- Ambalavasi
Ambalavasi is the name of a
Kerala community (not to be confused with caste) composed of a number ofHindu castes such as Pushpakas (Unni ,Nambeesan , etc.),Chakyar s,Moothath s,Ilayath s,Kurukkal s,Warrier s,Marar s,Nambiar s etc. Traditionally, they perform temple related jobs and art forms. [K. Rama PisharotiThe Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 56, 1926 (1926), pp. 83-89]Etymology
The term "Ambalavasi" is derived from two words namely "Ambalam" (Temple) and "Vasi" (Inmate). The members of Ambalavasi community were originally dwellers and assistants in the Temples. Since they resided in the premises of temple, they came to known as Ambalavasis, meaning Temple-inmates.
Profession and Social Status
The main profession of the
Ambalavasi s was assistance in temples. Each caste of the Ambalavasi community had fixed duties to perform. The Ambalavasis had to perform duties known as "Kazhakam". This included everything associated with the management of the temple save for the actual ceremonies which were performed by theNamboothiri priests. Even in these ceremonies the Ambalavasis assisted the priests outside thesanctum sanctorum of the temple.Castes in the Ambalavasi Community
The Ambalavasis were broadly classified into two groups; the
sacred thread wearing castes and the non threaded castes.Among the former are included
Chakyar ,Nambiar ,Unni ,Nambeesan ,Ilayathu ,Mūttatu (Moosad), Warrier, Marayar (Marar),Pothuval ,Pisharody ,Nambidi ,Adikal etc. These threaded castes perform theUpanayanam , wear the sacred thread "Yajñopavītam"(Pūnūl) and adhere toGayatri mantra . They are known as Yajnopaveetadharis.The latter include Warriers,
Pothuval s,Pisharody s,Marar s etc.Each of the Ambalavasi castes claims to be greater than the other, but historically speaking they all had more or less equal status. Wearing the sacred thread doesn't mean that the former is a greater caste. It can be said that
Mūttatu headed the threaded whilePisharody headed the non threaded Ambalavasis.The major castes in the ambalavasi community are listed below.
A brief description of each of these castes are given below:
Pushpakas
Pushpakas are lower class
Brahmin s inKerala . The Pushpaka Brahmins show attributes of both theBrahmin s andKshatriya s. Hence this caste is generally considered as an intermediate caste between Brahmins and Kshatriyas. They are commonly known as Arddhabrahmanar i.e. Semi-Brahmin s. The Pushpakans are believed to be the lowerclass of brahmins in Kerala. Although they wear the "Yajnopaveetam " or the sacred brahminical thread and perform theUpanayan am, they were not consideredBrahmins in the true sense of the term, but superior Ambalavasis.There are various sub-castes within the Pushpaka caste. These include
Nambeesan s,Unni s, Nambis and Nambidis. The surname Nambeesan is used in North Kerala while Unni is used in South Kerala. In the Middle Kerala, both surnames are common.Males of pushpakas served as teachers in Pathasalas, as assistants to the main priest and as lamp-bearers (vilakkeduppukaar), while females served as garland makers and as cleaners of inner cortyard of temples.
As per the famous Parasurama myth, the warrior sage
Bhargava Rama (Parasurama ) is said to have brought a group of Brahmins to Kerala of which 64 families were allowed to conduct the ceremonies in the temples. They became theNamboothiri s. The remaining families of Brahmins became their assistants and were not allowed inside theSree Kovil or main shrine of the temple. They came to known as Pushpaka Brahmins as their work was associated mainly with flowers.Muthatu and Elayathu
Also known as
Moosad , they are considered the highest of the Ambalavasi castes and are said to be degraded Brahmins, the cause of degradation being that they tatooed themselves withShaivite images. The Elayathu was considered the lowest ofMalayali Brahmins and was the priest of theNairs .Varyar
Varyers were temple administrators. The word "Variyar" has originated from Tamil, meaning a person who maintains the accounts (in short, "
Accountant "). In the pre-Namboodiri era of Keralam, the agricultural property of every village belonged to a village temple. There was an elected committee to administer the temple and the properties. The Manager or Accountant of this committee was called Variyar, and he was accountable to the Committee. Managing the temple and providing materials required for "nivedyam," cleaning vessels used for the preparation of "nivadyam" and "puja", daily maintenance of the temple premises, etc., were responsibilities of the Variyar's family. Warrier ladies were known as "Warasyars"Marar
Marar s are considered the lowest of Ambalavasis. This is so because the Marars are the higher classes of theMaaran s who are mentioned in the "Jati Nirnayam" as among the eighteenSudra castes known asNair s. However these higher classes who were solely engaged in temple service were subsequently elevated and considered Ambalavasis inMalabar , Cochin and NorthTravancore . In Central and South Travancore these higher classes, known as "Asupanis" are still included among the remaining Maarans and hence considered Nairs. The customs and ceremonies of the Marars are the same as the Nairs, including pollution after death for 16 days, though the lifestyle is typically Ambalavasi.Pisharody
