Simone Bianchi (artist)

Infobox Comics creator
name = Simone Bianchi


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caption = Simone Bianchi at the 2008 New York Comic Convention.
birthname =
birthdate = July 10, 1971
location = Lucca, Italy
deathdate =
deathplace =
nationality = Italian
area = Penciller, Inker, Painter, Cover artist
alias =


notable works = "Ego Sum", "Onirika", "Shining Knight", "Wolverine", "Batman", "Detective Comics"
awards = Yellow Kid Award for the Best Italian Comic Artist and Writer of the Year

Simone Bianchi (born July 10, 1971 [http://www.comicbookresources.com/news/newsitem.cgi?id=6581 Weiland, Jonah; "The Italian Job: Talking with Artist Simone Bianchi" comicbookresources.com; February 3, 2006.] ] in Lucca, Italy) is an Italian comic book illustrator, painter, graphic designer and art instructor, known to Italian audiences for his work in comics, CD covers, music videos, TV commercials and role-playing games, and to American comic book readers for his work on "Detective Comics", "Green Lantern" and "Wolverine". Bianchi’s style is distinguished by his use of ink wash, or watercolor halftones, in rendering his work, a non-traditional technique by mainstream American standards. [http://www.simonebianchi.com/bio.asp Biography page on Bianchi’s Official Site] ]

Early life and career

Italian work

Simone Bianchi was born in Lucca, Tuscany, where he still lives today. As a child, he had a love of superheroes, and took to tracing and copying illustrations of Spider-Man, Daredevil, the Fantastic Four, Batman and Superman before he learned how to read and write. [http://www.comicbookresources.com/?page=article&id=6525 Weiland, Jonah; "New York Comic-Con, Day Two: Simone Bianchi Exclusive to Marvel"; comicbookresources.com; February 26, 2006.] ]

When he was fifteen, he published humor comic strips in the daily newspaper "Il Tirreno", and went on to produce cartoons and vignettes in several other regional and national publications. In 1994, Bianchi met comic book artist Claudio Castellini, who became his teacher and mentor. Subsequently, Bianchi illustrated the premiere issues of "Nembo" for Phoenix of Bologna, and "Rivan Ryan" for Comic Art of Rome, and 20 plates of "Brendon" for Sergio Bonelli Editore.

In 1998 his work was exhibited at a comic book convention in Lucca alongside well-known American comic book illustrators Will Eisner, Andy Kubert and Adam Kubert.

Bianchi was commissioned by Metal Blade Records to illustrate the CD cover for "Timeless Crime", a CD by the Italian power metal band Labyrinth. That same year he was hired as an assistant to Ivo Milazzo in teaching a course on comic book art techniques at the Accademia di Belle Arti in Carrara (School of Fine Arts).

In 1999 Bianchi illustrated the cover of "Fantastici Quattro" ("Fantastic Four") for "Wiz "magazine, and a one-shot "Conan Il Barbaro" ("Conan the Barbarian"), both published by Marvel Italia, the Italian branch of Marvel Comics.

Bianchi illustrated the cover of the debut album of the progressive power metal band Vision Divine, which was voted by metal and hard rock fans as the second-best album artwork worldwide. Bianchi’s other album cover work included "Sigma" by Athreia Records, and Labyrinth’s album, "Sons of Thunder" for Metal Blade Records.

That same year Bianchi became a full-time teacher of Anatomy for Comics at the Scuola Internazionale (International School) di Comics in Florence. In the 2000, the School, along with publisher Calvin Edizioni, published "Echi", Bianchi’s first art book, highlighting his varied works over the previous three years.

In 2001, began working for Direct to Brain, one of the leading 3-D video production studios in Europe, doing character design, storyboarding, scene design, graphic design and artistic supervision of 3-D modeling. Among his clients included hip hop/reggae group 99 Posse’s “Stop the Train” (for BGM Records), “Kitchen Tools” for Virgin Records, and “Per me per sempre” (“For Me Always”) for BGM. In November and December that year, Bianchi did work for Fantasy Flight Games’s role-playing game "Dragonstar". He also painted a poster for the Scuola Internazionale di Comics in Florence, illustrated Vision Divine’s album "Send Me an Angel", and taught a second illustration course at the Accademia di Belle Arti in Carrara.

In 2002 Bianchi, working for Pegaso, illustrated the four elements of earth, air, fire and water, on which resin sculptures were based. That summer, he published his second art book, "The Art of Simone Bianchi". He also painted five illustrations for Eldec, and worked again for Direct to Brain, this time for a Coke commercial. That December, he began work writing and illustrating the first volume of "Ego Sum", for Vittorio Pavesio, the 44 pages of which took him most of 2003 to fully paint. The first volume of "Ego Sum" was published in hardcover on January 16, 2004, in Italy, France, Canada, and Luxemborg. The second volume followed that year.

