- Robert Bridges
Robert Seymour Bridges, OM, (
23 October 1844– 21 April 1930) was an English poet, and poet laureatefrom 1913 to 1930.
Bridges was born in
Walmer, Kent, and educated at Eton Collegeand Corpus Christi College, Oxford. [ [http://www.englishverse.com/poets/bridges_robert Bridges, Robert] ] He went on to study medicine in London at St Bartholomew's Hospital, and intended to practice until the age of forty and then retire to write poetry. He was afterwards assistant physician at the Great Ormond Street Hospitalfor Children and physician at the Great Northern Hospital. Lung disease forced him to retire in 1882, and from that point on he devoted himself to writing and literary research. [ [http://www.smithcreekmusic.com/Hymnology/British.Hymnody/Robert.Bridges.html Hymnody, Robert Bridges] ] [ [http://www.biographybase.com/biography/Bridges_Robert.html Robert Bridges] ]
Bridges' literary work started long before his retirement, his first collection of poems having been published in 1873. In 1884 he married Monica Waterhouse, daughter of
Alfred WaterhouseR.A., and spent the rest of his life in rural seclusion, first at Yattendon, Berkshire, then at Boars Hill, Oxford, where he died. The poet Elizabeth Daryushwas his daughter. [ [http://www.biographybase.com/biography/Bridges_Robert.html Robert Bridges] ]
As a poet Bridges stands rather apart from the current of modern English verse, but his work has had great influence in a select circle, by its restraint, purity, precision, and delicacy yet strength of expression. It embodies a distinct theory of prosody.
In the book "Milton's Prosody", he took an empirical approach to examining Milton's use of
blank verse, and developed the controversial theory that Milton's practice was essentially syllabic. He considered free verseto be too limiting, and explained his position in the essay " Humdrum and Harum-Scarum". He maintained that English prosody depended on the number of "stresses" in a line, not on the number of syllables, and that poetry should follow the rules of natural speech. His own efforts to "free" verse resulted in the poems he called " Neo-Miltonic Syllabics", which were collected in "New Verse" (1925). The meter of these poems was based on syllables rather than accents, and he used the principle again in the long philosophical poem "The Testament of Beauty" (1929), for which he received the Order of Merit. His best-known poems, however, are to be found in the two earlier volumes of "Shorter Poems" (1890, 1894). He also wrote verse plays, with limited success, and literary criticism, including a study of the work of John Keats. [ [http://www.poemhunter.com/robert-seymour-bridges/biography/poet-6639/ Robert Seymour Bridges] ] [ [http://community.gospelcom.net/Brix?pageID=8269 OM] ]
Despite being made poet laureate in 1913, Bridges was never a very well-known poet and only achieved his great popularity shortly before his death with "The Testament of Beauty". However, his verse evoked response in many great English composers of the time. Among those to set his poems to music were
Hubert Parry, Gustav Holst, and later Gerald Finzi. [ [http://www.biographybase.com/biography/Bridges_Robert.html Robert Bridges] ]
At Corpus Christi College, Bridges became friends with
Gerard Manley Hopkins, who is now considered a superior poet but who owes his present fame to Bridges' efforts in arranging the posthumous publication (1916) of his verse. [ [http://www.poemhunter.com/robert-seymour-bridges/biography/poet-6639/ Robert Seymour Bridges] ]
Bridges' poetry was privately printed in the first instance, and was slow in making its way beyond a comparatively small circle of his admirers. His best work is to be found in his "Shorter Poems" (1890), and a complete edition of his "Poetical Works" (6 vols.) was published in 1898-1905. His chief volumes are "Prometheus" (Oxford, 1883, privately printed), a "mask in the Greek Manner"; "Eros and Psyche" (1885), a version of the story from Apuleius; "The Growth of Love", a series of sixty-nine sonnets printed for private circulation in 1876 and 1889; "Shorter Poems" (1890); "Nero" (1885), a historical tragedy, the second part of which appeared in 1894; "Achilles in Scyros" (1890), a drama; "Palicio" (1890), a romantic drama in the Elizabethan manner; "The Return of Ulysses" (1890), a drama in five acts; "The Christian Captives" (1890), a tragedy on the same subject as Calderon's "El Principe Constante"; "The Humours of the Court" (1893), a comedy founded on the same dramatist's "El secreto á voces" and on Lope de Vega's "El Perro del hortelano"; "The Feast of Bacchus" (1889), partly translated from the "Heauton-Timoroumenos" of Terence; "Hymns from the Yattendon Hymnal" (Oxford, 1899); and "Demeter, a Mask" (Oxford, 1905).
