painting+with+size-mixed+pigments
51sponge — spongeless, adj. spongelike, adj. spongingly, adv. /spunj/, n., v., sponged, sponging. n. 1. any aquatic, chiefly marine animal of the phylum Porifera, having a porous structure and usually a horny, siliceous or calcareous internal skeleton or… …
52Marylyn Dintenfass — (1943 ) is an American painter, printmaker, and sculptor.[1] She is primarily known for her oil paintings, which use a dynamic color palette and lexicon of gestural imagery to explore dualities in the human experience and everyday sensual… …
53Buddhas of Bamiyan — Coordinates: 34°49′55.35″N 67°49′36.49″E / 34.8320417°N 67.8268028°E / 34.8320417; 67.8268028 …
54Mark Rothko — Rothko redirects here. For other uses, see Rothko (disambiguation). Mark Rothko Mark Rothko visiting the Scott family in 1959 Birth name Marcus Rothkowitz …
55Prussian blue — Chembox new Name = Prussian blue ImageFile = Prussian blue.jpg ImageSize = 250px ImageName = A sample of Prussian blue ImageFile1 = ImageSize1 = 250px ImageName1 = IUPACName = Ferric hexacyanoferrate OtherNames = ferric ferrocyanide, iron(III)… …
56Zinc — This article is about the metallic element. For other uses, see Zinc (disambiguation). copper ← zinc → gallium ↑ Zn ↓ Cd …
57HSL and HSV — Fig. 1. HSL (a–d) and HSV (e–h). Above (a, e): cut away 3D models of each. Below: two dimensional plots showing two of a model’s three parameters at once, holding the other constant: cylindrical shells (b, f) of constant saturation, in this case… …
58Prussian blue — 1. a moderate to deep greenish blue. 2. one of the iron blues, a dark blue, crystalline, water insoluble pigment, Fe4[Fe(CN)6]3, produced by reacting ferrocyanic acid or a ferrocyanide with a ferric compound: used in painting, fabric printing,… …
59Craquelure — in the Mona Lisa In art, craquelure (French: craquelé, Italian: crettatura) is the fine pattern of dense cracking formed on the surface of paintings, in particular due to the aging of paints. It is often used to determine the age of paintings and …
60New materials in 20th century art — Andy Warhol, Campbell s Tomato Juice Box, 1964, Synthetic polymer paint and silkscreen ink on wood, 10×19×9.5 in (250×480×240 mm), Museum of Modern Art, New York City New materials in 20th century art were introduced to art making f …
