- Giovanni Ambrogio Figino
Giovanni Ambrogio Figino (1548/
1551 -October 11 ,1608 ) was an ItalianRenaissance painter fromMilan . An important representative of theLombard school of painting, he had been taught byGiovanni Paolo Lomazzo . Best known as a draftsman, he was also a skilled portrait painter. Among the few portraits that can be traced back to Figino, the portrait of Field MarshalLucio Foppa is one of the best known.On January 25, 2001, his "Portrait of Giovanni Angelo" was auctioned at Sotheby's for US$ $1,435,750; after a high estimate of US$ 180,000 [http://www.thecityreview.com/w01soldm.html] .
The organ shutters for the
Cathedral of Milan were painted after 1590 by Ambrogio,Camillo Procaccini , andGiuseppe Meda , depicting the "Passage of the Red Sea" and the "Ascencion of Christ". In the Castello Sforcesco there is a painting of his of "Saint Ambrose expelling the Arians" [SJ Freedberg p598] . Astill life painting, a thematic uncommon among Italians of his day, of peaches is attributed to him [ [http://www.wga.hu/html/f/figino/peaches.html| Peaches] ] He also painted in Milan an "Immaculate conception" for Sant'Antonio, and a "Virgin with child, saints, and donors" now atBrera gallery .References
*cite book | first= Sydney J.| last= Freedberg| year=1993| title= Painting in Italy, 1500-1600| chapter= | editor= Pelican History of Art| others= | pages= | publisher= Penguin Books| id= | url= | authorlink=
*cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum | pages= page 61| publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= http://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | authorlink=Notes
External links
* [http://www.artnet.com/library/02/0282/T028213.asp Description] of his best known works.
* [http://www.flaviaormond.com/figino.html "The Annunciation"] , a drawing by Figino.
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