- Sociomusicology
Sociomusicology refers to both an academic subfield of
sociology that is concerned withmusic (often in combination with other arts), as well as a subfield ofmusicology that focuses on social aspects of musical behavior and the role of music insociety . Sociology (fromLatin : "socius", "companion"; and the suffix "-ology", "the study of", from Greek λόγος, "lógos", "knowledge" Online Etymology Dictionary [http://www.etymonline.com/index.php?search=sociology&searchmode=none] ] ) is the scientific or systematic study of society, including patterns ofsocial relations ,social stratification ,social interaction , andculture ["Dictionary of the Social Sciences", Article: Sociology] . Musicology (Greek: "μουσική" = "music" and "λόγος" = "word" or "reason"), on the other hand, is the scholarly study ofmusic ; However, the term is often used in a narrow sense, confined to the music history of Western cultural elites.Since the field of musicology has tended to emphasize
historiographic and analytical/critical rather than sociological approaches toresearch , sociomusicology is still regarded as somewhat outside the mainstream of musicology. However, with the increased popularity ofethnomusicology in recent decades (with which the field shares many similarities), as well as the development and mainstreaming of "New Musicology " (coinciding with the emergence of interdisciplinaryCultural Studies in academia), sociomusicology is increasingly coming into its own as a fully established field.ociomusicological issues
The work of scholars in sociomusicology is often similar to
ethnomusicology in terms of its exploration of the sociocultural context of music, however sociomusicology maintains relatively less of an emphasis on ethnic and national identity, and is not limited to ethnographic methods. Rather, sociomusicologists use a wide range ofresearch methods and take a strong interest in observable behavior and musical interactions within the constraints ofsocial structure . Sociomusicologists are more likely than ethnomusicologists to make use of surveys and economic data, for example, and tend to focus on musical practices in contemporary industrialized societies.ociomusicologists
Among the most notable of earlier sociologists to examine social aspects of music were
Georg Simmel (1858-1918),Alfred Schutz (1899-1959),Max Weber (1864-1920) andTheodor Adorno (1903-1969). Others have includedAlphons Silbermann ,Ivo Supicic , [http://www.academyofleisuresciences.org/memory.htm Max Kaplan] ,K. Peter Etzkorn ,Charles Seeger (1886-1979),Howard Saul Becker ,Eli Siegmeister ,Jacques Attali , John Mueller (1895-1965), [http://www.mdw.ac.at/ims/english/blaukopf_eng.html Kurt Blaukopf] and [http://www.musicgrooves.org/bios.php Charles Keil] .More recently, notable sociomusicologists have included
* [http://www.equinoxjournals.com/ojs/index.php/Jazz/rt/bio/1715/0 Peter J. Martin]
*Tia DeNora
* [http://www.carleton.ca/artandculture/music/shepherd.html John Shepherd]
* [http://www.music.unt.edu/musiced/froehlich.html Hildegard Froehlich]
* [http://www.robertchristgau.com/xg/rock/small-00.php Christopher Small]
* [http://www.sfu.ca/psyc/brown/publications.html Steven Brown]
* [http://www.esa-arts.net/conferences/rotterdam3nov2004/docs/Dowd.rtf Timothy Dowd]
* [http://www.surrey.ac.uk/Arts/CRONEM/seminar-24-03-22-Bennett.htm Andy Bennett]
* [http://www.smith.edu/music/faculty_waksman.php Steve Waksman] , and
* [http://www.umass.edu/sociol/faculty_staff/faulkner.html Robert Faulkner] .Younger scholars whose work contributes to the field of sociomusicology include:
* [http://www.utm.utoronto.ca/~w3soc/Department/sbaumann.htm Shyon Baumann]
* [http://www.blogger.com/profile/09408859984544549259 David Hebert]
* [http://www.ssc.upenn.edu/soc/People/graziandavid.html David Grazian]
* [http://www.rider.edu/864_5758.htm Eric Hung] , and
* [http://soulimperialist.blogspot.com/ Joseph Schloss] .See also
*
Musicology
*Sociology
*Ethnomusicology
*Music psychology
*Cultural studies
*Music education
*Appropriation (music) References
* Adler, Guido (1885). Umfang, Methode und Ziel der Musikwissenschaft. Vierteljahresschrift für Musikwissenschaft, 1, 5-20.
* Honing, Henkjan (2006). "On the growing role of observation, formalization and experimental method in musicology." "Empirical Musicology Review", [https://kb.osu.edu/dspace/bitstream/1811/21901/1/EMR000002a-honing.pdf 1/1, 2-5]
* Kerman, Joseph (1985). "Musicology." London: Fontana. ISBN 0-00-197170-0.
* McClary, Susan, and Robert Walser (1988). "Start Making Sense! Musicology Wrestles with Rock" in "On Record" ed. by Frith and Goodwin (1990), pp. 277-292. ISBN 0394564758.
* Middleton, Richard (1990/2002). "Studying Popular Music". Philadelphia: Open University Press. ISBN 0-335-15275-9.
* Pruett, James W., and Thomas P. Slavens (1985). "Research guide to musicology." Chicago: American Library Association. ISBN 0-8389-0331-2.External links
* [http://www3.niu.edu/popms/ Popular Music and Society]
* [http://www.jstor.org/journals/03515796.html International Review of the Aesthetics and Sociology of Music]
* [http://act.maydaygroup.org/ Action, Criticism, and Theory for Music Education]
* [http://www.ams-net.org The American Musicological Society] (Wikipedia entry)
* [http://www.music.indiana.edu/ddm/ Doctoral Dissertations in Musicology Online]
* [http://www.ams-net.org/musicology_www.html AMS: Web sites of interest to Musicologists]
* [http://www.american-music.org The Society for American Music]
* [http://www.ams-net.org/gradprog.php Graduate Programs in Musicology]
* [http://www-gewi.uni-graz.at/staff/parncutt/cim.htm Conference on Interdisciplinary Musicology]
* [http://webdb.iu.edu/sem/scripts/home.cfm Society for Ethnomusicology]
* [http://quote.wikipedia.org/wiki/Musicology Wikiquote - quotes about musicology]
* [http://www.asanet.org/ American Sociological Association (ASA)]
* [http://www.britsoc.co.uk/ British Sociological Association (BSA)]
* [http://www.valt.helsinki.fi/esa/ European Sociological Association (ESA)]
* [http://www.ucm.es/info/isa/ International Sociological Association (ISA)]
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