In 2004 Bianchi attended the annual Festival International De La Bande Dessinée (International Comics Festival) comic book convention in Angoulême, France, where he met Sal Abbinanti, a comic book penciller and the personal agent of American comic book painter Alex Ross, which led to Abbinanti signing Bianchi as one of his clients. In the Fall of that year, Bianchi painted the cover of an issue of "Atomika", a comic book created by Abbinanti and Andrew Dabb that debuted the following year.

In October 2005 Bianchi’s third art book, "Onirika", was published by Vittorio Pavesio Productions and presented to the public at a convention in Lucca, for which he painted the official poster, on which he collaborated with his sister Gloria.

American work

Bianchi’s first American work was DC Comics’ four-issue miniseries "Shining Knight", which was written by Grant Morrison, and published in 2005. [ [http://www.comicbookdb.com/title.php?ID=930 "Shining Knight" at The Comic Book Database] ]

The same year, Bianchi did his first American work for Marvel Comics, illustrating a number of covers for "X-Men Unlimited".

Bianchi’s illustrated the interiors of "Green Lantern" #6 (December 2005), and subsequently illustrated the covers for issue #8 (March 2006) to issue #13 (August 2006), which were written by Geoff Johns.

Bianchi first ongoing monthly work for an American Marvel book was "Wolverine " #50 (March 2007) to issue #55 (September 2007), which was written by Jeph Loeb. To highlight the look of Bianchi’s ink wash work, each of these six issues was offered to readers in both a color and black and white version. [ [http://www.comics.org/covers.lasso?seriesID=11723&skip=50&show=50 Cover gallery for "Wolverine" #50-57 at the Grand Gomics Database Project] ]

Bianchi’s other Marvel work includes covers for "Ultimate Origins", "Astonishing X-Men" and "Thunderbolts".

Bianchi also illustrated the covers of "Batman", from issue #651 (May 2006) to issue #654 (August 2006). [ [http://www.comics.org/covers.lasso?seriesID=141&skip=650&show=50 Cover Gallery of "Batman" #640 – 668 at the Grand Comics Database Project] ]

Bianchi signed a two-year exclusive contract with Marvel in February 2006, citing his childhood love of the superhero genre, and his greater familiarity with Marvel's characters. Though he will not be doing any European work during the contract, it allowed him to continue the cover work he began previously for rival DC Comics’s "Detective Comics", which ran from issues #817 (May 2006) to #839 (February 2008). [ [http://www.comics.org/covers.lasso?seriesID=87&skip=800&show=50 Cover Gallery of "Detective Comics" #799 – 844 at the Grand Comics Database Project.] ]

Bianchi also hopes to continue his work on "Ego Sum", the third book of which he has yet to begin, though he has not spoken with Marvel as to whether they would publish it in the United States.

Bianchi and writer Warren Ellis are currently working on "Astonishing X-Men", having taken over the book after the departures of Joss Whedon and John Cassaday. [ [http://www.newsarama.com/comics/080617-marvel-sept-solicits.html Marvel solicitations for September 2008] ]

Awards

In 2005 Bianchi was awarded with the Yellow Kid Award for the Best Italian Comic Artist and Writer of the Year at the Expo Cartoon Convention in Rome, for his work on "Ego Sum". [http://www.comicbookresources.com/?page=article&id=9019 Weiland, Jonah; "Studio Tours: Artist Simone Bianchi" (Includes extensive photos of Bianchi's studio.); comicbookresources.com; January 10, 2007.] ]

Influences and work habits

Bianchi credits Michael Bair with contributing to his success, and a photo of them when they met in the Summer of 2004 hangs in his studio.

Bianchi uses extensive photo reference and a light box to give his artwork a realistic look. He uses a wooden drawing board that he used to draw on flat, but angled it due to back pain that he began having in 2006. He says that he cannot work unless he is listening to music, and has an extensive music collection in his studio, and stereo speakers placed above his drawing board.

Bianchi's studio, which is in his apartment, is divided into two parts: His work area, and that of his assistant, Andrea Silvestri, where their computer is kept. His studio is decorated extensively with shelves and glass cases housing action figures, sculpted figurines and other toys, and his artwork, which fills the walls.

References

External links

* [http://www.simonebianchi.com/mainfox.asp?L=e Bianchi’s Official Site in English]
* [http://www.simonebianchi.com/mainfox.asp?L=I Bianchi’s Official Site in Italian]
* [http://www.comicartcommunity.com/gallery/search.php?search_keywords=Bianchi Simone Bianchi’s artwork at the Comic Art Community]