Gaudy Night

infobox Book |
name = Gaudy Night
title_orig =
translator =


image_caption = US paperback edition cover
author = Dorothy Leigh Sayers
cover_artist =
country = UK
language = English
series = Lord Peter Wimsey
genre = Detective, Mystery, Novel
publisher = Gollancz
release_date = 1935
media_type = Print (Hardback & Paperback)
pages =
isbn = NA
preceded_by = The Nine Tailors
followed_by = Busman's Honeymoon

"Gaudy Night" is a 1935 Lord Peter Wimsey detective story by Dorothy L. Sayers. It is the third of the Wimsey novels to feature Harriet Vane.

Plot outline

Having been acquitted of one murder in "Strong Poison", and been instrumental in the solving of another in "Have His Carcase", mystery writer Harriet Vane arrives for the reunion (or gaudy) at her alma mater, the fictitious all-female Shrewsbury College, set at Oxford University. Here she encounters a tangle of poison pen notes, obscene graffiti, and dangerous pranks that she unravels with the help of Lord Peter Wimsey. The intellectual and emotional difficulties that have blighted their relationship are finally unravelled, and Harriet accepts Wimsey's proposal of marriage.

Explanation of the novel's title

"Gaudy" derives from the Latin "gaudium" and Old French "gaudie", meaning "merry-making" or "enjoyment". A college gaudy is a dinner; in this case an annual reunion one. The phrase "gaudy night" is taken from Shakespeare's "Antony & Cleopatra":

Plot summary

Harriet Vane returns reluctantly to Oxford for one night to attend the Gaudy dinner. Expecting hostility because of her notoriety, she is surprised to be welcomed warmly by the dons, and rediscovers her old love of the academic life.

Some time later the college Warden writes to ask for help. There has been an outbreak of anonymous letters, vandalism and threats, apparently from someone within the college, and a scandal is feared. Harriet, herself a victim of poison-pen letters ever since her trial, agrees reluctantly to help, and spends much of the next few months resident at the college, ostensibly to do research on Sheridan Le Fanu and assist a senior scholar with her book.

As she wrestles with the case, trying to narrow down the list of suspects and avert a major scandal, Harriet is forced to examine her ambivalent feelings about love and marriage, along with her attraction to academia as an intellectual (and emotional) refuge. Her personal dilemma becomes entangled with darkly hinted suspicions and prejudices raised by the crimes at the college, which appear to have been committed by a frustrated woman academic. She is forced to reexamine her relationship with Wimsey, who eventually arrives in Oxford to help her, in the light of what she has discovered about herself; and also gains a new perspective on him from those who know him, including his nephew, a current Oxford undergraduate.

The attacks build to a crisis, and the college community of students, dons and servants is almost torn apart by suspicion and fear. There is an attempt to drive a vulnerable individual to suicide, and a physical attack that almost kills Harriet. The perpetrator is finally unmasked by Wimsey as one of the servants, revealed to be the widow of a former academic. One of the dons previously exposed her husband's academic fraud, breaking his career and driving him to suicide, and the campaign has been her revenge against intellectual women who move outside their "proper" domestic sphere.

In an extraordinarily touching scene at the end of the book, Harriet Vane finally accepts Wimsey's proposal of marriage. (Their engagement, marriage and honeymoon (interrupted by yet another murder mystery) are depicted in "Busman's Honeymoon".)

Characters in "Gaudy Night"

*Lord Peter Wimsey – protagonist, an aristocratic amateur detective
*Harriet Vane – protagonist, a mystery writer

Literary significance and criticism

Although no murder occurs in "Gaudy Night", it is not without suspense and psychological thrills. The narrative is interwoven with a love story and an examination of women's struggles to enlarge their roles and achieve some independence within the social climate of 1930s England, and the novel has been described as "the first feminist mystery novel." [cite book|title=From Mystery to Manners: A Study of Five Detective Novels by Dorothy L. Sayers (Masters thesis)|author=Randi Sørsdal|year=2006|publisher=University of Bergen|pages=45 [https://bora.uib.no/bitstream/1956/2136/1/Masteroppgave_Randi%20Soersdal.pdf] ]

"Gaudy Night" is a remarkable achievement. Harriet Vane and the grown-up nephew of Lord Peter help give variety, and the college scene justifies good intellectual talk. The motive is magnificently orated on by the culprit, a scene that in itself is a unique bit of work. And though the don-esses are sometimes hard to keep apart, the architecture is very good. Note a reference to C. P. Snow's "The Search", and sound views on counterpoint versus harmony."Barzun, Jacques and Taylor, Wendell Hertig. "A Catalogue of Crime". New York: Harper & Row. 1971, revised and enlarged edition 1989. ISBN 0-06-015796-8]

Film, TV or theatrical adaptations

It was adapted for television in 1987 as part of a series starring Edward Petherbridge as Lord Peter and Harriet Walter as Harriet Vane.

In 2005 an adaptation of the novel was released on CD by the BBC Radio Collection to finally complete the run of Wimsey adaptations begun with "Whose Body?" in 1973; the role of Harriet was played by Joanna David, and Wimsey, as ever, by Ian Carmichael.

The plot of "Gaudy Night" was adapted to become the two-part "Out of the Past" episode (#155 & #156) of the American television mystery series "Diagnosis Murder" starring Dick van Dyke as Dr. Mark Sloan.The episode first aired on 11 May 2000, with John Schneider as the villain.

Famous quotes

* "How fleeting are all human passions compared to the massive continuity of ducks."
* "She went to bed thinking more about another person that about herself. This goes to prove that even minor poetry may have its practical uses."
* "It may, perhaps, be embarrassing for a solitary man to walk across a wide quadrangle under a fire of glances from a collection of collegiate females; but it is child's play compared, for example, with the long trek from the pavilion at Lord's to the far end of the pitch, with five wickets down and ninety needed to save the follow-on. Thousands of people then alive might have recognized that easy and unhurried stride and confident carriage of the head."
* "However loudly we may assert our own unworthiness, few of us are really offended by hearing the assertion contradicted by a disinterested party."

External links

* [http://www.planetpeschel.com/index?/wimsey/notes/C16/ Annotations and explanations by Bill Peschel]

References