- Kulwant Roy
Kulwant Roy (b. 1914,
Lahore , then in India) was anIndia n photographer. As the head of an agency named "Associated Press Photographs"Gadihoke, Sabeena. "Uncovering Histories: Iconic and not so Iconic Images and their Little-known Authors", "Marg ", 59:3; March 2008, pp. 40–53] , he was personally responsible for severalicon ic images of theIndian independence movement and the early years of theRepublic of India .Born in 1914, Kulwant Roy grew up in
Lahore before joining theRoyal Indian Air Force Saxena, Poonam. "Past Lives", "Hindustan Times " magazine, 11 May 2008.] where he specialised inaerial photography . After being discharged from the RIAF, he returned to Lahore, but moved toDelhi in 1940 where he set up a studio, which later expanded into a full=fledged agency, in theMori Gate district ofOld Delhi . For a few years previously, he had been followingMahatma Gandhi in his travels around India in a third-class train compartment; that experience permitted him to gain insider status that meant that he was permitted to record many crucial events of and major participants in the independence movement, includingJinnah ,Nehru and Patel.Among his most iconic photographs are one of Jinnah arguing with Gandhi on the verandah of his bungalow; normally credited to the Hulton-Getty archive, it has recently been established that it was one of many such taken by Roy. Others include a similarly well-known photograph of Nehru and
Khan Abdul Ghaffar Khan walking asAICC representatives to meet theCabinet Mission while arickshaw carrying Patel travels alongside. A photograph of Nehru and Patel listening intently to Gandhi at aCongress Working Committee meeting was made into a commemorative stamp after Patel's death in 1950; it won a silver plaque from "Amrita Bazar Patrika " as the best news photograph of the year.After independence in 1947, Roy continued to photograph Nehru in particular, taking several photographs of the
Nehru-Gandhi family and one of Nehru sitting pensively in cricket flannels, his chin resting on his bat. Also in the 1950s, he was one of the first to document the trek by pilgrims to the cave atAmarnath inKashmir [ "Le pélerinage de la grotte d'Amarnath au Cachemire", "Sciences et Voyages", Nouvelle série troisième. 169: January, 1960.] .In 1958 he packed up his studio and set out on a trip around the world. For three years he took almost continuous photographs, visiting more than thirty countries, and every month mailing the previous month's negatives back to his office in India. When he returned in 1961, he discovered to his horror that all the packages had been stolen. For years thereafter he would spend weekends driving around garbage dumps in Delhi looking for the lost negatives.
He died in New Delhi in 1984, working till the end; at the time of his death from cancer he was working on the negatives of the Seventh Non-Aligned Movement Conference.
He left his surviving photographic negatives and archives to his nephew Aditya Arya, a commercial photographer. The archives, which Arya is scanning and organizing, reportedly contain images exhaustively chronicling most major incidents of the period, including the
Cripps Mission and theINA trials ; after independence, they include a series documenting the development of theBhakra-Nangal dam and photographs from the front of theSino-Indian War , which he organised by day.;References
External links
* [http://adityaarya.com/ Official website of Aditya Arya]
* [http://www.iht.com/articles/2008/06/18/arts/roy.php/ Kulwant Roy: Indian history in a yellow crate of negatives]
* [http://timesofindia.indiatimes.com/India/Photo_finish_70_years_later_photographer_gets_his_due/articleshow/3176311.cms Photo finish: 70 years later, photographer gets his due]
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