Robert Bridges OM is the only medical graduate (he was elected to the Fellowship of the Royal College of Physicians of London in 1900) to have held the office of Poet Laureate. Educated at Corpus Christi College, Oxford, and St Bartholomew's Hospital, he practised as a casualty physician at his teaching hospital (where he made a series of highly critical remarks about the Victorian medical establishment) and subsequently as a full physician to the Great (later Royal) Northern Hospital. He was also a physician to the Hospital for Sick Children. [ [http://www.medscape.com/medline/abstract/12357018 Medical career] ]
Bridges made an important contribution to hymnody with the publication in 1899 of his "Yattendon Hymnal", which he created specifically for musical reasons. This collection of hymns, although not a financial success, became a bridge between the Victorian hymnody of the last half of the 19th century and the modern hymnody of the early 20th century. Bridges translated important historic hymns, and many of these were included in "Songs of Syon" (1904) and the later "English Hymnal" (1906). Several of Bridges' translations are still in use today:
*Ah, Holy Jesus (
Johann Heermann, 1630)
*All My Hope on God Is Founded (
Joachim Neander, c. 1680)
Jesu, Joy of Man's Desiring(Martin Jahn, 1661)
*O Gladsome Light (Phos Hilaron)
*O Sacred Head, sore wounded (Paulus Gerhardt, 1656)
*O Splendour of God's Glory Bright (Ambrose,4th cent.)
*When morning gilds the skies (stanza 3; Katholisches Gesangbuch, 1744) [ [http://www.smithcreekmusic.com/Hymnology/British.Hymnody/Robert.Bridges.html Hymnody] ]
* [http://www.poetsgraves.co.uk/Classic%20Poems/Bridges/london_snow.htm London Snow]
"The Evening Darkens Over"
*The Growth of Love (1876;1889)
*Prometheus the Firegiver: A Mask in the Greek Manner (1884)
*Eros and Psyche: A Narrative Poem in Twelve Measures (1885;1894). A story from the Latin of Apuleius.
*Return of Ulysses (1890)
*Shorter Poems, Books I - IV (1890)
*Shorter Poems, Books I - V (1894)
*Ibant Obscuri: An Experiment in the Classical Hexameter
*The Necessity of Poetry (1918)
*October and Other Poems (1920)
*New Verse (1925)
*The Tapestry: Poems (1925)
*The Testament of Beauty (1929;1930) [ [http://www.accd.edu/sac/english/bailey/bridges.htm Major Works] ]
Criticism and essays
*Milton's Prosody, With a Chapter on Accentual Verse (1893).
*The Spirit of Man (1916)
*Collected Essays, Papers, Etc. (1927-36)
* Bridges, Robert: "The Poetical Works of Robert Bridges", Oxford Editions of Standard Authors, Oxford University Press, 2nd edition, 1936.
* Phillips, Catherine: "Robert Bridges: A Biography," Oxford University Press, 1992. ISBN 0-19-212251-7
* Stanford, Donald E.: "In the Classic Mode: The Achievement of Robert Bridges," Associated University Presses, 1978. ISBN 0-87413-118-9
* [http://www.poetsgraves.co.uk/bridges.htm Robert Bridges' Grave]
*gutenberg author | id=Robert_Bridges | name=Robert Bridges
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