- Emil Petaja
Infobox Writer
name=Emil Petaja
birthdate = 1915
birthplace = Milltown,Montana ,United States
deathdate = 2000
deathplace =San Francisco ,California ,United States
occupation = novelist, short story writer, poet, publisher
nationality = American
genre = science fiction, fantasy, horror, detective stories
influences =Robert E. Howard ,H. P. Lovecraft ,Clark Ashton Smith ,George Sterling ,H.G. Wells
influenced =Hannes Bok Emil Petaja (1915 - 2000) was an American
science fiction andfantasy writer whose career spanned seven decades. He was the author of 13 published novels, nearly 150 short stories, numerous poems, and a handful of books and articles on various subjects. Though he wrote science fiction, fantasy, horror, detective fiction, and poetry, Petaja considered his work part of an older tradition of "weird fiction ." Petaja was also a small press publisher. In 1995, he was named the first everAuthor Emeritus by theScience Fiction Writers of America .Of Finnish descent, Petaja's best known works are comprised of a series of science fiction novels based on the
Kalevala , the Finnish verse epic. Petaja's series brought him readers from around the world, [Steinberg, David. "Sci-fi writer's fame reached to Siberia." "San Francisco Examiner", December 20, 1997.] while his mythological approach to science fiction was discussed in scholarly publications. [Kailo, Kaarina. "Spanning the Iron and Space Ages: Emil Petaja's Kalevala-based fantasy tales". "Kanadan Suomalainen", Toronto, Canada: Spring, 1985.]In a statement published in "Contemporary Authors" (Gale Research, 1984), Petaja commented, "My writing endeavors have mainly been to entertain, except for the factual material concerning Hannes Bok and fantasy art in general, which serves to indicate my enthusiasm for these subjects. My novels about the Finnish legendary epic Kalevala: The Land of Heroes spring from a lifelong interest in this fine poetic work. I own six translations of the Kalevala, as well as the work in the original. Both of my parents were Finnish." ["Contemporary Authors" (Gale Research, 1984)]
Early Life and Work
Emil Petaja (pronounced pa-tie-ya) was born on April 12, 1915 in Milltown,
Montana - a small lumber town in the western part of the state. He was the youngest of 10 children born to John and Hanna Petaja. The future author attended schools in Bonner andMissoula , Montana. ["Emil Petaja." "Missoulian", Missoula, Montana. August, 20, 2000.]According to an autobiographical account, Petaja's introduction to fantastic literature came in 1931 when he came across a copy of "
Weird Tales ". Reading the magazine changed his life, and he became a lifelong devotee of fantasy and science fiction. Petaja started out as a fan and immersed himself in the genres by befriending other interested individuals, by collecting pulp andscience fiction magazine s, and by forming clubs and associations. During this time, Petaja also struck-up correspondence with, and sometimes befriended, such early luminaries asH. P. Lovecraft , [Selected Letters V (1934-1937) ]Clark Ashton Smith ,Robert E. Howard , [ [http://en.wikisource.org/wiki/December_17,_1934,_to_Emil_Petaja Letter to Petaja from Robert Howard] ] andAugust Derleth . Notably, Petaja is part of a unique group of individuals in the history of the genres who turned theirfandom into literature. He was also a member ofFirst Fandom - a group which honors fans from the time when science fiction was known as "scientification."The author's first published writings date from 1935 with the short story, "Two Doors," for the semi-prozine "Unusual Stories". Another early work, "Weird Music" (written with Duane W. Rimel), appeared in 1936 in "The Phantagraph". Other short fiction and verse was published in "The Californian" (alongside the efforts of Lovecraft), "Futuria Fantasia", "The Acolyte", and other small press and regional publications.
