- A Home on the Range
Infobox Film
name = A Home on the Range: The Jewish Chicken Ranchers of Petaluma
image_size = 100px
caption =
director = Bonnie Burt and Judith Montell
producer = Bonnie Burt and Judith Montell
writer =
narrator =
starring =
music =
cinematography =
editing =
distributor =
released =2002 (USA)
runtime = 100 min.
country = USA
language = English
budget =
preceded_by =
followed_by =
website = http://www.jewishchickenranchers.com/press/
amg_id =
imdb_id ="A Home on the Range: The Jewish Chicken Ranchers of Petaluma" is a
2002 documentary byBonnie Burt andJudith Montell about a group ofJews who fled frompogroms inEastern Europe andprejudice in America to organized asocialist society inrural Northern California , where they relied on raisingchickens to support themselves.ummary
“Who said Jews couldn't be farmers? Spitin as I, who would harm us?””
Scott Gerber , a former resident of Petaluma, belts out the lyrics to hisacoustic guitar . Although the chicken ranches in Petaluma have more recently been abandoned, Scott's maintained his Jewish culture and his love for the land, working as a cowboy and singingYiddish folk songs."A Home on the Range" shows old photographs and archival color footage of Petaluma that bring the town to life. These visuals, along with interviews of former residents, reconstruct an idealistic society that put in hard work collecting and cleaning eggs but enjoyed lectures given by top notch Jewish
poets andphilosophers given at the Community Hall. United by theirculture , the Jews of Petaluma cared for one another as extended family and survived theantisemitism of pre-World War II andanticommunist sentiments of theMcCarthy era. But with time and assimilation the quirky community dwindled, and, today, they're chicken ranches have been replaced bytelecommunication , dairy farms and vineyards.For many of the Jews in Petaluma,
Judaism was more of a culture than a religion. One former resident says that people kept the holidays for the social attachment, and another spouts, “Judaism—there wasn't any!” In fact, when they were building their meeting hall it was almost unanimously decided to not build asynagogue —until they learned it could be a tax write off. For them, Judaism had nothing to do with God. Instead, it meant that they spoke Yiddish, atematzah , and wanted to form akibbutz . But most of all it meant they were outsiders to American society. They were second rate citizens, called names and not allowed in Country Clubs.They had fled pogroms in
Russia and antisemitism in urban America to live in a rural Jewish community, but still they faced antisemitism from their surrounding neighbors. One woman remembers, “they used to call us dirty Jew.” And another woman remembers a particularly frightening night when an antisemitic neighbor threw a barn party and the drunk and rowdy crowd terrified her parents so much that they couldn't sleep that night. These incidents ingrained the Jews with a painful feeling of being “lesser” than other Americans. But nothing can compare to the violent night thatGentile leaders in the neighboring community took out their antisemitism and anticommunist fears through brute force against the men of Petaluma.Strangely, it wasn't prejudice that destroyed their community, but acceptance. Once
Jewish Americans were no longer looked down on, they assimilated into society and the vibrant community of chicken ranchers in Petaluma dwindled. One former resident who grew up on a ranch and raised her children on a ranch expresses her mixed feelings about assimilation. She pines that she lost, “the core,” sense of attachment but in exchange, “we were accepted in as Americans.”Production
For the past twenty years, Bonnie Burt has been making documentaries about Jewish life. Her films have screened at the
Museum of Modern Art and atLincoln Center inNew York . cite web
title = A Home on the Range: The Jewish Chicken Ranchers of Petaluma
work =
publisher = Bonnie Burt and Judith Montell
date =
url =http://www.jewishchickenranchers.com/index.htm
accessdate = August 6 ] Bonnie says she'd heard about Petaluma before she moved to California from the East Coast. But it wasn't until1992 at theMadrid Jewish Film Festical that she teamed up with Judy Montell, and the two began to work on the project together.Reception
Wikimedia Foundation. 2010.