Pennsylvania Academy of the Fine Arts

Infobox_nrhp | name =Pennsylvania Academy of the Fine Arts
nrhp_type = nhl

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caption = Pennsylvania Academy of the Fine Arts
location= SW corner of Broad & Cherry Sts.
Philadelphia, Pennsylvania
lat_degrees = 39
lat_minutes = 57
lat_seconds = 18
lat_direction = N
long_degrees = 75
long_minutes = 9
long_seconds = 50
long_direction = W
locmapin = Pennsylvania
area =
built =1806citation | title= Pennsylvania Academy of the Fine Arts: About | publisher=ARTINFO | year=2008 | url= http://www.artinfo.com/galleryguide/22274/8792/about/pennsylvania-academy-of-the-fine-arts-philadelphia/ | accessdate=2008-07-24 ]
architect= Frank Furness; George Hewitt
architecture= Second Empire, Renaissance, Gothic
added = May 27, 1971
governing_body = Local
refnum=71000731cite web|url=http://www.nr.nps.gov/|title=National Register Information System|date=2007-01-23|work=National Register of Historic Places|publisher=National Park Service] The Pennsylvania Academy of the Fine Arts was founded in 1805 in Philadelphia, Pennsylvania by painter and scientist Charles Willson Peale, sculptor William Rush, and other artists and business leaders. It is the oldest art museum and school in the nation. The Academy's museum is internationally known for its collections of 19th and 20th century American paintings, sculptures, and works on paper. Its archives house important materials for the study of American art history, museums, and art training.

History

The current museum building opened in 1876. Designed by the American architects Frank Furness and George W. Hewitt, it has been designated a National Historic Landmark. As such, it is recognized as an important part of America's and Philadelphia's architectural heritage. It was carefully restored in 1976. The collection is installed in a chronological and thematic format, exploring the history of American art from the 1760s to the present.

Since its founding, the Academy has collected works by leading American artists, as well as works by distinguished alumni and faculty of its school. From 1811 to 1969, the Academy also organized important annual art exhibitions from which significant acquisitions were made. Harrison S. Morris, Managing Director from 1892 to 1905, collected contemporary American art for the institution. Among the many masterpieces acquired during his tenure were works by Cecilia Beaux, William Merritt Chase, Frank Duveneck, Thomas Eakins, Winslow Homer, Childe Hassam, and Edmund Tarbell. Work by The Eight, which included former Academy students Robert Henri and John Sloan, is well represented in the collection, and provides a transition between 19th- and 20th- century art movements.

In 1876, former Academy student Thomas Eakins returned to teach there and re-vamped the certificate curriculum to what it remains today. Students in the certificate program learn fundamentals of drawing, painting, sculpture, and printmaking (lithography) for two years, after which they enjoy two years of independent study, guided by frequent, helpful critiques from faculty, students, and visiting artists alike.

Women at the Academy

The 1844 Board of Directors of the Pennsylvania Academy of the Fine Arts declaration that women artists “would have exclusive use of the statue gallery for professional purposes” and study time in the museum on Monday, Wednesday, and Friday mornings signifies a significant advance towards formal training in art for women. [The Pennsylvania Academy and its women, 1850-1920 / [catalogue of an exhibition held] May 3-June 16, 1974 [at the] Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 1974, pg. 12] Prior to the founding of the Academy, there were limited opportunities for women to receive professional training in the United States. Realizing the rise in interest of young women, this period between the mid-19th and early 20th century shows a remarkable growth of formally trained women artists.

By 1860 female students were allowed to take anatomy and antique courses (drawing from antique casts). [May, Stephen, “And Enduring Legacy: The Pennsylvania Academy of Fine Arts, 1805-2005” Pennsylvania Academy of the Fine Arts, 1805-2005 : 200 years of excellence / essays by Mark Hain ... [et al.] ; catalogue entries by Alex Baker ... [et al.] . Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2005, pg.16] In addition, women enjoyed their newly acquired library and gallery access. Life classes, the study of the nude body, were available to women in the spring of 1868 with female models and with male models six years later. This came after much debate on the appropriateness of women viewing the nude male form.

