Cowboy poetry

Cowboy poetry
Although one may appreciate the written form of cowboy poetry, the original form was spoken live around a night campfire. Many events exist today where one can attend and listen to cowboy poetry live, as it was and still is told.

Cowboy poetry cp is a form of poetry which grew out of a tradition of extemporaneous composition carried on by workers on cattle drives and ranches.[citation needed] After a day of work, cowboys would gather around a campfire and entertain one another with tall tales and folk songs. Illiteracy was common, so poetic forms were employed to aid memory.[citation needed]

Contrary to common belief, cowboy poetry does not actually have to be written by cowboys,[citation needed] though adherents would claim that authors should have some connection to the cowboy life such that they can write poetry with an "insider's perspective".[citation needed] One example of a popular "cowboy poem" written by a non-cowboy is "The Ride of Paul Venarez" by Eben E. Rexford, a 19th Century freelance author.

Newcomers are surprised to hear cowboy poetry that is contemporary.[citation needed] Many people tend to focus on the historic cowboy lifestyle,[citation needed] but the work that cowboys do continues. The cowboy lifestyle is a living tradition that exists in western North America and other areas, thus, contemporary cowboy poetry is still being created, still being recited, and still entertaining many camp visitors around campfires and convention halls. Much of what is known as "old time" country music originates from the rhyming couplet style often seen in cowboy poetry[citation needed] along with guitar music.

Typical themes of cowboy poetry include:[citation needed]

  • Ranch work and those who perform it
  • Western lifestyle
  • Landscape of the American and Canadian West
  • Cowboy values and practices
  • Humorous anecdotes
  • Memories of times and people long gone
  • Sarcasm regarding modern contraptions and/or ways

The following is a verse from LaVerna Johnson's poem "Homestead", which exhibits traditional cowboy poetry features:

We hear calls of cattle lowing, voices carry on the breeze
As it wanders down the canyon, then meanders through the trees.
While we stop to smell the sage, light shimmers "quakie's" golden leaves,
And it sure feels good to be back home again.

(Note the use of cowboy vernacular such as quakie.)

Though it deals with those who work with livestock and nature, it would be incorrect to categorize cowboy poetry as pastoral.[citation needed] Cowboy poetry is noted for its romantic imagery, but at no time does it sacrifice realism in favor of it.[citation needed]

Few examples of experimental verse are known in cowboy poetry.[citation needed] One argument is that cowboy poetry is meant to be recited and should "sound like poetry."[citation needed] The counter-argument runs that imposing a particular structure on cowboy poetry would move the focus away from the subject matter.[citation needed] Regardless, most cowboy poets stay within more classical guidelines, especially rhyming verse.[citation needed] So-called free verse poetry is uncommon in cowboy poetry.[citation needed]

Cowboy poetry continues to be written and celebrated today. Baxter Black is probably the most famous, and possibly the most prolific, contemporary cowboy poet. Many cities in the United States and Canada have annual "roundups" dedicated to cowboy poetry. Cowboy Poetry week is celebrated each April in the United States and Canada.[1]

Prominent cowboy poets

In addition, Robert W. Service is sometimes classified as a cowboy poet.

Famed spoken-word artist Bingo Gazingo has done at least one cowboy poem, "Everything's OK at the OK Corral."

also see cp

References


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