- Eugene Augustin Lauste
Eugène Augustin Lauste (
17 January 1857 inMontmartre ,France -27 June 1935 inMontclair, New Jersey ) was a French inventor instrumental in the technological development of thehistory of cinema .By age 23 he held 53 French patents. He emigrated to the United States in 1886 where he worked as an assistant to
William Kennedy Laurie Dickson at the Edison Laboratories. Lauste contributed to the development of the leading predecessor to themotion picture projector, theKinetoscope , aninvention for which Edison would claim credit. Lauste left Edison in 1892.Lauste also worked on an idea for a combustible
gasoline engine ; he did develop a working model in the 1890s but gave up when told that such a noisy device would never be widely used. He then worked with Major Woodville Latham, for whom he engineered theEidoloscope and assisted with the design of the Latham Loop. He demonstrated the Eidoloscope in 1895 in a lower Broadway store with films of the Griffo-Barnet prize fight taken fromMadison Square Garden 's roof; he held regular displays of the pictures that summer in aConey Island tent.He joined the
American Biograph Company in 1896 and remained there for four years before moving to Brixton, England. In 1904 he prepared his firstsound-on-film model. In 1906 he (along with the Australian Haines and the Briton John S. V. Pletts) applied for a Britishpatent ; their application was granted patent No. 18057 in 1907 for "a process for recording and reproducing simultaneously the movements or motions of persons or objects and the sounds produced by them," i.e., a strip of 35 mmcelluloid film containing both image frames and a sound strip. In 1911 he exhibited asound film in the United States, possibly the first-ever American showing of a movie using sound-on-film technology. Before he could market his system more widely, though,World War I intervened.From 1928 until his death, Lauste was a consultant for
Bell Telephone Laboratories . With his wife, Melanie, he had a son, Emile, and two stepsons, Clement and Harry E. LeRoy.ources
Published
*Eyman, Scott (1997). "The Speed of Sound: Hollywood and the Talkie Revolution 1926–1930". New York: Simon & Schuster (chapter 1 available [http://www.businessweek.com/chapter/eyman.htm online] ). ISBN 0-684-81162-6
*Musser, Charles (1994 [1990] ). "The Emergence of Cinema: The American Screen to 1907". Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-08533-7Online
[http://www.amps.net/newsletters/issue22/22_lauste.htm Eugene Lauste]
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