Palazzo dei Priori

The Palazzo dei Priori, Perugia is among the most renowned civic structures built by Italian communes of Central Italy during the High Middle Ages to house their city governments. It is not the sole "Palazzo dei Priori": the "Priori" of other communes were housed in a "Palazzo dei Priori" such as may be seen at Volterra. In Perugia the "magistratura dei Priori", "magistrature of the first citizens", was established in 1303: the palazzo had been called the "Palazzo Nuovo del Popolo" ("New Palace of the People") to that point. [ [http://www.comune.perugia.it/canale.asp?id=2907 Portale Comune di Perugia] .] During intractable civic quarrels, a podestà might be established, housed in a separate structure, the "Palazzo del Podestà", of which only the Loggia added by Braccio da Montone flanking the Cathedral of San Lorenzo e San Ercolano remains. When the palazzo of this rival to the power of the "Priori" burned in 1534, significantly, it was not replaced, but fragments from it were incorporated into the archbishop's palace, also fronting the main piazza. [Touring Club Italiano, "Umbria" (1926) 1966, p. 66.]

The "Magistratura dei Priori" that was housed in the structure consisted of ten representatives of each of Perugia's main guilds from among the forty-four that existed, permitted a tenure of only two months. The money-changers, who were housed in their own adjoining quarters in the fifteenth century, had the privilege of always being represented among the Priori, and the merchants' guild was represented by two members instead of one. After the "Salt War" of 1540 with Pope Paul III, the Priori were renamed “Conservatori dell’Ecclesiastica Obbedienza” ("Keepers of Ecclesiastical Obedience") and, the Palazzo del Podestà having been destroyed, the Palazzo dei Priori became the seat of the Papal Legate, the new governor of Perugia. [ [http://www.comune.perugia.it/canale.asp?id=2907 Portale Comune di Perugia] .] When Pope Julius III restored the Priori, the grateful Perugini commemorated him with the bronze statue next to the Cathedral.

The structure commands the corner where the main artery of medieval Perugia, Corso Vannucci, enters the city's main square; [Today the "Piazza IV Novembre", commemorating the first armstice between Italy and Austria, closing hostilities in World War I.] a first section was constructed in 1293-97, at first as the "Palatium Novum Populi", the "new Palace of the People", [The "Priori" took the place of a "Capitano del Popolo" ("People's Captain") in 1303. The builders who contracted for the construction in 1293 were the perugini Giacomo di Servadio and Giovanello di Benvenuto. (TCI, "Umbria" 1966:79.)] with ten bays along the Corso and three facing the piazza. Two more bays and a grand entrance portal were added to the piazza façade in 1333-37, together with the arcaded loggia, where decrees were publicly read. [The church of S. Severo was demolished in order to effect this extension. (TCI, "Umbria" 1966:80).] Later in the fourteenth century the palazzo was extended along the Corso, with six bays and a richly carved entrance doorway worthy of a cathedral. Rising above, a tower surmounts and controls the arched access to Via dei Priori, the ancient way that descends to the Etruscan gateway, the Roman Porta Trasimena, which was Christianized as the "Arca di S. Luca". [TCI "Umbria" p. 94.] A further section down the Corso was built in 1429-43, still keeping to the Gothic tripartite fenestration, to house the "Collegio del Cambio", the "money exchange" that was the financial center of Perugia.

The perimeter of the roof was originally crenellated all around, less for actual defensive purposes than as a symbol of Perugia's independence. Significantly, the crenellations were removed in 1610, when Perugia had submitted at last to papal armies. [ [http://www.perugiaonline.com/perugia_palazzodeipriori.html Perugia On-line] ] When Perugia was joined to a united Italy, the crenellations were triumphantly restored.

The grand portal in the Piazza is surmounted by the city's symbols, the griffin of Perugia and the Imperial Guelf lion, in bronze; the originals [The originals are now in the Galleria Nazionale dell'Umbria, which is housed in the palazzo] were probably cast in the Arsenal of Venice, in 1274, the first European bronze castings in the round achieved since Antiquity. Above the door, strung on a bar hanging from chains the keys to the gates of Siena were triumphantly displayed, following the victory of Perugia at the battle of Torrita, 1358. [TCI, "Umbria" 1966:80.]

The portal leads to an austere vaulted undercroft [The "Atrio", as it is called, has little immediate resemblance to the "atrium" of a Roman "domus".] with the stairs leading to the vaulted frescoed "Sala" of the former council chamber of the Priori on the "piano nobile"; the "Sala" was allocated to the notaries guild in 1582, as the "Sala dei Notari", when their former quarters, the Palazzetto dei Notari, on the opposite side of the Corso were partially demolished in a street widening. On the left is the entrance to the Galleria Nazionale dell'Umbria one of the most outstanding provincial Italian collections of art.

This sight was also noted in Stephenie Meyer's book, New Moon.

Notes

External links

* [http://www.perugiaonline.com/perugia_palazzodeipriori.html Perugia On-line: Palazzo dei Priori]