- Gary Panter
Gary Panter (born December 1, 1950 in
Durant, Oklahoma ) is an illustrator, painter, designer and part-time musician. Panter is a luminary of the post-underground, new wave comics movement that began with the end of "" and the initiation of "RAW". Many consider him the second generation in Americanunderground comix Panter has published his work in various magazines and newspapers, including "Raw", "Time" and "Rolling Stone" magazine. He has exhibited all over the world, and won three Emmy awards for his set designs for "
Pee-Wee's Playhouse ." His most famous works include "Jimbo, Adventures in Paradise", "Jimbo's Inferno" and "Facetasm", which was created together withCharles Burns .tyle
Panter is known to many as the "father of punk comics" and the “King of the Ratty Line” due to his idiosyncratic, scratchy line work emblematic of the
DIY aesthetic prominent in the work of many small press cartoonists. His comics are fast and hard and are drawn in an expressionistic manner. His works easily balances the worlds of painting, commercial art, illustration, cartoons, alternative comix, and music. Panter undertakes all of his projects with imaginative punk flair. [citation | title= Gary Panter in New York | author=Chris Bors | publisher=ARTINFO | year=2008 | date= May 8, 2008| url=http://www.artinfo.com/news/story/27542/gary-panter-in-new-york/ | accessdate=2008-05-14 ]Overview
Recipient of the
Chrysler Design Award in 2000, Gary Panter has been everything from an underground cartoonist to an interior designer, (for a children's playroom inside thePhilippe Starck -designedParamount Hotel inNew York City ), to an internet animator, (his Pink Donkey and the Fly series can be seen online atCartoon Network ’s web site). He is also the creator of Jimbo, a "post-nuclear punk-rock" cartoon character whose adventures were first chronicled as a comic strip in the ’70s LA hardcore-punk paper "Slash" and later in "RAW" magazine. Although the inspiration for Jimbo was partly rooted in the ’60s underground comix movement, other influences such as Japanese monster movies, cheap commercial packaging, the work ofMarvel Comics artistJack Kirby ,Mothers Of Invention house artistCal Schenkel , and the writing of cult science fiction authorPhilip K. Dick leaked into the project. All of which gave Jimbo a startlingly fresh look that was subliminally familiar yet defiantly oddball.Drawn with pen and black ink in his now familiar “ratty line” style, Panter’s work (like
Andy Warhol ’s before him) straddles the barrier that separates “trash” from “art”, arguably transforming underground comix into a viable art form. Equally ground-breaking were his extended comic novels "Dal Tokyo" and "Cola Madnes" (which has recently been published by Funny Garbage Press). "Cola Madnes" was created by Panter primarily for his Japanese audience (who named a café in Nagoya ‘Gary Panter Squar’ in his honor) using a manga-style two-panel-per-page layout that paid silent and respectful homage to the work ofToho Studios (creator ofGodzilla ) and comic book legend Jack “King” Kirby. Cola Madnes was Gary Panter’s artistic “holy mission” way back in 1983.As an illustrator, Panter was one of the first to stop worrying about graphic perfection, preferring instead to push the underground punk attitude he had nurtured since the ’70s into his commercial art for established magazines such as "Time", "Rolling Stone", "Entertainment Weekly" and "The New Yorker". By deliberately presenting his work with serrated edges instead of clean lines, Panter’s style came as a breath of fresh air to both publishers and audience alike. His fame as an illustrator grew when he was commissioned by
Warner Brothers to produce a set of album sleeves forFrank Zappa . The resulting covers for "Studio Tan ", "Sleep Dirt " and "Orchestral Favorites " were universally admired (albeit initially not by Zappa himself), as was his cover illustration for the debut album by theRed Hot Chili Peppers . He also did the cover artwork for Red Hot Chili Peppers record 'the uplift mofo party plan'. He also did the artwork for Avant-Garde duo Renaldo & The Loaf's "Song's For Swinging Larvae" album artwork in 1980.As an early participant in the
Los Angeles punk scene in the 1970s, Gary Panter defined the grungy style of he era with his drawings for "Slash magazine" and numerous record covers.Some time around 1980, Panter's "
Rozz Tox Manifesto " was published in theRalph Records catalog, calling for artists to work within the capitalist system.In the 1980s, he was the set designer for "
Pee Wee's Playhouse ", where he changed the face of children's television, winning threeEmmy Awards in the process. Prior to Panter's work, kid shows had a drearily lulling aesthetic: everything was round, cute, simplified, and pastel. The set of "Pee-wee's Playhouse" was the antithesis of pablum-art: it was dense as a jungle and jam-packed with surprises, often loud and abrasive ones.While doing
illustration and set designs, Panter kept up an active career as acartoonist . His work in comics includes contributions to theavant-garde comics magazine "RAW" and thegraphic novel "Cola Madnes ".Matt Groening , the creator of "The Simpsons " TV show, once noted that Panter "applied his fine-art training to the casualness of the comic strip, and the result was an explosive series of graphic experiments that are imitated in small doses all over the world today". Groening himself can be seen as an example of acartoonist who has learned much from Panter. The jagged smashed-glass rawness of "The Simpsons" (think ofLisa 's hair) can be traced back to the post-apocalyptic world that Panter was sketching in the early 1980s. The Simpsons could be seen as mutant escapees from Panter's early work.Panter also created the online series
Pink Donkey forCartoon Network . He has recently published "Jimbo in Purgatory", and "Jimbo's Inferno", lavishly produced graphic novels which incorporate classic literature elements (most prominentlyDante 'sInferno ) with pop and punk culture sensibilities.He was best friends with
Matt Groening .Awards and honors
With
Will Eisner ,Jack Kirby ,Harvey Kurtzman ,Robert Crumb andChris Ware , Panter was among the artists honored in the exhibition "Masters of American Comics" which traveled to museums in Los Angeles, Milwaukee, and New York from 2005 to 2007.An exhibition of originals of Gary Panter's drawings and paintings was shown at the Phoenix Art Museum in Phoenix, AZ from April 21st through August 19th 2007. An exhibition of paintings was at the Dunn and Brown Contemporary gallery in Dallas in October 2007.
A 2-volume monograph was published in March 2008 by
PictureBox .Notes
References
* [http://lambiek.net/artists/p/panter.htm Gary Panter profile] at
Lambiek External links
* [http://www.garypanter.com/ Gary Panter.com] - Official Gary Panter website
* [http://www.funnygarbage.com/pinkdonkey/interface.html Pink Donkey]
* [http://suicidegirls.com/words/Gary+Panter+-+Jimbo+in+Purgatory/ Suicide Girls Interview]
* [http://www.jeetheer.com/comics/panter.htm Jeet Heer Jimbo in purgatory review]
* [http://joeclark.org/garypanter.html Joe Clark overview]
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