- Imagawa Sadayo
"', was a renowned Japanese poet and military commander who served as
tandai ("constable") ofKyūshū under theAshikaga Bakufu from 1371 to 1395. His father,Imagawa Norikuni , had been a supporter of the firstAshikaga Shogun ,Ashikaga Takauji , and for his services had been granted the position of constable ofSuruga province (modern-dayShizuoka prefecture ). This promotion increased the prestige of theImagawa family (a warrior family dating from theMuromachi period , which was related by blood to the Ashikaga shoguns) considerably, and they remained an important family through to theEdo period .adayo's early life
During his early years Sadayo was taught
Buddhism ,Confucianism and Chinese,archery , and the military arts such asstrategy andhorse-back riding by his father (governor of the Tōkaidō provinces Tōtōmi and Suruga), along with poetry, which was to become one of his greatest passions. In his twenties he studied under Tamemoto of the Kyogoku school of poetry, and Reizei Tamehide of theReizei school. At some point, he was appointed to head the boards of retainers and coadjudicators. He had taken religious vows when theAshikaga Bakufu called upon him to travel toKyūshū and assume the post of constable of the region in 1370 after the failure of the previous constable to quell the rebel uprisings in the region, largely consisting of partisans of the Souther Court supporting one of the rebelliousEmperor Go-Daigo 's sons, Prince Kanenaga. By 1374-1375, Sadayo had crushed the rebellion, securing for theBakufu northernKyūshū , and ensuring the eventual failure of the rebellion and the consequent success of the Bakufu Shogunate. ref|bakufuKyūshū Tandai (1371-1395)
Sadayo's skill as a strategist was obvious, and he moved rapidly through northern
Kyūshū with a great deal of success, bringing the region under his control by October 1372. This was an impressive achievement considering Prince Kanenaga had been fortifying his position in this region for more than a decade. Kanenaga was not defeated outright however, and went on the defensive, leading to a stalemate that lasted through to 1374, when Kanenaga's general, Kikuchi Takemitsu, died, leaving his military with no strong leader. Sadayo seized the opportunity and planned a final attack.Sadayo met with three of the most powerful families on
Kyūshū to gain their support in the attack, those families being the Shimazu, the Otomo and the Shoni. Things seemed to be going well until Sadayo suspected the head of the Shoni family of treachery and had him killed at a drinking party. This outraged theShimazu clan , who had originally been the ones to convince the Shoni to throw their lot in with Sadayo, and they returned to their province of Satsuma to raise a force against Sadayo. This gave Prince Kanenaga time to regroup, and he forced Sadayo back North, prompting Sadayo to request assistance from theBakufu .Help never arrived, forcing Sadayo to take matters in to his own hands, and he continued to push the loyalists forces until their resistance ended with Prince Kanenaga's death in 1383. The death of
Shimazu clan chieftain Ujihasa in 1385 also helped ease tensions between Sadayo and the Shimazu for a time.In 1395 both the Ōuchi and Otomo families conspired against Sadayo, informing the
Bakufu that he was plotting against theShogun , in a move that was likely an attempt to restore the post of constable to the family that had held it prior to Sadayo, the Shibukawa family. Sadayo was relieved of his post and returned to the capital. Sadayo had, in addition, acted fairly independently in his neotiations with the Shimazu, the Otomo and the Shoni, and also in negotiations withKorea ; this recall was prompted by all three causes being used against by his enemies in the Shogun's court.Later years (1395-1420)
In 1400 Sadayo was once again questioned by the
Bakufu , this time in relation to theImagawa 'sTōtōmi 's failure to respond to a levy issued by theBakufu - a negligence interpretable as treason and rebellion. This charge saw Sadayo stripped of his post as constable of Suruga and Tōtōmi provinces, and gave him reason to believe he might be assassinated. With this in mind he fled the capital for a time, though was later pardoned and returned to the capital, spending the rest of his days pursuing religious devotions and poetry until his death in 1420.adayo's poetry
Sadayo began composing poetry from an early age: by the age 20, he had a poem included in an
imperial anthology (the "Fugashu" or "Collection of Elegance"; Earl Miner gives the specific entry as XV: 1473). His teacher was Reizei no Tamehide (d. 1372). His poems were displayed to more effect in his fairly popular and influential travel diary, "Michiyukiburi" ("Travellings"). It was this travel diary that in large part won Sadayo a place as a respected critic of poetry: he felt that poetry should be a direct expression of personal experience, a fact that can be seen from his own poems. Even though Sadayo is better known for his criticism of the more conservative poetry styles, theNijo school in particular, and his tutoring ofShotetsu (1381-1459), who would become one of the finest waka poets of the fifteenth century, than he is for his own output, it nonetheless provides a glimpse in to the mind of this medieval scholar and his travels. Sadayo was active in the poetic disputes of that day, scoring a signal victory over the Nijō adherents close to the Ashikaga Shogunate at the time with 6 polemical treatises on poetry he wrote between 1403 and 1412, defending the Reizei's poetic doctrine and their cause (despite Ryōshun'srenga poetry's debt toNijō Yoshimoto 's (1320-1388) examples and rules of composition). Ryōshun used a number of quotations to bolster his case, including notably a quote ofFujiwara no Teika 's, which was that all of the "ten styles" (Teika had defined ten orthodox poetic styles, such as "yoen", a style concerned with "ethereal beauty", "yugen ", the demon-quelling style, or the one the Nijo championed to the exclusion of the other 9, "ushin") were licit for poetic use and experimentation, and not merely the Nijō's "ushin". With the aid Ryōshun afforded him, Fujiwara no Tanemasa's politicking eventually succeeded in converting the Shogun, ending the matter- until the rival Asukai poetic clan revived the dispute, that is.elect poems
References
*"A History of Japan, 1334-1615", by George Sansom, Stanford University Press, reprinted 1991.
*"Waiting for the Wind: Thirty-Six Poets of Japan's Late Medieval Age", translated by Steven D. Carter, Columbia University Press, 1989.
*"The Imagawa Letter: A Muromachi Warrior's Code of Conduct Which Became a Tokugawa Schoolbook", translated byCarl Steenstrup in Monumenta Nipponica 28:3, 1973.
*"Unforgotten dreams: poems by the Zen monkShōtetsu ", 1997. Steven D. Carter, Columbia University Press. ISBN 0-231-10576-2
*"An Introduction to Japanese Court Poetry", byEarl Miner . 1968,Stanford University Press, LC 68-17138
** pg. 138; Miner references his translation's source as "Michiyukiburi", GSRJ, XVIII, 560", where "Michiyukiburi" is Sadayo's travel diary, and GSRJ refers to the 30 volumes of the "Gunsho Ruijū" published inTokyo between 1928 and 1934.
* " [http://links.jstor.org/sici?sici=0027-0741%28197621%2931%3A1%3C29%3AFFCTSM%3E2.0.C0%3B2-X From Feudal Chieftain to Secular Monarch. The Development of Shogunal Power in Early Muromachi Japan] ", by Kenneth A. Grossberg. "Monumenta Nipponica ", Vol. 31, No. 1. (Spring, 1976), pp. 29-49
* [http://links.jstor.org/sici?sici=0027-0741%28197323%2928%3A3%3C295%3ATILAMW%3E2.0.CO%3B2-Z "The Imagawa Letter: A Muromachi Warrior's Code of Conduct Which Became a Tokugawa Schoolbook"] , by Carl Steenstrup. "Monumenta Nipponica", Vol. 28, No. 3. (Autumn, 1973), pp. 295-316.
Wikimedia Foundation. 2010.