Madhouse (band)

Madhouse is a jazz-fusion pseudo-band from Minneapolis that was created by Prince. Two Madhouse albums (and a few singles) were officially released in 1987. [ [http://www.discogs.com/artist/Madhouse Madhouse ] ]

History

Prince had considered the idea of an instrumental jazz-funk album ever since he recorded his first tracks with Eric Leeds for his 1985 side-project, The Family. In late 1985-early 1986, he recorded hours of instrumental music with Leeds and other musicians from his band, Sheila E. and musicians from her own band, as well as members from Wendy & Lisa's families. From these sessions, Prince compiled an album called The Flesh, supposed to be released by an eponymous pseudo-band, but the project was abandoned and its concept lightly modified to become Madhouse. As he did with most of his side projects, Prince created an alter ego, named Austra Chanel, who was said to have been the mentor/producer for Madhouse, ala Jamie Starr's "mentoring/producing" of The Time.

All instruments on "8", the first Madhouse album, were performed by Prince except for the saxophone and flute parts which were performed by Eric Leeds. The albums consists of instrumental jazz-fusion tracks. A remix of the track "Six" was released alongside with the b-side "Six & 1/2", composed by Leeds and featuring Atlanta Bliss on trumpet. "16", the second Madhouse album, featured contributions by Eric Leeds on saxophone and flute, Sheila E. on drums and Levi Seacer, Jr. on bass guitar (the three of them co-composed a few tracks besides playing on the album.) "Doctor" Matt Fink (keyboards) and John Lewis (drums) are also credited in the album's booklet but their participation to the recording is more than uncertain (though both were part of the short-lived live-version of the band.) "16" features more aggressive and minimalist jazz funk tracks than its predecessor. Two singles were released, "Ten" and "Thirteen", with the title tracks remixed and two b-sides.

The most unusual thing about each of the albums is that the title of each song is also its numerical designation on the record (e.g., the third song on the first album is titled, “Three”).
Cover art for both albums featured a voluptuous Maneca Lightner playing with a small dog, reminiscent of a 1940s pinup photograph. The videos from "16" were more 1940s gangster-themed. The cover of "16" features the subtitle "new directions in garage music", which is a homage to Miles Davis' Directions In music series (in 2002-2003, Prince would dub a jazz album series of his own "New Directions In Music") The only vocals on either album consisted mainly of choice snippets of audio lifted from the first two "Godfather" films and samples of Vanity simulating an orgasm (from the Vanity 6 outtake "Vibrator", later used on Prince's own song "Orgasm" from "Come".)

In 1987, Madhouse served as an opening act for Prince’s headlining tours, with each of the musicians heavily disguised in baggy cloaks and sunglasses, to be removed for the final set. Prince himself often guested with Madhouse, .

At least three other Madhouse albums were later recorded and remain unreleased to this day, all three of them being named "24". The first one was recorded in 1988, mostly by Prince and Eric Leeds. Only one track eventually emerged, severely edited, on Eric Leeds'1991 solo-album Times Squared and only bootlegged copies of the whole album are available. This album was more "electronic" than the first two, with a lot of drum programming, samples and keyboards.The second one was recorded in 1993 with a line-up consisting of Prince (keyboards), Eric Leeds (saxophone), Levi Seacer, Jr. (guitar), Sonny T. (bass) and Michael B. (drums.) Only two tracks were officially released, "17" on the "1-800 New-Funk" 1994 compilation and on the cd-single "Standing At The Altar", the other one "Asswhuppin' In A Trunk" in 2001, via Prince's website. There was also a confidential release on a promo cassette called "The Sampler Experience", which contains excerpts from 3 tracks from this album: "Asswhuppin' In A Trunk", "Ethereal" and "Parlor Games". The "Sampler Experience" was handed out during "The Gold Experience" tour in 1995. The whole album has been circulating on bootlegs too and it features more sophisticated arrangements than the first three albums.

The third unreleased album is almost unknown since only two tracks are circulating: one was released in 1998 on a very rare promo-CD, and another one in 2001 on Prince's website. Both tracks were released on an in-house promo cassette in 2000. They were excepts, not full songs. Kamasutra Overture #8 was titled "17" and the other track (also a jazz version of a Kamasutra number) was titled "18". Since both were jazz versions of two tracks from NPG Orchestra's Kamasutra album (another Prince side-project, released in 1997), it can be assumed that the whole album was indeed a jazz version of the orchestral Kama Sutra. Apart from Prince and Eric Leeds, who plays on these tracks is unknown. The two released tracks feature even more complex arrangements than the 1993 album, sort of announcing Prince's "New directions In Music" series from 2002-2003.

Discography

Official Albums

* "8" (1987)
* "16" (1987)

ingles

*"6" b/w "6 1/2"
*"10" b/w "Ten And 0.5"
*"13" b/w "13.25"

12"

*"6" - "6", "6 (End of the World Mix)", "6.5"
*"10" - "10 (The Perfect Mix)", "Ten And 0.5"
*"13" - "13 (The Paisley Park Mix)", "13.25"

Unreleased

*Movie "Hard Life" (1987)
*"24" (1988)
*"24" (1993)
*"24" (1997)

References