Kevin Kopelson

Kevin Kopelson is an American literary critic. He received a B.A. from Yale University, a J.D. from Columbia University, and a Ph.D. from Brown University. Currently, he is Professor of English at The University of Iowa.

Kopelson has published extensively in the related fields of sexuality studies, critical theory, cultural studies, and 20th-century literature. His first three books are nostalgic, concerning supposedly passé art forms and ideologies. "Love’s Litany" examines ways in which 19th-century conceptions of romantic love have shaped 20th-century conceptions of homosexuality, as seen in work by Oscar Wilde, Ronald Firbank, André Gide, Virginia Woolf, Gertrude Stein, Marguerite Yourcenar, Mary Renault, and Roland Barthes. "Beethoven’s Kiss" examines ways in which the performance of 19th-century piano music has shaped that of 20th-century homosexuality, with special attention paid to the erotic anxieties of amateurism (that of Gide and Barthes in particular), the sexualization of the child prodigy (young Franz Liszt in particular), the sexualization of the male virtuoso (Liszt, Vladimir Horowitz, Arthur Rubinstein, Van Cliburn), castrating figurations of the female teacher, and the convergence, in Liberace, of issues concerning class, the “closet,” and the “camp” sensibility. "The Queer Afterlife of Vaslav Nijinsky" examines the modern reception of this classical ballet dancer (yet another “sexual virtuoso” – as well as the most important gay celebrity after Wilde). It performs an impressionistic (or Paterian) account of Nijinsky’s career as well, also considering the limits of the predominantly deconstructive (or Barthesian) methodology of all three books.

Kopelson’s recent work is humanistic. "Neatness Counts" is the first full-length study of the poetics of the modern writer’s workspace. (“What do desks represent for writers?” Kopelson wonders. “How do writers represent desks? For whom does the topography of the desk correspond to the topography of literary creation? For whom does it not correspond?” He find answers by looking at Barthes, Proust, Elizabeth Bishop, Tom Stoppard, and Bruce Chatwin.) "Sedaris" relates roles played in life by David Sedaris with ones that this most confessional of contemporary satirists plays with his readers.

Works

* "Love’s Litany: The Writing of Modern Homoerotics" (Stanford University Press, 1994).
* "Beethoven’s Kiss: Pianism, Perversion, and the Mastery of Desire" (Stanford University Press, 1996).
* "The Queer Afterlife of Vaslav Nijinsky" (Stanford University Press, 1997).
* "Neatness Counts: Essays on the Writer’s Desk" (University of Minnesota Press, 2004).
* "Sedaris" (University of Minnesota Press, 2007).