- Victor Yoran
Victor Yoran is a Russian
cellist . He was born inMoscow , studied underMstislav Rostropovich and in 1962 ended his studies as prizewinner of theInternational Tchaikovsky Competition . He then went on extended tours through theSoviet Union ,Romania andBulgaria and gained distinction during thePrague Spring . In 1969 he illegally left the Soviet Union and first went toIsrael . There he taught at theRubin Academy of Music and conducted a chamber music orchestra. He repeatedly distinguished himself as a soloist in theIsrael Philharmonic Orchestra , playing among others cello concertos bySchumann ,Lalo andKhachaturian . From Israel, Yoran went on various concert tours to England, where together with theRoyal Philharmonic Orchestra he excelled with Dvorak's cello concerto.Yehudi Menuhin , who got to know Yoran at that time, called him one of the most impressive violoncellists he had ever heard. Further tours, mainly with works for the solo cello, took Yoran to the United States of America (Philadelphia ,Washington, D.C. andNew York ) and toNorway . In 1976, Yoran was engaged as first solo cellist by theRadio Symphony Orchestra of Frankfurt . With this orchestra he made a name for himself e.g. together with conductors such asEliahu Inbal ,Vaclav Neumann andVladimir Ashkenazy , with whom he played the cello concertos ofHonegger ,Prokofiev , the double concerto ofBrahms , as well as "Shelomo" ofBloch and "Don Quixote" ofRichard Strauss . Yoran presented his extensive chamber music repertoire in duo evenings with the pianist Irina Edelstein, as well as in numerous radio recordings. In 1992 he made a CD recording ofBach 's six solo suites. In 1993, Yoran returned to the country of his birth for the first time in 24 years. InSt Petersburg he played with the equally highly individualisticpianist ,Valery Afanassiev and theviolinist Lydia Dubrovskaya during the festival of the “White Nights of St Petersburg”. The newspaper Berliner Tagesspiege wrote about Yoran's composition "Duo for Violin and Tuba": “In order to perfectly reconcile these two contrary instruments, Yoran commands over “taste and great knowledge of the science of composition”, to freely use the great words ofJoseph Haydn about his colleague,Mozart ”. In 2005, Yoran for the first time made cello recordings of the two violin works of Bach. He lives inBerlin . His touch is marked by spontaneity and tonal subtlety, combined with a musical intelligence which enables him to penetrate the tonal surface into deeper levels of compositional creativity. Yoran plays an Italian instrument ofGiovanni Grancino of the year 1700.
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