- German folklore
German folklore shares many characteristics with
Scandinavian folklore andEnglish folklore due to their origins in a commonGermanic mythology . It reflects a similar mix of influences: a pre-Christian pantheon and other beings equivalent to those ofNorse mythology ; magical characters (sometimes recognisably pre-Christian) associated with Christian festivals, and various regional 'character' stories.As in Scandinavia, when belief in the old gods disappeared, remnants of the mythos persisted:
Holda , a "supernatural" patron of spinning; theLorelei , a dangerousRhine siren derived from theNibelung myth; the spiritBerchta (also known as Perchta); theWeisse Frauen , a water spirit said to protect children; theWild Hunt (in German folklore preceded by an old man, Honest Eckart, who warns others of its approach); the giantRübezahl ;changeling legends; and many more generic entities such as theelf ,dwarf ,kobold anderlking .Christian folklore includes
Knecht Ruprecht , a rough companion toSanta Claus ; the Lutzelfrau, aYule witch who must be appeased with small presents; the Osterhase (Easter Hare - the originalEaster Bunny ); andWalpurgisnacht , a spring festival derived from pagan customs.Character folklore includes the stories of
the Pied Piper of Hamelin , thetrickster heroTill Eulenspiegel , theTown Musicians of Bremen andFaust .Documentation and preservation of folklore in the states that formally united as
Germany in 1871 was initially fostered in the 18th and 19th centuries. The Saxon author Johann Karl August Musäus was an early collector, and study was further promoted by thePrussia n poet and philosopherJohann Gottfried von Herder . His belief in the role of folklore in ethnic nationalism - a folklore of Germany as a nation rather than of disunited German-speaking peoples - inspired theBrothers Grimm ,Goethe and others. For instance, folklore elements, such as the Rhine Maidens and the Grimms' "The Story of a Boy Who Went Forth to Learn Fear ", formed part of the source material forRichard Wagner 's opera cycleDer Ring des Nibelungen .Some of the works of
Washington Irving - notablyRip van Winkle andThe Legend of Sleepy Hollow - are based on German folktales.Within Germany, the nationalistic aspect was further emphasised during the Nazi era. Folklore studies, Volkskunde, were co-opted as a political tool, to seek out (and modify) traditional customs to support the idea of historical continuity with an Aryan culture. Anti-Semitic folklore such as the
blood libel legend was also emphasised.References
"The Nazification of an Academic Discipline: Folklore in the Third Reich" (
James R Dow and Hannjost Lixfeld, eds. Bloomington: Indiana University Press, 1994. ISBN 0-253-31821-1).ee also
*
Continental Germanic mythology
*Folklore External links
* [http://www.uibk.ac.at/volkskunde/studium/literaturliste/index.html Excellent bibliography of recent studies in Volkskunde]
*gutenberg|no=2591|name=Grimm's Fairy Tales
* [http://www.ucs.mun.ca/~wbarker/fairies/grimm/ Tales Collected by the Brothers Grimm] Full text of translation by Margaret Hunt (1884)
*gutenberg|no=5314|name=Grimm's household tales with the authors' notes.
* [http://gutenberg.spiegel.de/autoren/musaeus.htm Johann Karl August Musäus] Projekt Gutenberg DE (in German)
* [http://www.pitt.edu/~dash/antisemitic.html Anti-Semitic folklore] DL Ashliman's "folktexts"
* [http://www.pitt.edu/~dash/gerchange.html German changeling legends] ditto
* [http://www.pitt.edu/~dash/gone.html The Disappearance of Little People Explained in German Legends] ditto
* [http://www.kirjasto.sci.fi/wirving.htm Washington Irving biography] at "Books and Writers"
* [http://www.iastate.edu/~ceah/01-02-dist.html James Dow] Iowa State University page
* [http://www.aaronshep.com/stories/064.html Lohengrin - The Tale of the Swan Knight] - Retold by Aaron Shepard, from the Opera by Richard Wagner
* [http://www.timelessmyths.com/norse/nibelungs.html Summary of the Nibelungenlied]
* [http://www.timelessmyths.com/norse/dietrich.html#Hildebrandslied Hildebrandslied]
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