- James Schuyler
James Schuyler (
9 November 1923– 12 April 1991) was a major American poetin the late 20th century. [ [http://www.poets.org/printpoet.php/prmPID/1120 James Schuyler Exihbit at The Academy of American Poets] ] He was a central figure in the New York Schooland is often associated with fellow New York School of poets, John Ashbery, Frank O'Hara, Kenneth Koch, and Barbara Guest.
Life and Death
James Marcus Schuyler is the son of Marcus Schuyler (a reporter) and Margaret Daisy Connor Schuyler.
A native of
Chicago, he attended Bethany College of West Virginiafrom 1941 to 1943. In recollection of his times at Bethany College, Schuyler said in an interview published in the spring of 1992, that he didn't excel, "I just played bridge all the time."
Schuyler moved to
New York Cityin the late 1940s where he worked for NBC and first befriended W. H. Auden. In 1947, he moved to Ischia, Italy, where he lived in Auden's rented apartment and worked as his secretary. Between 1947 and 1948, Schuyler attended the University of Florence.
After returning to the United States and settling in
New York City, he roomed with John Ashberyand Frank O'Hara.
In April 1991, at age sixty-seven, Schuyler died in
Manhattanfollowing a stroke.
Schuyler was not known for revealing much about his personal life. It is known that he was
gay, was manic depressive,citation |last=Bergman |first=David |title=American Literature: Gay Male, Post-Stonewall |year=2002 |periodical= glbtq.com|url=http://www.glbtq.com/literature/am_lit3_gay_post_stonewall,5.html |accessdate = 2007-09-03.] suffered several years of psychoanalysisand withstood many traumatic experiences. One of these includes a " near death experience" in a fire which he caused by smoking in bed. Watkin, William. "Let's Make a List": James Schuyler's Taxonomic Autobiography. Journal of American Studies, 36 (2002), I, 43-68. 2002 Cambridge University Press]
In a spring 1990 special issue of the "Denver Quarterly" that was written by Barbara Guest in devotion to Schuyler's work, Guest refers to Schuyler as an "intimist," saying: Quotation| ...for me Jimmy is the
Vuillardof us, he withholds his secret, the secret thing until the moment appears to reveal it. We wait and wait for the name of a flower while we praise the careful cultivation. We wait for someone to speak, And it is Jimmy in an aside." [http://www.acsu.buffalo.edu/~jconte/James_Schuyler_DLB.htm Dictionary of Literary Biography 169: American Poets Since World War II: James Schuyler] ". Retrieved on 2007-09-03.]
Inspiration & Style
Schuyler's move to
Italy, as Auden's typist, was accompanied by his intention of writing. In 1981 he was said to have recalled "that he found Auden's elaborate formalism 'inhibiting.'" This was likely an influence to his own "conversational style and proselike line."
While living in
New York, Schuyler found inspiration in the art world. From 1955-1961, he was a "curator of circulating exhibitions at the Museum of Modern Art." He was also an editorial associate and criting for "Art News." While working as an editorial associate, Schuyler wrote criticism about a large amount of art. In an interview that was published in spring 2002, he said, "I did learn an awful lot during those years, and then went on in the 60s writing occasional articles about specific artists and their specific strategies. Partly it was to make money, and partly because I wanted to write about painting, about art." His time as an art critic, then, became a major inspiration to his work.
From 1961 to 1973 Schuyler lived with
Fairfield Porterand his family in Southampton, Long Island. Porter became an infleunce for Schuyler as well, and he dedicated his first major collection, "Freely Espousing" to Anne and Fairfield Porter.
Schuyler is also noted for his distinct ability to take things that are "normal," and bring out their greatness. He takes a look at things that many people may not see, or care to take note of, such as individual raindrops. He evaluates the ordinary and the way they work in relation to other things: "It's the water in the drinking glass the tulips are in./ It's a day like any other." ]
Schuyler was also responsible for writing
Frank O'Hara's elegy, "Buried at Springs". Schuyler recalls Ralph Waldo Emerson's transcendentalism, and uses nature to express himself in the elegy. Schuyler also has several works that are about, or that reference lists. ]
In his "Diary", Schuyler says that he is "more of a reader than a writer," and "everything happens as I write." ]
Schuyler received the 1981
Pulitzer Prize for Poetryfor his 1980 collection "The Morning of the Poem". He also coauthored a novel, "A Nest of Ninnies", with John Ashberyin 1969. Schuyler also received the Longview Foundation Award in 1961, and the Frank O'Hara Prize for "Poetry" in 1969 for "Freely Espousing."