The
Pisharody s have originated from aBrahmin who was on the verge of becoming aSanyasin as per the then existent customs but ran away in the last moment.That is also the reason whyPisharody s did not burn their dead. Another story about the origin of Pisharodies is that they are the Hindus converted from Buddhist religion in the period ofSankaracharya . The origin of the name is traced from the name Bhikswaradiakal, associated withBuddhism in Kerala.Pisharody ladies were known as "Pisharasyars" or "Sharasyars".Classification
Ambalavasis formed an intermediate class between
Brahmins andKshatriyas . There are similar Brahmin communities found all overIndia .Niyogi Brahmins of Andhra, Chithpaavan Brahmins of Maharashtra,Bhumihar s of Bihar,Mohyal of Punjab,Tyagis of WestUttar Pradesh etc. are Brahmin communities which have the same status of Ambalavasis in Kerala. Besides all, the foreign travellers in Kerala classed the Ambalavasis with the Foreign Brahmins likeKonkanastha Brahmins,Iyer s etc while making records.ocial Customs
Following is a Nagam Aiya's description of the general social customs of the Ambalavasis:
Gotras
Of the various castes the Yajñopavītadhāris (Sacred-thread wearing Ambalavais) like
Unni s,Nambeesan s,Mūttatu etc. belong to theViswamitra Gotra m. They adheres to the 'Gayatri ' mantra.The non-threaded Ambalavasis belong to Kaushika
Gotra m and adheres to Panchakshara mantra. However, some of the non-threaded Ambalavasi castes claim different Gotras. For example,thePisharody s claim that they belong to theVaikuntha Gotra m and the Warriers claim that they belong to theKailasa Gotra m as they are mentioned in the "Keralolpathi" text as "Vaikuntha Vasis" and "Kailasa Vasis"respectively.Pothuval s donot have aGotra .ervices
Ambalavasis were temple employees but they were not aristocratic like the Namboodiris. In the past they resided within the temples in their quarters and were sustained by the temple. They were simple people who lived at the benevolence of the temple. The main ceremonials in the temples were carried out by the
Namboodiri s while assisting them was the duty of the Ambalavasis. Each of the castes in this community was associated with specific jobs.Other than their services in the temple the Ambalavasis were the priests for the lower castes as well.
Mūttatu (Muttatu/Moosad),Ilayatu (Elayathu),Nambidi andNambeesan s conducted the various religious sacrifices for theNair s, though not in the temples while the Marayars conducted the birth, wedding and death ceremonies of lowerNair subcastes in Travancore. Elayatu is the traditional purohit (priest) of Nayars who conduct the after-death rites for them in Malabar.The Ambalavasis, specially the Pushpakans and the
Pisharody s were masters of theSanskrit language. They worked as teachers in Pathasalas associated with Temples.Art Forms
The contribution of Ambalavasis of Kerala to the cultural heritage of India in the fields of art is substantial in everysense. Ambalavasis has through the centuries developed several art forms of a religious or quasi-religious character. The major art forms developed by Ambalavasis are:
*
Koothu
*Thullal
*Koodiyattam
*Tīyāttu
*Sopana Sangeetam
*Brahmanippattu
*Panchavadyam Customs and Ceremonies
For the Yajnopaveetadhari Ambalavasis, many customs are similar to the
Namboodiri s though not exactly the same. While namboothiris are following 16 karmas, these ambalavasis are following only 12. And there are many other differences in their customs also. While Namboothiri women were only white dress at the time of marriage, it is not allowed for these Ambalavasi castes.Likewise the non-threaded Ambalavasis followed most of the
Nair customs and traditions though not exactly the same. Period of pollution after births and deaths for the Ambalavasis was always lesser than that of theNair s.Prominent Ambalavasis
*
Kottarathil Sankunni - Famous Malayalam writer; Writer of Aithihyamala
*Shadkala Govinda Marar - Legendary Carnatic musician
* Kunchan Nambiar - Inventor of the performing art calledThullal
*Ikkanda Warrier - Prime Minister of Cochin
* P.S Warrier - Visionary Ayrvedic Doctor and founder of Arya Vaidya Sala of Kottakkal
* Prof. P.R. Pisharoty - Famousphysicist andmeteorologist
*Unnayi Warrier - a great author from irinjalakuda, composed nalacharitam in malayalam
* Kottilil Gopala Marar - SwamiSiddheshwarananda - and founder of the Ramakrishna Ashrama, France
*Neralattu Rama Poduval -Sopanam artist, recipient of kendra sahitya akademi award
*K.Karunakaran - former Chief Minister of Kerala
*K.Chandrasekharan - former Education and Law Minister of Kerala
*G.Sankara Kurup - poet and first recipient of the Jnanpith award
*Manju Warrier - Actress
*Divya Unni - Actress
*Sharath Marar - Film Produceree also
*
Forward Castes
*Brahmin
*List of Ambalavasi Families
*Namboothiri References
* [http://links.jstor.org/sici?sici=0307-3114(1926)56%3C83%3APR%3E2.0.CO%3B2-2 Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 56, 1926 (1926), pp. 83-89]
*Travancore State Manual by V.Nagam AiyaExternal links
* [http://www.warriers.org Variars Website]
* [http://www.pisharodysamajam.com Pisharody site]
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