Wonder Bar

Infobox Film
name = Wonder Bar


image_size =
caption =
director = Lloyd Bacon
Busby Berkeley
producer =
writer = Play:
Geza Herczeg
Karl Farkas
Robert Katscher
Adapt. & screenplay:
Earl Baldwin
narrator =
starring = Al Jolson
Kay Francis
Dolores del Rio
Ricardo Cortez
Dick Powell
Guy Kibbee
music = Harry Warren "(music)"
Al Dubin "(lyrics)"
cinematography = Sol Polito
editing = George Amy
distributor = Warner Bros.
released = 31 March fy|1934
runtime = 84 minutes
country = FilmUS
language = English
budget = $675,000 "(est.)"
gross = $2,035,000
"(rentals-world)"
imdb_id = 0026007

"Wonder Bar" is a 1934 movie adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley. It stars Al Jolson, Kay Francis, Dolores del Rio, Ricardo Cortez, Dick Powell, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Louise Fazenda, Fifi D'Orsay, Merna Kennedy, Henry O'Neill, Robert Barrat, Henry Kolker, and Spencer Charters in the main roles. For its time, "Wonder Bar" was considered risqué, barely passing the censors at the Hays Office. [ [http://movies.aol.com/movie/wonder-bar/1080850/synopsis "Wonder Bar" synopsis] ]

Plot

"Wonder Bar" is set in a Parisian nightclub, with the stars playing the ‘regulars’ to the club. The movie revolves around two main story points, a romance and a more serious conflict with death, and several minor plots. All of the stories are enlivened from time to time by extravagant musical numbers. The more serious story revolves around Captain Von Ferring (Robert Barrat), a German military officer. Ferring has gambled on the stock market and lost, now broke after dozens of failed investments, and is now at the Wonder Bar to try and pull a one night stand before killing himself the following day. Al Wonder (Al Jolson) knows about Ferring’s plan.

Meanwhile, an elaborate romance is unfolding. The bar’s central attraction is the Latin lounge dancing group led by Inez (Dolores del Rio). Al Wonder has a secret attraction to Inez, who has a burning passion for Harry (Ricardo Cortez). However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry.

Subplots are much more light in nature. They involve several drunken routines by two businessmen (Hugh Herbert and an uncredited Hobart Cavanaugh) and Al Wonder’s various narrations as emcee of the floor show and manager of the club.

Music and controversy

The various scenes of "Wonder Bar" are permeated by musical numbers which were designed and directed by Busby Berkeley. The music was first written for the Broadway stage by Geza Herczeg, Karl Farkas, and Robert Katscher, and was adapted for the big screen by Earl Baldwin. Most of the musical numbers were typically 1930s; big-band led by an entertaining band director (Al), with lavish costumes packed with showgirls (the trailers promised ‘over 250 of the world’s most beautiful women’). Two scenes stand above the rest. One was the blackface minstrel show finale, "Goin’ to Heaven on a Mule" (featuring Jolson and Hal LeRoy), full of racial stereotypes. The other involved a handsome man asking a dancing couple if he could cut in. The female partner, expecting his attention, agreed, only to see him dance with her male partner. Jolson then flaps his wrist and says, "Boys will be boys! Woo!" This scene almost caused the Production Code to reject the film, and was featured in the 1995 documentary "The Celluloid Closet".

Notes

External links

*imdb title|0026007
*tcmdb title|3605
*amg movie|1:117674
*" [http://movies.aol.com/movie/wonder-bar/1080850/main Wonder Bar] " at Moviefone