Our Mother of Perpetual Help

. Our Mother of Perpetual Help (or of Succour) or Our Lady of Perpetual Help is a title given to the Blessed Virgin Mary, associated with a Byzantine icon of the same name, said to be 13th or 14th century, but perhaps 15th century, which has been in Rome since at least the late 15th century. In the Eastern Orthodox Church this iconography is known as the Theotokos of the Passion.

This image is very popular among Catholics in particular, and has been much copied and reproduced. Reproductions are sometimes displayed in homes or elsewhere. Catholics have, for centuries, prayed to this icon of the Blessed Virgin to intercede on their behalf to Christ, an example of how Roman Catholic Marian art influences the momentum for the "sensus fidelium" of the Mariological concept of Mediatrix.

Description

The icon depicts the Blessed Virgin Mary wearing a dress of dark red with blue mantle and veil. On the left is the archangel Michael, carrying the lance and sponge as instruments of Jesus Christ's crucifixion. On the right is the archangel Gabriel carrying a 3-bar cross and nails. This type of icon is a later type of the Hodegetria composition, where Mary is pointing to her Son, known as a "Theotokos of the Passion". The Christ-child has been alarmed by a pre-sentiment of his Passion, and has run to his mother for comfort. The facial expression of the Virgin Mary is solemn and is looking directly at the viewer instead of her son. The Greek initials on top read Mother of God, Michael Archangel, Gabriel Archangel, and Jesus Christ, respectively. Jesus is portrayed clinging to his mother with a dangling sandal. The icon is painted with a gold background. The icon is on a walnut panel, and may have been painted in Crete, then ruled by Venice, and the main source of the many icons imported to Europe in the late Middle Ages and through the Renaissance. It was cleaned and restored in 1866 and again in the 1940s.

Origin and early history

The earliest written account of the image comes from a Latin and Italian plaque placed in the church of Saint Matthew where it was first venerated by the public in 1499. The writer of the icon is unknown, but according to legend the icon was stolen by a merchant from Crete who was sailing to Rome. The merchant supposedly sailed and hid the icon while traveling at sea, until a storm hit hard and the sailors prayed to the icon for help. When the merchant arrived in Rome he fell ill, and as his dying wish he asked a second merchant to place the icon in a church where it could be venerated. The second merchant then confided to his wife about the icon. Upon seeing the beautiful icon, the woman refused to give it to the church but instead hung it in their home. Later on, the Virgin Mary appeared to the merchant's daughter, requesting that the icon be turned in to a parish for veneration. The Virgin indicated to the little girl that she ought to be placed between the basilicas of St. Mary Major and St. John Lateran. The wife then went to the Augustinian Friars to whom she gave up the icon. On March 27, 1499, the icon was transferred to the church and the icon was venerated there for 300 years.

Transfer

In 1798, the governor of Rome, General Massena, ordered several churches in Rome closed and destroyed. St. Matthew's was one of these churches. The Perpetual Help icon was taken by the Augustinian fathers to a nearby church, St. Eusebius. Later on they moved it to Santa Maria Posterula to a side altar. Pope Pius IX had invited the Congregation of the Most Holy Redeemer to set up a Marian house of veneration in Rome. The Redemptorists were stationed in Via Merulana, not knowing that it was once the location of the church of San Mateo and shrine of the once-famous icon. A Redemptorist father heard stories of the icon and of the church in which it was once enshrined. The Church of St. Alphonsus Liguori was erected next to the site by the Redemptorists.

