Miriam Schapiro

Miriam Schapiro
Not to be confused with Miriam Shapira-Luria, a Talmud scholar in the Late Middle Ages

Miriam Schapiro (or Shapiro) (born 1923) is a Canadian-born artist based in America. She is a pioneer of feminist art. She is also considered part of the Pattern and Decoration art movement.[1]

She was born in Toronto, Canada and studied at the State University of Iowa, where she met the artist Paul Brach, whom she married in 1946.[2] By 1951 they moved to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style.[3]

In the 1970s she moved to California, establishing the Feminist Art Program at the California Institute of the Arts with Judy Chicago. She participated in the Womanhouse exhibition in 1972.

Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she calls "femmages". Her 1977 - 1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..."[4]

Her works are held in numerous museum collections[5] including the Jewish Museum (New York) and the National Gallery of Art.[6]

Her awards include the distinguished artist award for lifetime achievement from the College Art Association.[7]

References

  1. ^ Cotter, Holland (2008-01-15), "Scaling a Minimalist Wall With Bright, Shiny Colors", New York Times, http://www.nytimes.com/2008/01/15/arts/design/15patt.html, retrieved 2009-09-12 
  2. ^ Avital H. Bloch, Lauri Umansky, Impossible to Hold: Women and Culture in the 1960s, NYU Press, 2005, p319. ISBN 0814799108
  3. ^ Fred S. Kleiner, Christin J. Mamiya, Helen Gardner, Gardner's Art Through the Ages, Thomson Wadsworth, 2005, p1073. ISBN 0155050907
  4. ^ Kristine Stiles, Peter Selz, Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings, University of California Press, 1996, pp151-4. ISBN 0520202538
  5. ^ artfacts.net
  6. ^ nga.gov
  7. ^ Miriam Schapiro, feminist artist and Pattern & Decoration painter, received the distinguished artist award for lifetime achievement - People - Brief Article, Art in America, August 2002.

Books

External links


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  • Schapiro — ist der Name von Alexander Moissejewitsch Schapiro, (1883 1946) jüdisch russischer Anarcho Syndikalist, zeitweise Sekretär der IAA (Internationale Arbeiter Assoziation). Alexander Schapiro (1890–1942) (Alexander Tanarow), ukrainischer Anarchist… …   Deutsch Wikipedia

  • Womanhouse — (30 January 28 February, 1972) was a women only art installation and performance organized by Judy Chicago and Miriam Schapiro, co founders of the California Institute of the Arts (CalArts) Feminist Art Program. Chicago, Schapiro, their students… …   Wikipedia

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  • Paul Brach — Paul Brach, Born March 13 1924 in New York City and he died November 16 2007 in Easthampton, New York. Paul Brach was primarily known as an American abstract painter and as a lecturer and educator.As an abstract painter Paul Brach exhibited his… …   Wikipedia

  • Pattern and Decoration — was an art movement situated in the United States from the mid 1970s to the early 1980s. The movement has sometimes been referred to as P D [1][2] or as The New Decorativeness.[3] The movement was championed by the gallery owner Holly Solomon.[4] …   Wikipedia

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