The Tangled Skein

Infobox Book |
name = The Tangled Skein
title_orig =
translator =


image_caption = Cover of the 1907 1st edition
author = Baroness Orczy
illustrator =
cover_artist =
country = United Kingdom
language = English
series =
genre = Historical novel
publisher = Greening & Co
release_date = 1907
english_release_date =
media_type = Print (Hardback & Paperback)
pages = 332 pp
isbn = NA
preceded_by =
followed_by =

First published under the title "In Mary's Reign" in 1901, this was Baroness Orczy's second novel. It was re-released under the title "The Tangled Skein" in 1907, following the success of "The Scarlet Pimpernel".

The book is a period romance and is dedicated to "my little son Jack" (who was born in 1899).

Contents

*Part I - Mirrab the Witch,
*Part II - The Lady Ursula,
*Part III - A Game of Chess,
*Part IV - His Grace of Wessex.

Plot summary

In "The Tangled Skein", Baroness Orczy does not paint Queen Mary nearly so black as she is usually portrayed. Indeed Mary is depicted as so passionately loving as to be almost lovable, a woman of strong emotions, invariably swayed by justice.

The tangling of the skein is due to Mary’s supposititious love for Robert d’Esclade, fifth Duke of Wessex, whom the people of England desire to become King Consort.

He is the embodiment of all chivalry, and every virtue dear to the heart of an Englishman. He is, so far, fancy free, but beyond deep respect for, and loyalty to, his Queen, he has no other feeling, and the idea of marriage with her merely for political reasons is repulsive to him. He is at the same time half betrothed, but not bindingly, to Lady Ursula Glynde, whom he has not seen since her babyhood.

Wessex is repelled by the idea of having his wife thrust upon him in any way, and purposely avoids the girl, in which he is, unknown to himself, aided and abetted by the Queen, who tries jealously to guard him against falling a victim to Ursula’s undoubted fascinations.

The Lady Ursula is exceedingly beautiful, very, sprightly in manner, and a favourite wherever she goes. As soon as she realises for what purpose Mary is keeping her in the background, Ursula’s spirit is aroused to the point of self-defence. To begin with, she is in love with Wessex, the report of his nobility and goodness and the feeling that in a measure he belongs to her, have influenced her all her life; but she has also a deeper interest at stake in the fact that on her father’s death- bed she bound herself by a promise to go into a convent if she should not marry Wessex.

Ursula has no fancy to take the veil, so merry, so utterly independent is she that she takes to breaking bounds in order to frustrate the Queen’s jealousy; and bring herself under the notice of her betrothed, which she achieves, and all would have gone well for the young couple but for the power of Cardinal de Moreno, and his tool Don Mignel, Marquis de Saurez.

The Cardinal is in England in order to negotiate the marriage between Philip II of Spain and Mary. His only stumbling block he discovers to be Wessex, and with a view to clearing him out of the way he first tries to bring about the marriage between the Duke and Lady Ursula. But, Mary discovers the ruse, and, in a fit of rage, declares that if this comes about his Eminence may leave England immediately; she will not marry Philip, Then the Cardinal has to set to work to part the lovers, a far more difficult and intricate business than bringing them together.

It costs a life, Wessex his freedom, and Lady Ursula her good name before it can be affected. The skein is more hopelessly tangled than before, and still Mary remains obdurate. To straighten the tangle it takes the forfeiting of Mary’s dignity, her love, and her will. The Cardinal’s victory is gained at the expense of his own career. The lovers themselves are left with scars they can never forget.