The Father General of the Redemptorists, Most Rev. Nicholas Mauron, decided to bring the whole matter to the attention of Pope Pius IX. The Pope decided that the icon should be exposed to public veneration and the logical site was their Church of St. Alphonse of Ligouri ("Chiesa de Sant'Alfonso all'Esquillino"), standing as it did between the Basilica of St. Mary Major and the Basilica of St. John Lateran. Pope Pius IX wrote a short memorandum ordering the Augustinian Fathers of St. Mary in Posterula to surrender the picture to the Redemptorists, on condition that the Redemptorist supply the Augustinians with another picture of Our Lady of Perpetual Help or a good copy of the icon of Perpetual Help in exchange. Upon the return of the icon, Pope Pius IX gave the icon the title Our Mother of Perpetual Help. In June 23, 1867, the image was crowned by the Dean of the Vatican Chapter in a solemn and official recognition of the Marian icon under the title of Our Mother of Perpetual Succour. In April 21, 1866, the Redemptorist Superior General gave one of the first copies to Pope Pius XI, which is now preserved in the chapel of the Redemptorists' General Government in Rome. The icon is under the care of the Redemptorist fathers of the Church of St. Alphonsus Liguori where the icon is now enshrined.

Veneration

Since then, the icon has been venerated all around the world. The icon has been popularized among many cultures and has had several titles in different languages such as "Nuestra Señora del Perpetuo Socorro", "Perpetuo Succursu", "Beata Virgo de Perpetuo Succursu", "Ina ng Laging Saklolo" and "Mother of Perpetual Soccour".

ong OLPH: "The Lady Who Wears Blue and Gold"

In 1992, Elizabeth Nisperos, resident of South San Francisco composed a song "The Lady Who Wears Blue and Gold" to honor Our Lady of Perpetual Help while commuting at BART, the train used by folks in the Bay Area. The song was presented at St. Alphonsus Liguori Church in Rome led by Sr. Iluminada Bite along with 52 choir pilgrims. The song is sung during novenas to Our Lady of Perpetual Help Church in Daly City, CA and other parts of the world to honor the Blessed Mother. A procession is held on her feast day on the last Saturday of June started by Reverend Antonio Rey, pastor of OLPH and canon lawyer of the Archdiocese of San Francisco.

In June 2003, Nisperos painted a replica of the Our Lady of Perpetual Help in an illuminated poster displaying the song in a Gregorian medieval chant notation of neumes.It was exhibited at Kalligraphia X at the San Francisco Public Library The poster was blessed by William Levada, the past Archbishop of San Francisco, now Cardinal Levada, second in rank to Pope Benedict XVI.

For a copy of the music and words, contact the parish of Our Lady of Perpetual Help in Daly City via Archconfraternity.

Filipino Veneration of the Icon

In the Philippines, a largely Catholic nation, the image of Our Lady of Perpetual Help is widely venerated. Catholic churches hold a Novena and Mass every Wednesday (called "Baclaran Day", after the church where a replica is installed) in honor of the Blessed Virgin Mary under this title. The National Shrine of Our Mother of Perpetual Help (known to locals as "Baclaran Church") is filled every Wednesday with thousands of devotees who pay their homage to the Blessed Virgin Mary. In addition to this, the" Wednesday Perpetual Help Novena" is strictly observed and followed in the majority of Catholic churches in the Philippines. It also uses the same Wednesday novena booklet initially published by the Redemptorist Fathers.

The National Shrine of Our Lady of Perpetual Help celebrated its 50th year anniversary in 1998, honoring the Wednesday Novena booklet format to be established in all Catholic churches. The Our Lady of Perpetual Help Shrine has received national attention and has a great number of devotees in the archipelago, making it an element of popular religion in the country.

"compare the Black Nazarene, another popular devotion."

Worldwide veneration

Many churches around the world have been dedicated to Our Mother of Perpetual Help, such as the Basilica of Our Lady of Perpetual Help in Brooklyn, New York.

The commemoration is on June 27th.

ee also

* Roman Catholic Marian art

References

*Encyclopedia of Catholic Devotions and Practices; Ann Ball;2003;Our Sunday Visitor Publishing;ISBN 087973910X

Further reading

*"The Story of an Icon: The Full History, Tradition and Spirituality of the Popular Icon of Our Mother of Perpetual Help"; Fabriciano Ferrero;Redemptorist Publications; 2002; ISBN 978-0852312193

External links

:* Redemptorist Fathers' website, see section on icon history [http://www.cssr.com/english/]