Much of Petaja's early literary efforts were verse - and according to the author, he won a "couple of minor regional poetry contests." In 1936, Petaja self-published a chapbook of poems, "Brief Candle", running-off copies on the mimeograph machine at
Montana State University , where he was a student majoring in creative writing. [anonymous. "Quill Club Started at the University." "Helena Independent", November 27, 1936.] "Brief Candle" contained illustrations by Petaja's friend,Hannes Bok , whom he had met that same year. The chapbook marked the first book publication for each author. According to Petaja, approximately 40 to 50 copies were printed with many "given to friends and well wishers." Some of these early pieces were later collected in "As Dream and Shadow" (SISU, 1972). Other poems from throughout his career remain unpublished.In 1937, Petaja moved to
Los Angeles , California. There, he settled into the Los Angelessci-fi scene, befriendingRay Bradbury - then still a teenager - as well asHenry Kuttner ,Henry Hasse ,Forrest J. Ackerman and others. Throughout 1937 and 1938, Petaja and Bok shared an apartment, and together they attended fan meetings, haunted second-hand book shops, went to the movies, and helped each other with their poems and stories.In an autobiographical account, Petaja stated: "Perhaps when all is washed down over the dam, my major claim to fame will rest in the fact that it was I who got Hannes down to Los Angeles and I who dragged him, reluctantly, to the meetings of the
Los Angeles Science Fiction Society . Where we met Ray Bradbury." "It was at Clifton's Cafeteria on Broadway. We couldn't afford to eat there, usually, but we took advantage of the free lime sherbet. In that fabled back room where so many of the s-f elite have sat around the long table chewing the fat, fanwize, Hannes first met Forrie Ackerman, Henry Kuttner, et al."During the 1940's, Petaja continued to write, turning out dozens of stories for many of the pulp fiction magazines. A prolific author, his
science fiction ,fantasy , andweird fiction stories appeared in "Fantastic Adventures ", "Worlds of Tomorrow ", "Weird Tales ", "Fantasy and Science Fiction ", "Future Science Fiction Stories", and elsewhere. One story, "Dinosaur Goes Hollywood," published in "Amazing Stories " in 1944, features a dinosaur on the loose of a movie set. Some of these early works were brought together in the author's only short story collection, "Stardrift and Other Fantastic Flotsam" (Fantasy Press, 1971).Petaja also published under the name of Theodore Pine (Theodore was the author's middle name, and Petaja is Finnish for "pine"). As Pine, Petaja sold stories to detective and western story magazines of the period such as "Crack Detective", "Ten Detective Aces", "Ten Story Detective", "Mammoth Western", "Western Action", and "Western Trails". Many of these stories have evocative titles like "The Corpse Wants Company," "Good Night, Dream Bandit," "The Perfumed Peril," "Satan Hogs the Camera," "Bullets on the Downbeat," "Sixgun Serenade," and "Trigger Surgery." During the 1940's, Petaja unsuccessfully attempted to publish a detective novel. One of his last detective stories, "Stirred Ashes," appeared in the "Saint" magazine in 1967. Petaja had also been a member of the
Mystery Writers of America .Later Life and Work
In the late 1940's, Petaja moved to
San Francisco , where he turned his interest inphotography into a profession. He traveled the state as a school photographer, and at times maintained studios inSausalito and San Francisco, California. He was the house photographer for local theater groups, and wrote articles for magazines such as "Popular Photography".Having largely given up writing by the early 1950's, Petaja resumed literary work in the early 1960's. His first published novels were "Alpha Yes, Terra No!" (Ace Books, 1965) and "The Caves of Mars" (Ace Books, 1965). These works, like a number of Petaja's subsequent novels, were published as part of the paperback series of Ace doubles. As such, Petaja was published alongside emerging writers like
Samuel R. Delany ,Michael Moorcock ,Brian Stableford , andDean Koontz .Of Finnish descent, Petaja's best known works make up a series based on the
Kalevala , the Finnish verse epic. In each of the books which comprise the "Otava Series" - "Saga of Lost Earth's" (Ace Books, 1966), "Star Mill" (Ace Books, 1966), "The Stolen Sun" (Ace Books, 1967), and "Tramontane" (Ace Books, 1967), an Earth descendant of one of the four main heroes of the Kalevala is reborn into an avatar's role in order to re-enact adventures on Otava, the planet of origin of the Kalevala pantheon. The series brought Petaja readers from around the world; while his mythological approach to science fiction - an early example within the genre - was discussed in scholarly papers presented at academic conferences. [Kailo, Kaarina. "Spanning the Iron and Space Ages: Emil Petaja's Kalevala-based fantasy tales". "Kanadan Suomalainen", Toronto, Canada: Spring, 1985.] In 1979, two omnibus editions of the "Otava Series" were published by DAW Books. A fifth novel in the cycle, "Return to Otava" (1970), remains unpublished. Another novel unconnected with the series but related to the Kalevala is "The Time Twister" (Dell, 1968).The Green Planet books - "Lord of the Green Planet" (Ace Books, 1967) and "Doom of the Green Planet" (Ace Books, 1968) - recounts similar adventures befalling its Irish protagonist, who finds himself role-playing Celtic deities for the benefit of a madman armed with instruments of coercion.
