Yıldız Palace

Yıldız Palace

Yıldız Palace is a collection of pavilions and villas in Istanbul, Turkey, built in the 19th and early 20th centuries.

Origin

Yıldız Palace, meaning Star Palace, was built in 1880 and was used by the Ottoman Sultan Abdülhamid II. The area of the palace was originally made of natural woodlands and became an imperial estate during the reign of Sultan Ahmed I (1603-1617). Various sultans after Ahmed I enjoyed vacationing on these lands and Sultans Abdülmecid I and Abdülaziz built mansions here.

In the late 19th century, Sultan Abdülhamid II left Dolmabahçe because he feared a seaside attack on the palace, which is located at the shore of the Bosporus strait. He expanded the Yıldız Palace and ordered the renowned Italian architect Raimondo D'Aronco to build new buildings to the palace complex. When he moved there, the palace became the fourth seat of Ottoman government (the previous ones were the "Eski Saray" (Old Palace) in Edirne, and the Topkapı and Dolmabahçe Palaces in Istanbul.)

Layout

The palace is a complex of buildings including the State Apartments (Büyük Mabeyn), Şale Pavilion, the Malta Pavilion, the Çadır Pavilion, the Yıldız Theater and Opera House, the Yıldız Palace Museum, and the Imperial Porcelain Factory. The Yıldız Palace Gardens are also a popular public site among the residents of Istanbul. A bridge connects the Yıldız Palace with the Çırağan Palace on the Bosporus through this garden.

State apartments

Government officials working for Abdülhamid II had their offices in this building.

Şale Kiosk

The sultan’s residence was in the Şale Kiosk or pavilion. The building has two floors and a basement and constructed from a mix of wood and stone. It was constructed in three phases. The first part was built in the 1870s and was designed to resemble a Swiss chalet, hence the name "Şale". Winston Churchill and Charles de Gaulle were among the visitors to this part of the palace. The second section was added in 1889 to accommodate Kaiser Wilhelm II, who was the first foreign monarch to visit Constantinople. It was during this phase that the Sedefli Salon (Mother-of-Pearl Salon) was added. The name derives from the extensive use of mother-of-pearl that covered almost all of its surfaces. There are also detailed painted landscapes on the ceiling. The third section was also built for Kaiser Wilhelm II in 1898. The reception chamber was built during this period and remains the most impressive room in the entire Şale Pavilion. There is a single carpet on the floor that has an area greater than 400 square meters and was hand woven by 60 weavers. Elegant features of the chamber include a gilded, coffered ceiling and large mirrors. Abdülhamid II was a skilled carpenter and actually made some of the pieces of furniture that can be found in the Şale Pavilion.

Malta Kiosk

The Malta Kiosk is a pavilion located in Yıldız Park to the north side of the wall separating Yıldız Palace. There are also two watching and resting pavilions in the grove being the rear garden of Çırağan Palace from the Abdül Aziz I period. The origin of the name is not certain but it is thought that during the Ottoman era certain parts of palaces were called after the names of conquered places, so this name is given after the conquest of Malta.

Malta Kiosk is an example of secular architecture of the 19th century. The outer facade is painted in yellow and green. The building was constructed by Sarkis Balyas and his brothers. During the Abdül Mecid I period, the architects have been influenced by the European architecture and motifs of nature, flowers, fruits and hunting animal figures have been widely used on the walls. Round marble columns, terraces, bedrooms, wooden and crystal halls have important features like neo-classical, neo-islamic and neo-Ottoman characteristics. The arches in S and C shapes originated from the Rococo style. Columns. palmets or sea shells have been added to the keystones of the arches. The baroque style of the 19th century has been reflected with oval windows, fluted cornices, flushed columns with small tower on ends. The vertical and horizontal elements have been balanced in the Empire style symbolising the Napoleonic period under the influence of Egyptian and Roman architecture.