It took 24 years before women could take full advantage of all aspects of training at the prestigious institution. [The Pennsylvania Academy and its women, 1850-1920 / [catalogue of an exhibition held] May 3-June 16, 1974, pg. 17 ] After 1868 women took more active leadership roles and achieved influential positions. For example, Catherine Drinker, at the age of 27, was the first woman to teach at the academy in 1878. ["The Pennsylvania Academy and its women, 1850-1920", pg.19 ] One of her pupils, her younger cousin Cecilia Beaux, would leave a lasting legacy at the academy as the first female faculty member to instruct painting and drawing beginning in 1895. [ Yount, Sylvia… [et al.] , Cecilia Beaux: American Figure Painter, Atlanta : High Museum of Art ; Berkeley : University of California Press, 2007, pg. 36 ] By the 1880s women had become competitors against men for top accolades and recognitions. Not until much later, however, did the academy gain its first woman on the Board of Directors in 1950.

Even as women artists were making progress in the United States, it remained more difficult in Europe. Women that chose to travel overseas typically studied the works of master artists in the galleries not in classes. In this regard, the U.S. was more progressive than Europe at the time.

The Academy Today

Today, the Academy maintains its strong collecting tradition with the inclusion of works by modern and contemporary American artists. Acquisitions and exhibition programs are balanced between historical and contemporary art, and the museum continues to show works by contemporary regional artists and features annual displays of work by Academy students.

Qualified students who currently attend the Academy may apply for and receive a B.F.A. (Bachelor of Fine Arts) degree from the University of Pennsylvania. The two institutions' close ties and collaboration with each other enables qualified students to receive an Ivy League degree as well as a diploma from the Academy. The Academy is also known for the Academy BFA (new for 2008, its first undergraduate degree program offered exclusively in-house), its Master of Fine Arts program, a Post Baccaluareate Certificate in Graduate Studies for developing artists, extensive continuing education offerings, as well as programs for children and families.

Current News

In 2005, the Academy received the National Medal of Arts which was presented by the President of the United States of America, recognizing the Academy as a leader in fine arts education.

In September 2006, the School of Fine Arts of the Academy completed its move into the newly renovated Samuel M.V. Hamilton Building, located at 128 N. Broad Street, adjacent to the Historic Landmark Building. This highly anticipated move is the next major element of the Academy's expansion and enhancement as it moves into its third century as America's oldest museum and school of art.

In January 2007, the Pennsylvania Academy, in association with the Philadelphia Museum of Art, purchased the Thomas Eakins's masterpiece, "The Gross Clinic", from the Jefferson Medical School. This seminal American work will be displayed at both institutions, on a rotating basis, so it can be enjoyed by future generations of Philadelphians and visitors to the city alike.

The Art of Remarkable Women at the Pennsylvania Academy of Fine Arts (beginning in January 2008) is a yearlong celebration of the achievements of women in the arts, sciences, politics, business, and other fields. To see the calendar of events please click on the following link. [http://www.pafa.org/artOfRemarkableWomen.jsp]

1876 opening notes

The growth of the Academy of Fine Arts was slow. It held its exhibitions for many years, in a modern building of the Ionic order, which was begun in 1806, and stood on the site of the American Theatre on Chestnut Street. The first exhibition was held in 1811, and more than 500 paintings and statuary were on display. The Academy was reconstructed after the fire of 1845, and 23 years later steps were taken to construct a building more worthy of its treasures.

The newly-built Academy of Fine Arts will bear comparison with any institution of its kind in America. It has a front of one hundred feet on Broad Street and a depth of two hundred and fifty-eight feet on Cherry Street. Its situation, with a street on each of its three sides, and an open space along a considerable portion of the fourth, is very advantageous as regards lighting, and freedom from risk by fire.

It is built of brick, the principal entrance, which is two stories high, being augmented with encaustic tiles, terra-cotta statuary, and light stone dressings. The walls are laid in patterns of red and white brick. Over the main entrance on Broad Street there is a large Gothic window with stone tracery. The Cherry Street front is relieved by a colonnade supporting arched windows, back of which is the transept and pointed gable.