Other novels dating from the late 1960's and early 1970's include "The Prism" (Ace Books, 1968), "The Nets of Space" (Berkley, 1969), "The Path Beyond the Stars" (Dell, 1969), and "Seed of the Dreamers" (Ace Books, 1970). Four other novels remain unpublished, "Glory Stone" (1970), "Little Gods" (1972), "Spin the Star Wheel" (1975), and "Zodiac World" (1980). This latter work concerns a planet whose population is ruled by astrological beliefs.
As chairman of the Golden Gate Futurians - an informal club for writers and fans - Petaja hosted meetings for friends and colleagues at his home in
the Castro neighborhood of San Francisco. Among the regular attendees were local noted authors likeFritz Leiber ,Avram Davidson andE. Hoffmann Price . Writers and editors who might be visiting from out of town - such asDonald Wollheim orHarlan Ellison - would also attend and there, have a chance to meet local figures like the SatanistAnton LeVay or the film makerKenneth Anger . Petaja enjoyed the company of other writers and artists, and was acquainted with a number of individuals who lived in the San Francisco Bay Area, such as Warren Hinkle,Anthony Boucher ,Frank M. Robinson ,Poul Anderson ,Philip K. Dick andRobert A. Heinlein .To date, Petaja's fiction have been translated and published in England, The Netherlands, Italy, Spain, Sweden, France, and
Finland . In 1995, in recognition of a lifetime of significant achievement, Petaja was named an "Author Emeritus" by the Science Fiction Writers of America. [Roberson, Fontaine. "Classic Science Fiction From Diamond Street." "Castro Star", October, 1997.] The award was created "as a way to recognize and appreciate senior writers in the genres of science fiction and fantasy who have made significant contributions to our field but who are no longer active or whose excellent work may no longer be as widely known as it once was." As Author Emeritus, Petaja was invited to speak at the annualNebula Awards banquet.Petaja died of heart failure on August 17, 2000. He had suffered complications brought on from the treatment of a blood clot. After his death, obituaries appeared in newspapers and magazines around the world. [Yu, Allan. "Emil Theodore Petaja, 85, science fiction writer, artist." "San Jose Mercury News". August 18, 2000]
Emil Petaja and Hannes Bok
As a lifelong friend and collector of the
Hannes Bok , Petaja founded the Bokanalia Foundation in 1967, three years after the artist's death. According to a published statement, the foundation was set up "with the help and encouragement of Harold Taves of Seattle and Ray Bradbury of Los Angeles and the Golden Gate Futurians of San Francisco . . . . The avowed intention of Bokanalia is simply to keep the great imaginative art of Hannes Bok from slipping into oblivion, and to make new (better than pulp) prints available to his many admirers all over the world".Between 1967 and 1970, Petaja published three portfolios of Bok's art. Those portfolios include "Variations on Bok Theme", (black & white portfolio, 1967); "The Famous Power Series", (black & white portfolio, with text by Bok, 1969); and "A Memorial Portfolio", (color portfolio, with booklet with text by Petaja, 1970).
