Giuseppe Vermiglio

Giuseppe Vermiglio (c.1585 – c.1635) was a Caravaggist painter from Northern Italy, active also in Rome.

Our knowledge of Vermiglio’s life is sketchy. It is probable that he was born in Alessandria [Turin and Milan have also been proposed as his place of birth.] . He spent the first two decades of the seventeenth century in Rome where, while training and working as an artist, he adopted a bohemian lifestyle with a tendency to become involved in painterly brawling: in 1604 he supported his master Adriano di Monteleone’s account of a dispute with two unknown artists which had led to Monteleone being wounded by his own wife; the following year Vermiglio was arrested and imprisoned after being discovered at the Monte di Brianza hostellry bearing an unlicensed sword; and in 1611 proceedings were brought against him for physically attacking the painter Silvio Oliviero. In 1618, still in Rome, he is recorded as a picture dealer.

Around 1620 he returned to northern Italy where he pursued his career as a painter in Piedmont (Novara and Alessandria) and in Lombardy (notably in Mantua and Milan).

His art was profoundly influenced by Caravaggio. Other painters to whom his work is thought, on the basis of stylistic references, to be indebted include the Bolognese Annibale Carracci and Guido Reni; it has been suggested that Vermiglio worked or studied in Bologna at some point. Luigi Lanzi acclaimed the painting of Daniel among the lions, in the library of the Passione in Milan, as his masterwork. [Lanzi p. 305.]

Judgments of quality of his work have ranged from Alfred Moir’s ‘inconsequential craftsman’ [Alfred Moir, "The Italian Followers of Caravaggio", Cambridge, Mass., 1967, vol. I, p. 69. (Cited by Gash.)] to Lanzi’s ‘the best painter in oils of which the ancient state of Piedmont could boast, and one of the best Italian artists of his times’ [‘Io lo considero come il miglior pittore a olio che vanti l’antico Stato di Piemonte, e come uno de’miglior italiani del suo tempo.’ Luigi Lanzi, "Storia Pittorica della Italia, dal risorgimento delle Belle Arti fin presso al fine del XVIII secolo", 3rd, revised and expanded, edition, Bassano, 1809, vol. V, pp. 377-8. (Cited by Gash.)] __NOTOC__

Works

Paintings by Vermiglio, or which have been attributed to him, include

*"The Incredulity of St. Thomas", signed and dated 1612. San Tommaso ai Cenci, Rome.
*"Crowning with Thorns / Mocking of Christ". (formerly in the Palazzo Altieri, Rome
*"Cain and Abel". National Museum of Fine Arts, Valletta.
*"Adoration of the Shepherds", signed and dated 1622. Pinacoteca di Brera, Milan.
*"Last Supper", signed and dated 1622. Pinacoteca di Brera, Milan.
*"The Sacrifice of Isaac". Musei Civici del Castello Sforzesco, Milan.
*"Saint Sebastian with an Angel". Musei Civici del Castello Sforzesco, Milan.

Notes

References

* Lanzi, Luigi. "The History of Painting in Italy." Translated by Thomas Roscoe. London, H. G. Bohn, 1847; Vol. 3, pp. 305-306.]
* citation
last= Gash
first=John
year=1998
title=The "Cain and Abel" in the National Museum: The case for Giuseppe Vermiglio
periodical= Melita Historica New Series
volume=12
issue=3
pages=pp 267–280
language=Italian
url=http://www.xs4all.nl/~nizaar/Melita%20Historica/MH.12.03/The%20Cain%20and%20Abel%20in%20the%20National%20Museum%20etc..pdf
accessdate=2007-09-01

Further reading

* citation
editor= Miklós Boskovits
title= Studi di storia dell’arte in onore di Mina Gregori
place=Milan
last= Frangi
first= Francesco
year=1994
contribution=Giuseppe Vermiglio tra Caravaggio e Federico Borromeo
pages=pp 161–9
language=Italian. (Described by Gash as a ‘groundbreaking article.’)