted in 1552 to the Irish see of Ossory. He refused to be consecrated by the Roman Catholic rites of the Irish church, and won his point, though the Dean of Dublin made a protest against the revised office during the ceremony.

When the accession of Queen Mary inaugurated a violent reaction in matters of religion, he was forced to get out of the country again. He tried to escape to Scotland, but on the voyage was captured by a Dutch man-of-war, which was driven by bad weather into St Ives, Cornwall. Bale was arrested on suspicion of treason, but soon released. At Dover he had another narrow escape, but he eventually made his way to the Netherlands and thence to Frankfurt and Basel. During his exile he devoted himself to writing. After his return, on the accession of Queen Elizabeth I, he received (1560) a prebendal stall at Canterbury, where he died and was buried in the cathedral.

Mysteries, Miracle Plays, "Kynge Johan"

John Bale attacked his enemies with vehemence and scurrility, much of which was directed strongly and forcibly against the Roman Catholic Church and its writers: but this cavill does not significantly diminish the value of his contributions to literature. (The Roman Catholic sympathiser and antiquary Anthony Wood, a man of "uncouth manners" and a condemned libeller, described him as "foul-mouthed Bale" a century afterwards.) Of his mysteries and miracle plays only five have been preserved, but the titles of the others, quoted by himself in his "Catalogus", show that they were animated by the same political and religious aims. The "Three Laws of Nature, Moses and Christ, corrupted by the Sodomytes, Pharisees and Papystes most wicked" [Printed in "Anglia", Bd. v.: source cited in Pollard 1914, 219.] (produced in 1538 and again in 1562) was a morality play. The direction for the dressing of the parts is instructive: "Let Idolatry be decked like an old witch, Sodomy like a monk of all sects, Ambition like a bishop, Covetousness like a Pharisee or spiritual lawyer, False Doctrine like a popish doctor, and Hypocrisy like a gray friar." "A Tragedye; or enterlude many Jesting the chief promyses of God unto Man", [Printed in Robert Dodsley, "Select Collection of Old Plays" (12 vols., 1744; 2nd edition with notes by Isaac Reed, 12 vols., 1780; 4th edition, by William Carew Hazlitt, 1874-1876, 15 vols.), volume 1.] "The Temptacyon of our Lorde", [A. B. Grosart (Ed.), 1870, "Miscellanies of the Fuller Worthies Library", vol. i.] and "A brefe Comedy or Enterlude of Johan Baptystes preachynge in the Wyldernesse, etc." ["Harleian Miscellany" volume i.] were all written in 1538.

"Kynge Johan"

Bale is a figure of some literary-dramatic importance as the author of "Kynge Johan" (c.1538), [J. P. Collier (Ed.), "John Bale's "The Tragycall Historie of Kynge Johan", (Camden Society, 1838). See a long extract in Pollard 1914, 146-154.] which marks the transition between the old morality play and the English historical drama. It does not appear to have directly influenced the creators of the chronicle histories (such as "The Troublesome Raigne of King John" (1591)), but it is remarkable that such a developed attempt at historical drama should have been made fourteen years before the production of "Gorboduc". "Kynge Johan" is itself a polemic against the Roman Catholic Church. King John is represented as the champion of English church rites against the Roman see:—

:"This noble Kynge Johan, as a faythfull Moses:Withstode proude Pharao for his poore Israel."

But the English people remained in the bondage of Rome,—

:"Tyll that duke Josue, whych was our late Kynge Henrye,:Clerely brought us out in to the lande of mylke and honye."

Elsewhere John is called a Lollard and accused of "heretycall langage," and he is finally poisoned by a monk of Swinestead. Allegorical characters are mixed with the real persons. "Ynglonde vidua" (Widow England) represents the nation, and the jocular element is provided by "Sedwyson" (sedition), occupying the role of "Vice" in a pure morality play. One actor was obviously intended to play many parts, for stage directions such as "Go out Ynglond, and dress for Clargy" are by no means uncommon.

The original manuscript of "Kynge Johan" was discovered between 1831 and 1838 among the Corporation (i.e. local government) Papers at Ipswich, where it was probably performed, for there are references to charitable foundations by King John in the town (which received its Town Charter from John in 1200 AD) and neighbourhood. It is described at the end of the manuscript as "two" plays, but there is no obvious division, only the end of the first act being noted. The first part is corrected by Bale: the second half is in his handwriting, but his name nowhere occurs. In the list of his works, however, he mentions a play "De Joanne Anglorum Rege" (Of King John of the English), written "in idiomate materno" (in the mother tongue).

Summary of the Writers of Britain

Bale's most important work is "Illustrium majoris Britanniae scriptorum, hoc est, Angliae, Cambriae, ac Scotiae Summarium..." ("A Summary of the Famous Writers of Great Britain, that is, of England, Wales and Scotland") published at Ipswich and Wesel for John Overton in 1548 and 1549. This contained authors through five centuries: however, another edition, almost entirely rewritten and containing fourteen centuries, was printed at Basel with the title "Scriptorum illustrium majoris Britanniae...Catalogus" "(Catalogue of the Famous Writers of Great Britain)," in 1557–1559.

This chronological catalogue of British authors and their works was partly founded on the "Collectanea and Commentarii" of John Leland. Bale was an indefatigable collector and worker, and personally examined many of the valuable libraries of the Augustinian and Carmelite houses before their dissolution. His work contains much information that would otherwise have been hopelessly lost. His autograph note-book is preserved in the Selden Collection of the Bodleian Library, Oxford. It contains the materials collected for his two published catalogues arranged alphabetically, without enlargement on them nor the personal remarks which colour the completed work. He includes the sources for his information. [Critical annotated edition: Reginald Lane Poole and Mary Bateson, "Index Britanniae Scriptorum quos... collegit Ioannes Baleus" (Clarendon Press, 1902), "Anecdota Oxoniensia", Part IX.] He noted: "I have bene also at Norwyche, our second citye of name, and there all the library monuments are turned to the use of their grossers, candelmakers, sopesellers, and other worldly occupyers... As much have I saved there and in certen other places in Northfolke and Southfolke concerning the authors names and titles of their workes, as I could, and as much wold I have done through out the whole realm, yf I had been able to have borne the charges, as I am not."

Other writings and catalogues

John Bale's written works are listed in "Athenae Cantabrigienses." ["Athenae Cantabrigienses", Vol. i. pp. 227 ff.] While in Germany he published an attack on the monastic system entitled "The Actes of Englysh Votaries", [cit. in Pollard 1914, 219.] three "Lives" as "The Examinations of Lord Cobham, William Thorpe and Anne Askewe, &c", [Edited by the Rev. H. Christmas for the Parker Society in 1849.] and the "Pageant of Popes". While Rector of Bishopstoke he produced "The Image of both Churches", and after his stormy association with Ossory he printed an account of his 'Vocacyon' to that see. [Pollard 1914, 219.]

John Pitts or Pitseus (1560–1616), an English Roman Catholic exile, founded on Bale's work his "Relationum historicarum de rebus anglicis tomus primus" (Paris, 1619), better known by its running title of "De Illustribus Angliae scriptoribus". This is really the fourth book of a more extensive work. He omits the Wycliffite and Protestant divines mentioned by Bale, and the most valuable section is the "lives" of the Roman Catholic exiles resident in Douai and other French towns. He asserts ("Nota de Joanne Bale") that Bale's "Catalogus" was a misrepresentation of John Leland's work, though in all likelihood he only knew Leland's work through his reading of Bale.

References

ee also

* Dissolution of the Monasteries
* Foxe's Book of Martyrs
* Carmelites
* Ipswich Whitefriars