- Hou Hsiao-Hsien
Infobox Chinese-language singer and actor
name = Hou Hsiao-Hsien
birthdate = Birth date and age|1947|4|8|mf=y
birthplace =Mei County, Guangdong ,China
goldenhorseawards = Best Director
1995 "Good Men, Good Women "
Best Taiwanese Filmmaker of the Year
2005 "Three Times "
awards =Golden Lion
1989 "A City of Sadness "Hou Hsiao-Hsien (zh-tspw|t=侯孝賢|s=侯孝贤|p=Hóu Xiàoxián|w=Hou2 Hsiao4-hsien2) (born
April 8 ,1947 ) is an award-winning film director and a leading figure ofTaiwan 's New Wave cinema movement.Biography
A
Hakka , Hou Hsiao-Hsien was born inMei County, Guangdong province ofChina in 1947. He and his family fled theChinese Civil War to Taiwan the following year. Hou was educated at the National Taiwan Academy of the Arts.Hou generally makes rigorously minimalist dramas dealing with the upheavals of the Taiwanese (and occasionally larger Chinese) history of the past century by viewing its impacts on individuals or small groups of characters. "A City of Sadness" (1989), for example, portrays a family caught in conflicts between the local Taiwanese and the newly arrived Chinese Nationalist government after
World War II . It was groundbreaking for broaching this long-taboo subject and became a major success despite its seemingly uncommercial nature.His storytelling is elliptical and his style marked by extreme long takes with minimal camera movement but intricate choreography of actors and space within the frame. He uses extensive improvisation to arrive at the final shape of his scenes and the low-key, naturalistic acting of his performers. Without abandoning this famous austerity, his imagery has developed a sensual beauty during the 1990s, partly under the influence of his collaboration with cinematographer Mark Lee Ping-Bin. Hou's consistent screenwriting collaborator since the mid-1980s has been the renowned author Chu Tien-Wen. He has also cast revered puppeteer Li Tien-Lu as an actor in several of his movies, most notably "The Puppetmaster" (1993), which is based on Li's life.
Hou's films have been awarded prizes from prestigious international festivals such as the
Venice Film Festival ,Berlin Film Festival ,Hawaii International Film Festival and the Nantes Three Continents Festival. Six of his films to date have been nominated for the "Palme d'Or " (best film award) at theCannes Film Festival , though the prize has so far eluded him. Hou was voted "Director of the Decade" for the 1990s in a poll of American and international critics put together by "The Village Voice " and "Film Comment". Despite such acclaim, his work remains rarely distributed in the West outside of thefilm festival circuit.He directed the Japanese film "
Café Lumière " (2003) for theShochiku studio as an homage toYasujiro Ozu ; the film premiered at a festival commemorating the centenary of Ozu's birth. The film deals with themes reminiscent of Ozu - tensions between parents and children and between tradition and modernity - in Hou's typically indirect manner. In 2005 his film "Three Times " - which features three stories of love set in 1911, 1966 and 2005 using the same actors - was the latest to be nominated for a "Palme d'Or"; it received glowing reviews instead.Hou has also had some acting experience, appearing as the lead in fellow Taiwanese New Wave auteur
Edward Yang 's 1984 film, "Taipei Story". Hou starred as Lung, a former Little-League baseball star who is stuck operating an old-style fabric business, longing for his past days of glory. Lung becomes alienated from his wife and tries to find his way in the city of Taipei.Hou is also a singer having contributed two songs to the 1992 soundtrack of "Dust of Angels", a movie he also produced.
In August 2006 Hou embarked on his first Western project. Filmed and financed entirely in France, "
Ballon Rouge " (2006) is the story of a French family as seen through the eyes of a Chinese student. The film is the first part in a series of films sponsored by theMusee d'Orsay and starsJuliette Binoche .Filmography
*"
Cute Girls " (1980)
*"Cheerful Wind " (1981)
*"The Sandwich Man" (1983)
*"The Boys From Fengkuei " (1983)
*"The Green, Green Grass of Home " (1983)
*"A Summer at Grandpa's " (1984)
*"A Time to Live, A Time to Die " (1985)
*"Dust in the Wind" (1986)
*"Daughter of the Nile " (1987)
*"A City of Sadness " (1989)
*"The Puppetmaster" (1993)
*"Good Men, Good Women " (1995)
*"Goodbye South, Goodbye " (1996)
*"Flowers of Shanghai " (1998)
*"Millennium Mambo " (2001)
*"Café Lumière " (2003)
*"Three Times " (2005)
*"Le Voyage du Ballon Rouge " (2006)Further reading
*Berenice Reynaud, "A City of Sadness", British Film Institute 2002
ee also
*
Cinema of Taiwan
*Edward Yang
*Tsai Ming-liang External links
*imdb name|id=0396284|name=Hou Hsiao-Hsien
* [http://www.camera-stylo.f2s.com/hou.htm Director of the Decade: Hou Hsiao-Hsien] at Camera-Stylo
* [http://www.filmref.com/directors/dirpages/hou.html Hou Hsiao-Hsien] at Strictly Film School
* [http://www.filmlinc.com/fcm/9-10-99/hou.htm Cinema with a Roof Over Its Head: Kent Jones (Film Comment) on the Latterday Films of Hou Hsiao-Hsien]
* [http://www.cinemaya.net/c7-h3.asp Tribute to Hou Hsiao-Hsien] at Cinemaya
* [http://www.llc.ed.ac.uk/cinema-china/lectures.html Style and Meaning in the films of Hou Hsiao-Hsien] - podcast of a lecture by Prof. John Orr, University of Edinburgh
* [http://www.sensesofcinema.com/contents/04/33/hou_hsiao_hsien_bresson.html Parametric Narration and Optical Transition Devices: Hou Hsiao-hsien and Robert Bresson in Comparison] , Senses of Cinema article on the style of Flowers of Shanghai by Colin Burnett
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