List of discontinued photographic films

List of discontinued photographic films

This pages list notable still camera films that have been discontinued.All Films on this page have either just been discontinued, have been updated or the company making the film no longer exists.Often Films will be updated and older versions discontinued without any change in the name.

Agfa

It has been suggested that some former AGFA products may be resurrected by other brands under a different name.

Agfapan APX 100

* Type: Black and white negative
* Speed: ISO 100, DIN 21
* Available formats: 35 mm, 120, sheet film (9x12, 10.2x12.7, 13x18 cm)
* Granularity: (x 1000): RMS 9.0
* Latitude:
* Resolving power: contrast 1000:1 150 line/mm
* History:
* Primary usage:
* General characteristics:

Agfapan APX 400

* Type: black and white negative
* Speed: ISO 400, DIN 27
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 14.0
* Latitude:
* Resolving power: contrast 1000:1 110 line/mm
* History:
* Primary usage:
* General characteristics:

Agfa Ultra 100

* Type: Colour negative
* Speed: ISO 100, DIN 21
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 3.8
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 60 line/mm
* History:
* Primary usage: Landscapes and nature.
* General characteristics: Very high saturation film.

AgfaColor Optima 100

* Type: Colour negative
* Speed: ISO 100, DIN 21
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 4.0
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 140 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

AgfaColor Optima 200

* Type: Colour negative
* Speed: ISO 200, DIN 24
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 4.3
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 130 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

AgfaColor Optima 400

* Type: Colour negative
* Speed: ISO 400, DIN 27
* Available formats: 35 mm, 120, 220
* Granularity: (x 1000): RMS 4.5
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 130 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

AgfaColor Portrait 160

* Type: Colour negative
* Speed: ISO 160, DIN 23
* Available formats: 35 mm, 120, 220
* Granularity: (x 1000): RMS 3.5
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 150 line/mm, contrast 1.6:1 60 line/mm
* History:
* Primary usage:
* General characteristics:

Agfachrome RSX II 50

* Type: Color Reversal
* Speed: ISO 50, DIN 18
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 10.0
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 135 line/mm, contrast 1.6:1 55 line/mm
* History:
* Primary usage:
* General characteristics:

Agfachrome RSX II 100

* Type: Colour Reversal
* Speed: ISO 100, DIN 21
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 10.0
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 130 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

Agfachrome RSX II 200

* Type: Colour Reversal
* Speed: ISO 200, DIN 24
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 12.0
* Latitude:
* Colour saturation:
* Resolving power: contrast 1000:1 120 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

Agfa Scala 200x

* Type: Black and White Reversal
* Speed: ISO 200, DIN 24
* Available formats: 35 mm, 120, 4x5 Sheet Film
* Granularity: (x 1000): RMS 11.0
* Latitude:
* Resolving power: contrast 1000:1 120 line/mm, contrast 1.6:1 50 line/mm
* History:
* Primary usage:
* General characteristics:

Fujifilm

Provia 400F

* Type: Colour Reversal
* Speed: ISO 400/27°
* Available formats: 35 mm, 120
* Granularity: (x 1000): RMS 13
* Latitude:
* Colour saturation: High
* Resolving power: contrast 1000:1 135 line/mm, contrast 1.6:1 55 line/mm
* History: Replaced by Provia 400X
* Primary usage: Sports, journalism, stage shows, astrophotography


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