Schuyler was a
Guggenheim Fellowand a fellow of the American Academy of Poets.
His poem "The Morning of the Poem" is considered to be among the best long poems of the
*"Alfred and Guinevere" (New York: Harcourt, Brace, 1958).
*"Salute" (New York: Tiber Press, 1960).
May 24or So" (New York: Tibor de Nagy Editions, 1966).
*"Freely Espousing" (Garden City, N.Y.: Paris Review Editions/Doubleday, 1969; New York: SUN, 1979).
*"A Nest of Ninnies", by Schuyler and John Ashbery (New York: Dutton, 1969; Manchester, UK: Carcanet, 1987).
*"The Crystal Lithium" (New York: Random House, 1972).
*"A Sun Cab" (New York: Adventures in Poetry, 1972).
*"Hymn to Life" (New York: Random House, 1974).
*"The Fireproof Floors of Witley Court; English Songs and Dances" (Newark & West Burke, Vt.: Janus Press, 1976).
*"Song" (Syracuse, N.Y.: Kermani Press, 1976).
*"The Home Book: Prose and Poems, 1951-1970", edited by Trevor Winkfield (Calais, Vt.: Z Press, 1977).
*"What's For Dinner?" (Santa Barbara, Cal.: Black Sparrow Press, 1978).
*"The Morning of the Poem" (New York: Farrar, Straus & Giroux, 1980).
*"Collabs", by Schuyler and Helena Hughes (New York: Misty Terrace Press, 1980).
*"Early in '71" (Berkeley, Cal.: The Figures, 1982).
*"A Few Days"(New York: Random House, 1985).
Joe Brainard" (New York: Dia Art Foundation, 1988).
*"Selected Poems" (New York: Farrar, Straus & Giroux, 1988; Manchester, UK: Carcanet, 1990).
*"Collected Poems" (New York: Farrar, Straus & Giroux, 1993).
*"Two Journals: James Schuyler, Darragh Park", by Schuyler and
Darragh Park(New York: Tibor de Nagy, 1995).
*"Diary of James Schuyler" (Santa Rosa, Cal.: Black Sparrow Press, 1996).
*"Presenting Jane", Cambridge, Mass., Poet's Theatre, 1952.
*"Shopping and Waiting: A Dramatic Pause", New York, American Theatre for Poets, 1953.
*"Unpacking the Black Trunk", by Schuyler and
Kenward Elmslie, New York, American Theatre for Poets, 1964.
*"The Wednesday Club", by Schuyler and Elmslie, New York, American Theatre for Poets, 1964.
*"Hymn to Life & Other Poems", Watershed Intermedia, 1989.
* "Poet and Painter Overture," in "The New American Poetry", edited by Donald M. Allen (New York: Evergreen-Grove, 1960), pp. 418-419.
*"Appearance and Reality: October Third to Thirty-first, 1960", introduction by Schuyler (New York: David Herbert Gallery, 1960).
*"Robert Dash: November 11-December 5, 1970", introduction by Schuyler (New York: Graham Gallery, 1970).
*"Penguin Modern Poets 24", edited by John Ashbery (Harmondsworth, UK: Penguin, 1973) --includes poems by Schuyler.
*"Broadway: A Poets and Painters Anthology", edited by Schuyler and
Charles North(New York: Swollen Magpie Press, 1979).
*"Broadway 2: A Poets and Painters Anthology", edited by Schuyler and North (Brooklyn, N.Y.: Hanging Loose Press, 1989).
The major collection of Schuyler's papers, covering the years from 1947 to 1991, is held in the Mandeville Department of Special Collections at the
University of California, San Diego.
* [http://poetrysociety.org.uk/review/pr92-3/ford.htm Essay: Mark Ford on James Schuyler]
* [http://www.poets.org/poet.php/prmPID/1120 James Schuyler Exhibit] at The
Academy of American Poets
* [http://epc.buffalo.edu/authors/schuyler/index.html James Schuyler Author Homepage] at the "Electronic Poetry Center"
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