- Sainkho Namtchylak
Sainkho Namtchylak (born
1957 ) is a singer originally fromTuva , a small autonomous Russian republic just north ofMongolia . She is known for her Tuvanthroat singing orKhöömei .tyle
Sainkho Namtchylak is an experimental singer, born in
1957 in a secluded village in the south of Tuva. She has an exceptional voice, spanning seven octaves and proficient in overtone singing; her music encompassesavant-jazz ,electronica , modern composition and Tuvan influences. In Tuva, numerous cultural influences collide: the Turkish roots it shares withMongolia , Xinjiang Uighur and the Central Asian states; various Siberian nomadic ethnic groups, principally those of the Tungus-Manchu group; Russian Old Believers; migrant and resettled populations from theUkraine ,Tatarstan and other minority groups west of theUrals . All of these, to extents, impact on Sainkho's voice, although the Siberian influences dominate: her thesis produced while studying voice, first at the University of Kyzyl, then in the Gnesins Institute inMoscow during the 1980s focussed on Lamaistic and cult musics of minority groups acrossSiberia , and her music frequently shows tendencies towards Tungus-style imitative singing.Career
After graduating, Sainkho worked with several ensembles: the Moscow State Orchestra; the Moscow-based jazz ensemble 'Tri-O' (since
1989 ); School of Dramatic Art under the direction ofAnatoly Vasiliev (Moscow), various orchestras inKyzyl , the Tuvan 'folkloric orchestra'—a far less sanitised example of folk baroque than, say, existed in pre-independenceKazakhstan —that has housed many of Tuva's other important singers. However, for several years Sainkho annually invited foreign musicians to Tuva to promote Tuvan culture.In 1997, Sainkho was horrifically attacked by Tuvinian racketeers which left her in a coma for two weeks. Other sources maintain that she underwent surgery for a severe
malignant brain tumor ; regardless, 1997 marked an appreciable change in her life. Since then, she has been resident in exile inVienna , and has also recorded more prolifically as a solo artist. Although she has released over thirty albums in the past twenty years, only seven have been entirely solo.In 2005, the Italian publishing house Libero di Scrivere released a book of poetry "Karmaland". In 2006 in
Saint Petersburg , a book "Chelo-Vek" (in Russian, "A Human Being") was published in Russian, Tuvinian and in English.Discography
*1990 - TRI-O Plus Sainkho Namchylak "Transformation of Matter, DOCUMENT, vol.V" - Leo Records
*1991 - "Tunguska-guska" - Eine Meteoriten-Oper, EFA-Schneeball
*1992 - "Lost Rivers" - FMP
*1992 - Kang Tae Hwan and Sainkho Namchylak "Live" - Free Improvisation Network Record
*1993 - "Out Of Tuva" - Mapping the interim time from 1987 to 1993; some folk, some baroque, some examples of ethno-pop and trans-Siberian songs pertaining to her thesis
*1993 - "Letters" - Experimental voice pieces based on letters sent home to her parents while studying from 1980-1993
*1995 - Moscow Composers Orchestra and Sainkho "Live at City Garden" - U-Sound
*1996 - "Mars song" - Duo with Evan Parker
*1996 - "Amulet" - Duo withNed Rothenberg
*1996 - Moscow Composers Orchestra and Sainkho "An Italian Love Affair" - Leo Records
*1997 - Moscow Composers Orchestra and Sainkho "Let Peremsky Dream' - Leo Records
*1997 - "Time Out" - A personal album, given only to a handful of fnas, musically detailing the aftermath of the attack
*1996 - Moscow Composers Orchestra and Sainkho "The Gift" - Long Arms Records
*1998 - "Naked Spirit" Amiata Records
*1999 - "Temenos" - Leo Records
*2001 - "Stepmother City" Ponderosa
*2001 - "Aura" Ponderosa
*2003 - "Who Stole The Sky" - the preceding two albums produced while in Vienna, showing a greater tendency towards both multicultural influences and electronica. Naked Spirit features a beautiful duet with Armenian duduk player Djivan Gasparyan; Stepmother City features several songs in English, as well as other Siberian influences- one track features prominent Tungus-style imitational singing, another the Bashkortori kurai; Who Stole The Sky further culturally diversifies with a band incorporating bansuri and kora players.
*2005 - "ARZHAANA" Asia Records - a fairy tale
*2005 - "TriO & SAINKHO FORGOTTEN STREETS OF ST.PETERSBURG" Leo RecordsExternal links
* [http://www.sainkho.net/ sainkho.net]
* [http://web.archive.org/web/20050304140637/http://www.sainkho.com/ http://www.sainkho.com/ (archived copy)]
* [http://www.fmp-label.de/freemusicproduction/musiker/namtchylak.html FMP releases]
* [http://www.avantart.com/music/sainkho Sainkho Namtchylak at Avantart]References
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