Hugo van der Goes

Hugo van der Goes

Hugo van der Goes (Ghent, ?c. 1440 – Oudergem, near Brussels, 1482 or 1483) was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David, one of the most important of the Early Netherlandish painters.

Hugo became a member of the painters' guild of Ghent as a master in 1467. In 1468 he was involved in the decoration of the town of Bruges in celebration of the marriage between Charles the Bold and Margaret of York and he provided heraldic decorations for Charles's "joyeuse entrée" to Ghent in 1469 and again in 1472. He was elected dean of the Ghent guild in 1473 or 1474.

In 1475, or some years later, Hugo entered Rooklooster, a monastery near Brussels belonging to the Windesheim Congregation, and professed there as a "frater conversus". He continued to paint, and remained at Rooklooster until his death in 1482 or 1483. In 1480 he was called to the town of Leuven to evaluate the "Justice Scenes" left unfinished by the painter Dieric Bouts on his death in 1475. Shortly after this, Hugo, returning with other members of his monastery from a trip to Cologne, fell into a state of suicidal gloom, declaring himself to be damned. After returning to Rooklooster, Hugo recovered from his illness, and died there. His time at Rooklooster is recorded in the chronicle of his fellow monk, Gaspar Ofhuys. A report by a German physician, Hieronymus Münzer, from 1495, according to which a painter from Ghent was driven to melancholy by the attempt to equal the Ghent Altarpiece, may refer to Hugo.

His most famous surviving work is the Portinari Triptych (Uffizi, Florence), an altarpiece commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence by Tommaso Portinari, the manager of the Bruges branch of the Medici Bank. The triptych arrived in Florence in 1483, apparently some years after its completion by van der Goes. The largest Netherlandish work that could be seen in Florence, it was greatly praised. Giorgio Vasari in his "Vite" of 1550 referred to it as by "Ugo d'Anversa" ("Hugo of Antwerp"). This the sole documentation for its authorship by Hugo; other works are attributed to him based on stylistic comparison with the altarpiece. [National Gallery Catalogues (new series): "The Fifteenth Century Netherlandish Paintings", Lorne Campbell, p.240, 1998, ISBN 185709171] Hugo appears to have left a large number of drawings, and either from these or the paintings themselves followers made large numbers of copies of compositions that have not survived from his own hand. [Campbell, op. & page cit] A drawing of "Jacob and Rachel" preserved at Christ Church, Oxford is thought to be a rare surviving autograph drawing.

Major works

*"Fall of Man" and "Lamentation" diptych. Vienna, Kunsthistorisches Museum
*"Deposition" diptych (on canvas). Private collector (left wing); Berlin, Gemäldegalerie (right wing)
*"Adoration of the Kings" ("Monforte Altarpiece"). Berlin, Gemäldegalerie
*"Portinari Triptych". Florence, Uffizi
*"Trinity Panels". Edinburgh, National Gallery of Scotland
*"Adoration of the Shepherds". Berlin, Gemäldegalerie
*"Death of the Virgin". Bruges, Groeningemuseum

References

External links

* [http://www.artcyclopedia.com/artists/goes_hugo_van_der.html Artcyclopedia: Hugo van der Goes]
* [http://www.abcgallery.com/G/goes/goes.html Olga's gallery: Hugo van der Goes]


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  • Hugo Van Der Goes — La Mort de Marie. Hugo Van der Goes (1440 1482) est un peintre flamand des Pays Bas bourguignons. Les premières informations certaines sur le peintre le situent en 1468 à Bruges, où il collabore à la décoration des fêtes en l honneur des noces du …   Wikipédia en Français

  • Hugo Van der Goes — La Mort de Marie. Hugo Van der Goes (1440 1482) est un peintre flamand des Pays Bas bourguignons. Les premières informations certaines sur le peintre le situent en 1468 à Bruges, où il collabore à la décoration des fêtes en l honneur des noces du …   Wikipédia en Français

  • Hugo van der goes — La Mort de Marie. Hugo Van der Goes (1440 1482) est un peintre flamand des Pays Bas bourguignons. Les premières informations certaines sur le peintre le situent en 1468 à Bruges, où il collabore à la décoration des fêtes en l honneur des noces du …   Wikipédia en Français

  • Hugo van der Goes — Tod Mariä, um 1480, Groeningemuseum, Brügge Hugo van der Goes (* etwa 1435/1440 vermutlich in Gent; † 1482 in Oudergem bei Brüssel) war ein flämischer Maler und Hauptmeister der altniederländischen Malerei in der 2. Hälfte des 15. Jahrhunderts …   Deutsch Wikipedia

  • Hugo van der Goes — Tríptico Portinari, por H. van der Goes Hugo van der Goes (Gante, h. 1440 – Oudergem, cerca de Bruselas, 1482) fue un pintor flamenco, de la pintura gótica del siglo XV, estilo flamenco …   Wikipedia Español

  • Hugo van der Goes — Pour les articles homonymes, voir Van der Goes. La Mort de Marie. Hugo Van der Goes (1440 1482) est un peintre flama …   Wikipédia en Français

  • Avenue Hugo Van der Goes — 50° 48′ 33″ N 4° 26′ 26″ E / 50.8090467, 4.4404507 …   Wikipédia en Français

  • Avenue Hugo van der Goes — 50° 48′ 33″ N 4° 26′ 26″ E / 50.8090467, 4.4404507 L avenue Hugo van d …   Wikipédia en Français

  • VAN DER GOES (H.) — «En l’an du Seigneur 1482, mourut le frère convers Hugues... Il était si célèbre dans l’art de peindre qu’en deçà des monts, comme on disait, on ne trouvait en ce temps là personne qui fût son égal.» Ainsi s’exprime Gaspart Ofhuys, auteur d’une… …   Encyclopédie Universelle

  • Goes, Hugo van der — (c. 1440 1482)    Considered the most important Flemish master of the second half of the 15th century, Hugo van der Goes is believed to have been born in Ghent where he entered the painters guild in 1467, with Joos van Ghent acting as his sponsor …   Dictionary of Renaissance art

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