The pavilion has four entrance doors. When entering from the side-door at the sea, one enters a big hall. There are balconies on the second floor facing the sea. In the middle of the hall there is a marble fountain adorned with a swan. There are big marble vases placed on bases. Four swans around the pool and six fishes placed around the vase embrace each other. There are jets at the tails of the fishes and the heads of the swans spraying water.

Both sides of the marble stairs are ground marble columns from ceilings to the floor. Just near the columns is a big jet ornamented with swans bending down its head to the water as well as leaves and flower designs carved into the marble.

On the upper floor are two small rooms and restrooms around the big hall.

There is a big fireplace in the big halls, surrounded with carved colour flower designs and there are balconies in front of the rooms and hall. The building was used as a hunting and resting pavilion with different hunting animals, flowers, vegetables and fruit motifs.

Two rooms on the upper floor are decorated with flower motifs. The main staircase is double-sided and carved. Sultan Abdül Hamid attached the pavilion to the Yıldız Palace and used it for resting and visiting. Like other pavilions of the Yıldız Palace, the Malta Kiosk has witnessed important historic events.

When the Çırağan raid masterminded by Ali Suavi in 1878 in order to overthrow Murad V failed, Sultan Abdül Hamid send him to this pavilion for security reasons, effectively keeping him there under house-arrest. The trial of Midhat Pasha took place in a tent behind the pavilion.

Following the exile of Sultan Abdül Hamid, Malta Kiosk remained unused for more than 40 years. In 1941, the large grove behind Yıldız Palace was turned into Yıldız Park, transferred to the Istanbul Municipality and openend to the public.

Çadır Kiosk

It was built by Sultan Abdülaziz (1861-76), who used them as prisons. Today it houses a café and restaurant.

Yıldız Theater and Opera House

Built by Sultan Abdülhamid II in 1889, it has stars on its domed ceiling, a reference to the name of the Yıldız Palace, which means Star Palace. Because noone was allowed to have his back to the sultan, the positioning of the sultan’s balcony box meant that the first row seats were never used.

Yıldız Palace Museum

This used to be Abdülhamid II’s carpentry workshop and is now used to display art and objects from the palace.

Imperial Porcelain Factory

Opened in 1895, the factory was constructed to meet the demand of the upper classes for European-style ceramics. The bowls, vases and plates it produced often pictured idealized scenes of the Bosphorus. The building has an interesting appearance in that it resembles a European medieval castle.

Present use

After the Ottoman Empire ended, the palace was used as a luxury casino before being converted into a guest house for visiting heads of state and royalty. Today it is a museum and its gardens can be used for private receptions, such as the Istanbul Antiques Fair at the Silahhane (Armoury) Hall, which usually takes place in November. The Istanbul office of the OIC is also located within the Yıldız Palace.

The palace is in the Beşiktaş district of Istanbul and is open daily from 9:30 to 16:00, except on Mondays and Thursdays, from October to February; and between 9:30 to 17:00 from March to September.

ee also

* Yıldız Clock Tower

References

1. "Eyewitness Travel Guides: Istanbul". 124-125
2. [http://www.istanbulportal.com/istanbulportal/Yildiz_Palace.aspx/ www.istanbulportal.com/istanbulportal/Yildiz_Palace.aspx]
3. [http://www.istanbulinfolink.com/the_city/palaces/yildizpalace.htm/ www.istanbulinfolink.com/the_city/palaces/yildizpalace.htm]
4. [http://www.pointsfromturkey.com/yildiz_palace.html/ www.pointsfromturkey.com/yildiz_palace.html]

Literature

* Önder Küçükerman, Nedret Bayraktar, Semra Karakaţli. "Yıldız Porcelain in National Palaces Collection". TBMM, Istanbul, 1998.
* Vahide Gezgör, Feryal Irez. "Yıldız Palace Chalet Kasr-ı Hümayunu". TBMM, Istanbul, 1993.

External links

* [http://www.millisaraylar.gov.tr/source.cms4/index.snet?wapp=historyen&did=229B567C-B8B0-4750-B0D9-F0B74CD129E7 Department of National Palaces | Yıldız Palace]


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