Petaja also authored a commemorative volume, "And Flights of Angels: The Life and Legend of Hannes Bok" (Bokanalia Memorial Foundation, 1968). Along with brief contributions from Wollheim,
Roger Zelazny ,Jack Gaughan , and others, "And Flights of Angels" contains Petaja's long biographical essay on the artist, a checklist of Bok's published artwork and writings, and reproductions of a substantial number of drawings, prints and illustrations. Later, under the SISU imprint (and on behalf of the Bokanalia Foundation), Petaja published an illustrated volume of Bok's poetry, "Spinner of Silver and Thistle" (1972), as well as editing "The Hannes Bok Memorial Showcase of Fantasy Art" (1974).Emil Petaja and Film
Petaja was a life-long film buff and collector of movie memorabilia. [ [http://groups.google.com/group/alt.pulp/msg/6717ec220d69e10a Message on discussion board.] ] He had a large library of film-related books, owned hundreds of 16mm films and videotapes, and enjoyed recounting stories about films and actors. ["Emil Petaja." "Classic Images", Muscatone, Iowa. October, 2000.] Today, he is best known to film enthusiasts as the author of "Photoplay Edition" (SISU, 1975). This illustrated guide was the first book on the subject of
photoplay edition s, the movie tie-in books of the silent and early sound era. Petaja based the book on his personal collection, which at the time of publication numbered more than eight hundred books. As the author of "Photoplay Edition", Petaja was a special guest at the 1998 and 1999 San Francisco Silent Film Festivals.While living in Los Angeles, Petaja worked in the labs at Technicolor, and wrote a handful of stories set in and around the movie capital. His interest in movies and film making continued through the years. Petaja made two short dramatic films, "Dread Return" in 1949, [anonymous. "Sausalito Gallery to Show Experimental Movie", "San Rafael Independent Journal", September 22, 1949.] and "The Call" in 1950. These 8mm indie films - shot in San Francisco - utilized local actors and scenery. [Petaja, Emil. "Filming a Movie Story," "Home Movies", May & June 1950.]
Books by Emil Petaja
* "Brief Candle" (1936)
* "Alpha Yes, Terra No!" (1965)
* "The Caves of Mars" (1965)
* "Saga of Lost Earths" (1966)
* "The Star Mill" (1966)
* "The Stolen Sun" (1967)
* "Tramontane" (1967)
* "Lord of the Green Planet" (1967)
* "Doom of the Green Planet" (1968)
* "The Time Twister" (1968)
* "The Prism" (1968)
* "And Flights of Angels: The Life and Legend of Hannes Bok" (1968)
* "The Nets of Space" (1969)
* "The Path Beyond the Stars" (1969)
* "Seed of the Dreamers" (1970)
* "Stardrift and Other Fantastic Flotsam " (1971)
* "As Dream and Shadow" (1972)
* "Hannes Bok Memorial Showcase of Fantasy Art" (1974)
* "Photoplay Edition" (1975)
* "Saga of Lost Earths" and "The Star Mill" (omnibus edition, 1979)
* "The Stolen Sun" and "Tramontane" (omnibus edition, 1979)References
ources
*cite book
last = Bailey, Robin Wayne
coauthors =
year = 2005
title = Architects of Dreams: The SFWA Author Emeritus Anthology
publisher = Meisha Merlin Publishing
id = ISBN 1892065975
*cite book
last = Clute, John and Nicholls, Peter ed.
coauthors =
year = 1999
title = The New Encyclopedia of Science Fiction
publisher = St. Martin's Press
id = ISBN 1857238974Notes
External links
*isfdb name|id=Emil_Petaja|name=Emil Petaja
* [http://www.sfwa.org/News/petaja.htm Obituary on SFWA website.]
* [http://findarticles.com/p/articles/mi_qn4158/is_20000823/ai_n14330987/print Obituary published by "The Independent" (London).]
* [http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2000/08/19/MN109889.DTL Obituary published in the "San Francisco Chronicle".]
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