Remembrance of Things Past (play)

Infobox Play
name = Remembrance of Things Past


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writer = Marcel Proust, adapted by Harold Pinter and Di Trevis
chorus =
characters =
mute =
setting = Paris, during World War I and the years prior to it
premiere = 23 November 2000
place = Cottesloe Theatre, National Theatre
orig_lang = English
series =
subject =
genre =
web = http://www.nationaltheatre.org.uk/Remembrance%20of%20Things%20Past+1225.twl
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"Remembrance of Things Past" is the 2000 collaborative stage adaptation by Harold Pinter and director Di Trevis of Harold Pinter's as-yet unproduced "The Proust Screenplay" (1977), a screen adaptation of "À la recherche du temps perdu", the seven-volume novel by Marcel Proust.

In November 2000, the play premiered at the Royal National Theatre, in London, under the direction of Trevis,cite web|url=http://www.haroldpinter.org/plays/plays_remembrance.shtml|title=Remembrance of Things Past (NT, 2000)|publisher=HaroldPinter.org|accessdate=2008-09-28 (Includes full texts of contemporaneous reviews by Nicholas de Jongh and Michael Billington.)] who also produced and directed it with a student cast at the Victorian College of the Arts Drama School, in Melbourne, Australia, in October 2002.cite web|url=http://www.abc.net.au/rn/arts/sunmorn/stories/s712350.htm|author=Julie Copeland|title=Remembrance of Things Past: Guest: Di Trevis|work=Sunday Morning|format=Web transcript of radio interview|publisher=Australian Broadcasting Corporation|date=2002-10-27|accessdate=2008-09-28] There also were foreign-language productions of the play in Denmark and Slovenia in 2004.cite web|url=http://www.haroldpinter.org/plays/title_remembrance.shtml|title=Remembrance of Things Past|publisher=HaroldPinter.org|accessdate=2008-09-28]

"The Proust Screenplay"

In writing "The Proust Screenplay", Pinter adapted the seven volumes of Marcel Proust's magnum opus "À la recherche du temps perdu" for a film commissioned by the late director Joseph Losey to be directed by Losey (Billington, "Harold Pinter" 224–330). According to Pinter in conversation with Jonathan Croall and with Michael Billington, his official biographer, Losey and Pinter were not able to find the financing for the film and there were unsurmountable casting difficulties ["Although the main problem was raising the money, there were also difficulties over casting. While Pinter wanted to use only English actors, potential backers from several European countries wanted their own actors to appear in the film. 'You could have ended up with a terrible pudding of actors speaking three thousand different dialects, in broken English,' Pinter suggests. 'I didn't like the sound of that at all' " (Pinter and Croall).] ; yet, after a year's work and other cultural complications pertaining to negotiations about permission to adapt Proust's great work from principals in France, Pinter finished his first draft of the screenplay in November 1972 (Billington, "Harold Pinter" 224–330). "The Proust Screenplay" was published first by Grove Press in 1977 and by Faber and Faber in 1978 (Baker and Ross 115-18).

The screenplay, in Billington's view "a masterpiece ... [which] captures Proust's merciless social comedy" ("Harold Pinter" 230), was eventually published by Grove Press in both hardback and paperback in 1977 and by Eyre Methuen in hardback in 1978 (Baker and Ross 115–18). Pinter's unpublished manuscripts for both the screenplay and the play are held in The Harold Pinter Archive in the British Library,See Merritt, "The Harold Pinter Archive in the British Library"; Gale and Hudgins; and Baker and Ross.] which the BL acquired permanently in December 2007 and will finish cataloguing by the end of 2008.Brown, "British Library's ₤1.1m Saves Pinter's Papers for Nation".] British Library, "Pinter Archive Saved for the Nation" (British Library press release).] Howard, "British Library Acquires Pinter Papers".]

Original Production

The stage version, which premiered at the Cottesloe Theatre, National Theatre on 23 November 2000 and ran there through 7 February 2001, was directed by Di Trevis and starred Sebastian Harcombe (Marcel), Duncan Bell (Charles Swann), David Rintoul (Charlus), and the late Fritha Goodey (Odette de Crecy).cite web|url=http://www.albemarle-london.com/Archive/ArchiveShow.php?Show_Name=Remembrance%20of%20Things%20Past%20(NT)|title=Archived page for Remembrance of Things Past|publisher=Albermarle of London|accessdate=2008-09-28 (Includes extracts from reviews.)] Designed by Alison Chitty, the production included music by Dominic Muldowney, lighting designed by Ben Ormerod, and movement directed by choreographer Jack Murphy.

The production transferred to the Olivier Theatre, National Theatre, running from 23 February until 4 April 2001.

Notes

References

*Baker, William, and John C. Ross, comp. "Harold Pinter: A Bibliographical History". London: British Library, 2005. ISBN 0-7123-4885-9 (10). New Castle, DE: Oak Knoll Press, 2005. ISBN 1594561564 (10).
*Billington, Michael. "Harold Pinter". 1996. 2nd rev. ed. London: Faber and Faber, 2007. ISBN 9780571234769 (13). (Rev. and enl. ed. of "The Life and Work of Harold Pinter". ISBN 0571171036 [10] .)
*Gale, Steven H., and Christopher Hudgins. "The Harold Pinter Archives II: A Description of the Filmscript Materials in the Archive in the British Library". "The Pinter Review: Annual Essays 1995 and 1996". Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 1997. 101-42. (Follows up article by Merritt listed below; does not include an updated version of Merritt's "Appendix"; focuses on manuscript materials relating to Pinter's screenplays.)
*Merritt, Susan Hollis. "The Harold Pinter Archive in the British Library". "The Pinter Review: Annual Essays 1994". Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 1994. 14-53. (Includes an Appendix listing the holdings of the Archive through 64 boxes, including the unpublished manuscripts pertaining to "The Proust Screenplay: À la recherche du temps perdu", adapt. by Pinter, and "Remembrance of Things Past", adapt. collaboratively from Pinter's "The Proust Screenplay", by Pinter and Di Trevis.)
*Pinter, Harold. "The Proust Screenplay: À la recherche du temps perdu". New York: Grove Press (Dist. Random House), 1977. ISBN 0394422023 (10). London: Faber and Faber, 1978. ISBN 041338960X (10). (Adapt. for the screen of the 7-vol. novel by Marcel Proust.)
*–––, and Di Trevis. "Remembrance of Things Past". London: Faber and Faber, 2000. ISBN 057120760X (10). ISBN 9780571207602 (13). (Adapt. for the stage of "The Proust Screenplay: À la recherche du temps perdu", by Harold Pinter.)
*–––, and Jonathan Croall. [http://website-archive2.nt-online.org/?lid=2481 "Time Present and Time Past"] . "National Theatre" Official Website. Spring 2001. Accessed 28 Sept. 2008. ("Harold Pinter talks to Jonathan Croall about the daunting task of adapting Marcel Proust's masterpiece for the theatre.")

External Links

*" [http://www.haroldpinter.org/plays/title_remembrance.shtml Remembrance of Things Past] " at "HaroldPinter.org", Harold Pinter's official Website.
*" [http://www.nationaltheatre.org.uk/Remembrance%20of%20Things%20Past+1225.twl Remembrance of Things Past] " – Official Website of the original production at the Royal National Theatre (NT)