Beyond the entrance vestibule is the main staircase, which starts from a wide hall and leads to the galleries on the second floor. Along the Cherry Street side of the Academy are five galleries arranged for casts from the antique; and, further on, are rooms for drapery painting, and the life class. These have a clear north light which can never be obstructed.

On the south side, there is a large lecture room, with retiring rooms, and back of these are the modeling rooms and rooms devoted to the use of students and professors.

On the second floor is the main hall, which extends across the building, and is intended for the exhibition of large works of art. This story is divided into galleries, which are lighted from the top. Through the center runs a hall which is set apart for the exhibition of statuary, busts, small statues, bas-reliefs, etc. On each side of this hall are picture galleries, which are so arranged in size and form as to admit of classification of pictures, and which can be divided into suits where separate exhibitions may be held at the same time.

The art collections of the gallery are considered the most valuable in America. They comprise the masterpieces of Stuart, Sully, Allston, West, and others of our early artists, the Gilpin gallery, fine marbles, and facsimiles of famous statues, as well as a magnificent gallery from the antique.

Source:
*cite book
last = Strahan (ed.)
first = Edward
authorlink =
coauthors =
year = 1875
chapter =
title = A Century After, picturesque glimpses of Philadelphia and Pennsylvania
publisher = Allen, Lane & Scott and J. W. Lauderbach
location = Philadelphia
id =

List of Notable Academy Students and Faculty

Notable Academy students and faculty include:columns-list|4
*Thomas Pollock Anshutz
*Asher Barkley
*Will Barnet
*Bo Bartlett
*Walter Emerson Baum
*Cecilia Beaux
*Alana Bograd
*Alexander Stirling Calder
*Arthur B. Carles
*Mary Cassatt
*Colin Campbell Cooper
*Ralston Crawford
*Jack Delano
*Vincent Desiderio
*Oliver Duché
*Moira M Johnston
*Alexander Hromych
*Thomas Eakins
*David Em
*Wharton Esherick
*William Fleishell
*A. B. Frost
*Frank Furness
*Daniel Garber
*William Glackens
*Charles Grafly
*Paul Anthony Greenwood
*Walker Hancock
*A. G. Heaton
*Robert Henri
*Edward Lamson Henry
*Thomas Hovenden
*Simona Josan
*Karl Karhumaa
*Michael Keropian
*Matt Kieltyka
*David Lynch
*Paul Manship
*John Marin
*Don Martin
*Alphonse Mucha
*Taras Mychalewych
*John Neagle
*Alice Neel
*Brad Neely
*Violet Oakley
*John Pacer
*Maxfield Parrish
*Charles Willson Peale
*Rembrandt Peale
*Irving Petlin
*Albin Polasek
*Peter F. Rothermel
*William Rush
*Lawrence Saint
*Tad Sare
*Morton Schamberg
*David Sherman
*Everett Shinn
* [http://upload.wikimedia.org/wikipedia/en/3/3a/Liquid_Fire.jpgOdhiambo Siangla]
*David Slivka
*John Sloan
*Marian Williams Steele
*LeConte Stewart
*Frank Wilbert Stokes
*Henry O. Tanner
*Anthony Visco
*Orlando Gray Wales
*Benjamin West
*Philip Fishbourne Wharton
*David Campbell Wilson
*Constantina Zavitsanos
*Mary B Schuenemann

Notes

References

* "The Pennsylvania Academy and its women, 1850-1920 / [catalogue of an exhibition held] May 3-June 16, 1974 [at the] Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania". Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 1974.
* May, Stephen, "“And Enduring Legacy: The Pennsylvania Academy of Fine Arts, 1805-2005” Pennsylvania Academy of the Fine Arts, 1805-2005 : 200 years of excellence / essays by Mark Hain ... [et al.] ; catalogue entries by Alex Baker ... [et al.] ". Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2005.
* Yount, Sylvia [et al.] . "Cecilia Beaux: American Figure Painter". Atlanta: High Museum of Art ; Berkeley: University of California Press, 2007.

External links

* [http://www.pafa.org/splashFlash.jsp Pennsylvania Academy of the Fine Arts Official Website]